Studies In Medieval Islamic Architecture
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Author | : Robert Hillenbrand |
Publisher | : |
Total Pages | : 576 |
Release | : 2001 |
Genre | : Architecture |
ISBN | : |
This is the first of two volumes to consider in detail the architecture of Islam, from Spain to India, from the 7th century to the present day. Hillenbrand's particular interests are Iranian buildings from the Saljuq period (11th to 12th centuries) and the Umayyad monuments in the Levant (660-750 AD). This volume considers the architecture of Cordoba in Spain, Syria, Pakistan and Britain and America and includes Islamic and Oriental art. The second volume, predominantly concerned with Iran, will be published in the autumn of 2001.
Author | : Glaire D. Anderson |
Publisher | : Ashgate Publishing, Ltd. |
Total Pages | : 262 |
Release | : 2013 |
Genre | : Art |
ISBN | : 9781409449430 |
Case study of Córdoban aristocratic estates during the Umayyad dynastic period (756-1031), synthesizing archaeological evidence unearthed from the 1980s up to 2009 with extant works of Andalusi art and architecture as well as evidence from medieval Arabic texts; incorporating material and insights from the fields of agricultural, economic, social and political history; and offering a fuller picture of secular architecture and social history in the caliphal lands and the Mediterranean.
Author | : Margaret S. Graves |
Publisher | : Oxford University Press |
Total Pages | : 572 |
Release | : 2018-07-31 |
Genre | : Art |
ISBN | : 0190695935 |
The art of the object reached unparalleled heights in the medieval Islamic world, yet the intellectual dimensions of ceramics, metalwares, and other plastic arts in this milieu have not always been acknowledged. Arts of Allusion reveals the object as a crucial site where pre-modern craftsmen of the eastern Mediterranean and Persianate realms engaged in fertile dialogue with poetry, literature, painting, and, perhaps most strikingly, architecture. Lanterns fashioned after miniature shrines, incense burners in the form of domed monuments, earthenware jars articulated with arches and windows, inkwells that allude to tents: through close studies of objects from the ninth to the thirteenth centuries, this book reveals that allusions to architecture abound across media in the portable arts of the medieval Islamic world. Arts of Allusion draws upon a broad range of material evidence as well as medieval texts to locate its subjects in a cultural landscape where the material, visual, and verbal realms were intertwined. Moving far beyond the initial identification of architectural types with their miniature counterparts in the plastic arts, Margaret Graves develops a series of new frameworks for exploring the intelligent art of the allusive object. These address materiality, representation, and perception, and examine contemporary literary and poetic paradigms of metaphor, description, and indirect reference as tools for approaching the plastic arts. Arguing for the role of the intellect in the applied arts and for the communicative potential of ornament, Arts of Allusion asserts the reinstatement of craftsmanship into Islamic intellectual history.
Author | : Robert Hillenbrand |
Publisher | : |
Total Pages | : 702 |
Release | : 2001 |
Genre | : Architecture |
ISBN | : |
Professor Hillenbrand has written extensively over the last 25 years on Islamic architecture from Spain to India and from the 7th to the 20th century. He has paid consistent attention to the architecture of Iran. This illustrated volume provides additional notes on studies in medieval Islamic architecture.
Author | : Finbarr Barry Flood |
Publisher | : John Wiley & Sons |
Total Pages | : 1442 |
Release | : 2017-06-16 |
Genre | : Art |
ISBN | : 1119068576 |
The two-volume Companion to Islamic Art and Architecture bridges the gap between monograph and survey text by providing a new level of access and interpretation to Islamic art. The more than 50 newly commissioned essays revisit canonical topics, and include original approaches and scholarship on neglected aspects of the field. This two-volume Companion showcases more than 50 specially commissioned essays and an introduction that survey Islamic art and architecture in all its traditional grandeur Essays are organized according to a new chronological-geographical paradigm that remaps the unprecedented expansion of the field and reflects the nuances of major artistic and political developments during the 1400-year span The Companion represents recent developments in the field, and encourages future horizons by commissioning innovative essays that provide fresh perspectives on canonical subjects, such as early Islamic art, sacred spaces, palaces, urbanism, ornament, arts of the book, and the portable arts while introducing others that have been previously neglected, including unexplored geographies and periods, transregional connectivities, talismans and magic, consumption and networks of portability, museums and collecting, and contemporary art worlds; the essays entail strong comparative and historiographic dimensions The volumes are accompanied by a map, and each subsection is preceded by a brief outline of the main cultural and historical developments during the period in question The volumes include periods and regions typically excluded from survey books including modern and contemporary art-architecture; China, Indonesia, Sub-Saharan Africa, Sicily, the New World (Americas)
Author | : Diana Darke |
Publisher | : Hurst & Company |
Total Pages | : 484 |
Release | : 2020 |
Genre | : Architecture |
ISBN | : 1787383059 |
Europeans are in denial. Against a backdrop of Islamophobia, they are increasingly distancing themselves from their cultural debt to the Muslim world. But while the legacy of Islam and the Middle East is in danger of being airbrushed out of Western history, its traces can still be detected in some of Europe's most recognisable monuments, from Notre-Dame to St Paul's Cathedral. In this comprehensively illustrated book, Diana Darke sets out to redress the balance, revealing the Arab and Islamic roots of Europe's architectural heritage. She tracks the transmission of key innovations from the great capitals of Islam's early empires, Damascus and Baghdad, via Muslim Spain and Sicily into Europe. Medieval crusaders, pilgrims and merchants from Europe later encountered Arab Muslim culture in journeys to the Holy Land. In more recent centuries, that same route through modern-day Turkey connected Ottoman culture with the West, leading Sir Christopher Wren himself to believe that Gothic architecture should more rightly be called 'the Saracen style', because of its Islamic origins. Recovering this overlooked story within the West's long history of borrowing from the Islamic world, Darke sheds new light on Europe's buildings and offers rich insights into the possibilities of cultural exchange.
