Studies In Symbology
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Author | : Ronald A. Lidstone |
Publisher | : |
Total Pages | : 106 |
Release | : 1926 |
Genre | : Reference |
ISBN | : |
1926. A theosophical treatise on symbology, the belief that traditional symbols do not exist merely to be used as placeholders but are useful in understanding human nature and our relation to the infinite. Illustrated. Contents: On the Number Twelve; The Crucifix and the Tarot; The Initiations and the Tarot; The Types of Man; Diagrams.
Author | : Archive for Research in Archetypal Symbolism |
Publisher | : Taschen America Llc |
Total Pages | : 807 |
Release | : 2010 |
Genre | : Art |
ISBN | : 9783836514484 |
Offers photograph illustrations and essays on numerous symbols and symbolic imagery, exploring their archetypal meanings as well as cultural and historical context for how different groups have interpreted them.
Author | : Carl H. Hamburg |
Publisher | : Springer |
Total Pages | : 180 |
Release | : 2012-12-06 |
Genre | : Philosophy |
ISBN | : 9401194610 |
Since prefaces, for the most part, are written after a book is done, yet face the reader before he gets to it, it is perhaps not surprising that we usually find ourselves addressed by a more chastened and qualifying author than we eventually encounter in the ensuing pages. It is, after all, not only some readers, but the writer of a book himself who reads what he has done and failed to do. If the above is the rule, I am no exception to it. The discerning reader need not be told that the following studies differ, not only in the approaches they make to their unifying subject-matter, but also in their precision and thus adequacy of presentation. In addition to the usual reasons for this rather common shortcoming, there is an another one in the case of the present book. In spite of its comparative brevity, the time-span between its inception and termination covers some twenty years. As a result, some (historical and epistemological) sections reflect my preoccupation with CASSI RER'S eady works during student days in Germany and France. When, some ten years later, CASSIRER in a letter expressed "great joy" and anticipation for a more closely supervised con tinuation of my efforts (which, because of his untimely death, never came to pass), he gave me all the encouragement needed to go to work on a critical exposition of his "symbolic form" con cept.
Author | : William Indick |
Publisher | : McFarland |
Total Pages | : 205 |
Release | : 2014-01-10 |
Genre | : Social Science |
ISBN | : 0786492333 |
Archetypal symbols in ancient myths as well as the folktales, nursery stories, and fairytales of the Middle Ages are the blueprints of modern fantasy literature. This book explores the modern dreamscape of present-day fantasy, using the ancient myths and traditional fairytales as guides and shining the light of psychological insight onto every symbolic figure and theme encountered. Chapters are dedicated to all of the significant archetypes: heroes and princesses, fairy godmothers and evil witches, wizards and dark lords, magic, and magical beasts are all explored. The analyses and interpretations are informed by classic psychoanalytic studies; the works of fantasy literature examined in this book include the most popular and influential in the genre.
Author | : Michael J. Marcuse |
Publisher | : Univ of California Press |
Total Pages | : 872 |
Release | : 1990-01-01 |
Genre | : Literary Criticism |
ISBN | : 9780520051614 |
This ambitious undertaking is designed to acquaint students, teachers, and researchers with reference sources in any branch of English studies, which Marcuse defines as "all those subjects and lines of critical and scholarly inquiry presently pursued by members of university departments of English language and literature.'' Within each of 24 major sections, Marcuse lists and annotates bibliographies, guides, reviews of research, encyclopedias, dictionaries, journals, and reference histories. The annotations and various indexes are models of clarity and usefulness, and cross references are liberally supplied where appropriate. Although cost-conscious librarians will probably consider the several other excellent literary bibliographies in print, such as James L. Harner's Literary Research Guide (Modern Language Assn. of America, 1989), larger academic libraries will want Marcuse's volume.-- Jack Bales, Mary Washington Coll. Lib., Fredericksburg, Va. -Library Journal.
