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| Author | : Sigizmund Krzhizhanovsky |
| Publisher | : University of Wisconsin Pres |
| Total Pages | : 324 |
| Release | : 2018-08-07 |
| Genre | : Drama |
| ISBN | : 0299317102 |
Part I. Krzhizhanovsky on theater -- Part II. That third guy -- Part III. Krzhizhanovsky on Shaw and Shakespeare -- Part IV. Krzhizhanovsky on Pushkin.
| Author | : Evgeny Dobrenko |
| Publisher | : Anthem Press |
| Total Pages | : 569 |
| Release | : 2018-02-15 |
| Genre | : History |
| ISBN | : 1783086998 |
Socialist Realism in Central and Eastern European Literatures' is the first published work to offer a variety of alternative perspectives on the literary and cultural Sovietization of Central and Eastern Europe after World War II and emphasize the dialogic relationship between the ‘centre’ and the ‘satellites’ instead of the traditional top-down approach. The introduction of the Soviet cultural model was not quite the smooth endeavour that it was made to look in retrospect; rather, it was always a work in progress, often born out of a give-andtake with the local authorities, intellectuals and interest groups. Relying on archival resources, the authors examine one of the most controversial attempts at a cultural unification in Europe by providing an overview with a focus on specific case-studies, an analysis of distinct particularities with attention to the patterns of negotiation and adaptation that were being developed in the process.
| Author | : Viktoria Hasko |
| Publisher | : John Benjamins Publishing |
| Total Pages | : 407 |
| Release | : 2010 |
| Genre | : Language Arts & Disciplines |
| ISBN | : 9027205825 |
This volume unifies a wide breadth of interdisciplinary studies examining the expression of motion in Slavic languages. The contributors to the volume have joined in the discussion of Slavic motion talk from diachronic, typological, comparative, cognitive, and acquisitional perspectives with a particular focus on verbs of motion, the nuclei of the lexicalization patterns for encoding motion. Motion verbs are notorious among Slavic linguists for their baffling idiosyncratic behavior in their lexical, semantic, syntactical, and aspectual characteristics. The collaborative effort of this volume is aimed both at highlighting and accounting for the unique properties of Slavic verbs of motion and at situating Slavic languages within the larger framework of typological research investigating cross-linguistic encoding of the motion domain. Due to the multiplicity of approaches to the linguistic analysis the collection offers, it will suitably complement courses and programs of study focusing on Slavic linguistics as well as typology, diachronic and comparative linguistics, semantics, and second language acquisition. "This important book is a model of in-depth exploration that is much needed: intra-typological, diachronic, and synchronic exploration of contrasting ways of encoding a particular semantic domain û in this case the domain of motion events. The various Slavic languages present contrasting but related solutions to the intersection of motion and aspect. And, as a group, they offer alternate forms of satellite-framed typology, in contrast to the more heavily studied Germanic languages of this general type. The up-to-date and interdisciplinary nature of the volume makes it essential reading in cognitive and typological linguistics."-Dan I. Slobin, Professor Emeritus of Psychology and Linguistics, University of California, Berkeley "A feast for the mind, with untold riches and variety: different approaches, patterns and usage, diachronic as well as synchronic, Slavic and not just Russian. All on a high intellectual level from capable scholars. Ful besy were the editors in every thing, That to the feste was appertinent."-Alan Timberlake, Columbia University
| Author | : Garth M. Terry |
| Publisher | : |
| Total Pages | : 160 |
| Release | : 1994 |
| Genre | : East European literature |
| ISBN | : |
| Author | : Library of Congress |
| Publisher | : Washington, D.C. : Library of Congress, Cataloging Distribution Service |
| Total Pages | : 232 |
| Release | : 1991 |
| Genre | : Foreign Language Study |
| ISBN | : |
| Author | : Laurence W. Mazzeno |
| Publisher | : Boydell & Brewer |
| Total Pages | : 232 |
| Release | : 2018 |
| Genre | : Literary Criticism |
| ISBN | : 1571139729 |
From his first book publication in 1958, the American writer John Updike attracted an international readership. His books have been translated into twenty-three languages, and he has always had a strong following in the United Kingdom and in Europe. Although Updike died in 2009, interest in his work remains strong among European scholars. No recent volume, however, collects diverse European views on Updike's oeuvre. The current book fills that void, presenting essays that perceive Updike's renditions of America through the eyes of scholar/readers from both Western and Eastern Europe--back cover.