Author | : Stephennie Mulder |
Publisher | : Edinburgh Studies in Islamic Art |
Total Pages | : 0 |
Release | : 2019 |
Genre | : Islamic shrines |
ISBN | : 9781474446334 |
This book explores the relationship between Sunnis and Shi'is as expressed in the patronage and architecture of shrines, and links them to the wider, pan-Islamic landscape of interconnected pilgrimage sites created from these acts of patronage.
Author | : Andrew Petersen |
Publisher | : Routledge |
Total Pages | : 356 |
Release | : 2002-03-11 |
Genre | : Reference |
ISBN | : 1134613652 |
The Dictionary of Islamic Architecture provides the fullest range of artistic, technical, archaeological, cultural and biographical data for the entire geographical and chronological spread of Islamic architecture - from West Africa through the Middle East to Indonesia, and from the seventh to the eighteenth centuries of the Common Era. Over 500 entries are arranged alphabetically and fully cross-referenced and indexed to permit easy access to the text and to link items of related interest. Four main categories of subject matter are explored: * dynastic and regional overviews * individual site descriptions * biographical entries * technical definitions Over 100 relevant plans, sketch maps, photographs and other illustrations complement and illuminate the entries, and the needs of the reader requiring further information are met by individual entry bibliographies.
Author | : David J. Roxburgh |
Publisher | : BRILL |
Total Pages | : 341 |
Release | : 2016-01-27 |
Genre | : Art |
ISBN | : 9004280286 |
Envisioning Islamic Art and Architecture: Essays in Honor of Renata Holod is a collection of studies on the portable arts, arts of the book, painting, photography, and architecture spanning the medieval and modern periods and across the historical Islamic lands. The essays reflect the wide-ranging interests and diverse methodologies of Renata Holod and attend to the physical, material, and aesthetic properties of their objects, offer nuanced explanations of complex relations between objects and historical contexts, and remain critically aware of the shape of the field of Islamic art and architecture, its canonical objects, approaches, and historiographies. Essential reading for scholars working on Islam and the Islamic world in the disciplines of history of art and architecture, history, literature, and anthropology. With contributions by María Judith Feliciano, Christiane Gruber, Leslee Katrina Michelsen, Nancy Micklewright, Stephennie Mulder, Johanna Olafsdotter, Yael Rice, Cynthia Robinson, David J. Roxburgh, D. Fairchild Ruggles, Alison Mackenzie Shah, and Pushkar Sohoni.
Author | : Stéphane Pradines |
Publisher | : BRILL |
Total Pages | : 294 |
Release | : 2018-09-11 |
Genre | : History |
ISBN | : 9004356339 |
This edited volume follows the panel “Earth in Islamic Architecture” organised for the World Congress for Middle Eastern Studies (WOCMES) in Ankara, on the 19th of August 2014. Earthen architecture is well-known among archaeologists and anthropologists whose work extends from Central Asia to Spain, including Africa. However, little collective attention has been paid to earthen architecture within Muslim cultures. This book endeavours to share knowledge and methods of different disciplines such as history, anthropology, archaeology and architecture. Its objective is to establish a link between historical and archaeological studies given that Muslim cultures cannot be dissociated from social history. Contributors: Marinella Arena; Mounia Chekhab-Abudaya; Christian Darles; François-Xavier Fauvelle; Elizabeth Golden; Moritz Kinzel; Rolando Melo da Rosa; Atri Hatef Naiemi; Bertrand Poissonnier; Stéphane Pradines; Paola Raffa and Paul D. Wordsworth.