Author | : Eugen Fink |
Publisher | : Indiana University Press |
Total Pages | : 360 |
Release | : 2016-06-06 |
Genre | : Philosophy |
ISBN | : 0253021170 |
Eugen Fink is considered one of the clearest interpreters of phenomenology and was the preferred conversational partner of Edmund Husserl and Martin Heidegger. In Play as Symbol of the World, Fink offers an original phenomenology of play as he attempts to understand the world through the experience of play. He affirms the philosophical significance of play, why it is more than idle amusement, and reflects on the movement from "child's play" to "cosmic play." Well-known for its nontechnical, literary style, this skillful translation by Ian Alexander Moore and Christopher Turner invites engagement with Fink's philosophy of play and related writings on sports, festivals, and ancient cult practices.
Author | : I. M. Lewis |
Publisher | : London ; New York : Academic Press |
Total Pages | : 320 |
Release | : 1977 |
Genre | : Reference |
ISBN | : |
Author | : Steven Bateman |
Publisher | : Laurence King Publishing |
Total Pages | : 0 |
Release | : 2014-09-16 |
Genre | : Design |
ISBN | : 9781780671840 |
Symbols play an integral role in branding programs. This book explores the visual language of symbols according to their most basic element: form. Over 1,300 symbols from all over the world are here categorized by visual type, divested of all agendas, meanings, and messages that might be associated with them so that the effectiveness of their composition and impact can be assessed without distraction and so that the reader can enjoy them as a pictorial language in their own right. Every symbol is captioned with information on who it was designed for, who designed it, when, and what the symbol stands for. These sections are interspersed with short but detailed case studies featuring classic examples of symbols still in use, and exceptional examples of recently designed symbols. This comprehensive volume is an indispensable resource for designers working on identity systems, and an engaging showcase of this exciting field. Now in a compact format.
Author | : Michael Owen Jones |
Publisher | : SAGE Publications |
Total Pages | : 92 |
Release | : 1996-03-29 |
Genre | : Social Science |
ISBN | : 1506338704 |
Gaining a better understanding of the way organizations work through the study of the symbols connected to them is the subject of Studying Organizational Symbolism. Michael Owen Jones briefly discusses the most obvious symbolic aspects of organizations--corporate logos, office sizes, use of titles--but focuses on the less obvious but crucial aspect of expressive forms of symbolism--storytelling, institutional jargon, and workplace personalization, among others. Jones carefully defines organizational symbolism and then explains the various methodologies that assist the researcher in documenting it. Finally, he examines the symbolism inherent in doing research on organizations. Researchers interested in any facet of organizational studies will find Studying Organizational Symbolism to be a useful and necessary guide.
Author | : Henry Nash Smith |
Publisher | : Cambridge : Harvard University Press |
Total Pages | : 340 |
Release | : 1950 |
Genre | : History |
ISBN | : |
The spell that the West has always exercised on the American people had its most intense impact on American literature and thought during the nineteenth century. Smith shows, with vast comprehension, the influence of the nineteenth-century West in all its variety and strength, in special relation to social, economic, cultural, and political forces. He traces the myths and symbols of the Westward movement such as the general notion of a Westward-moving Course of Empire, the Wild Western hero, the virtuous yeoman-farmer--in such varied nineteenth-century writings as Leaves of Grass, the great corpus of Dime Novels, and most notably, Frederick Jackson Turner's The Frontier in American History. Moreover, he synthesizesthe imaginative expression of Westernmyths and symbols in literature withtheir role in contemporary politics,economics, and society, embodiedin such forms as the idea of ManifestDestiny, the conflict in the Americanmind between idealizations of primitivism on the one hand and of progressand civilization on the other, theHomestead Act of 1862, and public-land policy after the Civil War. The myths of the American Westthat found their expression in nineteenth-century words and deeds remaina part of every American's heritage,and Smith, with his insightinto their power and significance,makes possible a critical appreciation of that heritage.