| Author | : Minae Mizumura |
| Publisher | : Columbia University Press |
| Total Pages | : 237 |
| Release | : 2015-01-06 |
| Genre | : Literary Criticism |
| ISBN | : 0231538545 |
Winner of the Kobayashi Hideo Award, The Fall of Language in the Age of English lays bare the struggle to retain the brilliance of one's own language in this period of English-language dominance. Born in Tokyo but raised and educated in the United States, Minae Mizumura acknowledges the value of a universal language in the pursuit of knowledge yet also embraces the different ways of understanding offered by multiple tongues. She warns against losing this precious diversity. Universal languages have always played a pivotal role in advancing human societies, Mizumura shows, but in the globalized world of the Internet, English is fast becoming the sole common language of humanity. The process is unstoppable, and striving for total language equality is delusional—and yet, particular kinds of knowledge can be gained only through writings in specific languages. Mizumura calls these writings "texts" and their ultimate form "literature." Only through literature and, more fundamentally, through the diverse languages that give birth to a variety of literatures, can we nurture and enrich humanity. Incorporating her own experiences as a writer and a lover of language and embedding a parallel history of Japanese, Mizumura offers an intimate look at the phenomena of individual and national expression.
| Author | : Iddo Gefen |
| Publisher | : Astra Publishing House |
| Total Pages | : 306 |
| Release | : 2021-08-17 |
| Genre | : Fiction |
| ISBN | : 1662600445 |
*WINNER OF THE 2023 SAMI ROHR PRIZE FOR JEWISH LITERATURE, FICTION* "This vigorous, inventive work will surely fire up readers' neurons." — Starred Review, Publisher's Weekly For fans of Etgar Keret, a debut collection that fuses the humor of everyday life in Israel with technology's challenges and the latest discoveries about the human brain. At once compassionate, philosophical, and humorous, Jerusalem Beach is a foray into the human condition in all its contradictions. Through a series of snapshots of contemporary life in Israel, Gefen reveals a world that’s a step from the familiar. A man’s grandfather joins an army platoon of geriatrics looking for purpose in old age. A scheming tech start-up exposes the dire consequences of ambition in trying to share human memories. An elderly couple searches for a beach that doesn’t exist. And, a boy mourns his brother’s death in an attempt to catch time like flies in his fist. Entirely heartfelt and infused with pathos, Jerusalem Beach is an exploration of both technology and the brain. Whether ruminating on the stakes of familial love or pitching the reader headlong into the absurdity of success and failure, Gefen leaves the reader intrigued throughout.
| Author | : Edward Tyerman |
| Publisher | : Columbia University Press |
| Total Pages | : 561 |
| Release | : 2021-12-07 |
| Genre | : History |
| ISBN | : 023155298X |
Winner, 2022 AATSEEL Best Book in Literary Studies, American Association of Teachers of Slavic and European Languages Honorable Mention, 2022 Aldo and Jeanne Scaglione Prize for Comparative Literary Studies, Modern Language Association Following the failure of communist revolutions in Europe, in the 1920s the Soviet Union turned its attention to fostering anticolonial uprisings in Asia. China, divided politically between rival military factions and dominated economically by imperial powers, emerged as the Comintern’s prime target. At the same time, a host of prominent figures in Soviet literature, film, and theater traveled to China, met with Chinese students in Moscow, and placed contemporary China on the new Soviet stage. They sought to reimagine the relationship with China in the terms of socialist internationalism—and, in the process, determine how internationalism was supposed to look and feel in practice. Internationalist Aesthetics offers a groundbreaking account of the crucial role that China played in the early Soviet cultural imagination. Edward Tyerman tracks how China became the key site for Soviet debates over how the political project of socialist internationalism should be mediated, represented, and produced. The central figure in this story, the avant-garde writer Sergei Tret’iakov, journeyed to Beijing in the 1920s and experimented with innovative documentary forms in an attempt to foster a new sense of connection between Chinese and Soviet citizens. Reading across genres and media from reportage and biography to ballet and documentary film, Tyerman shows how Soviet culture sought an aesthetics that could foster a sense of internationalist community. He reveals both the aspirations and the limitations of this project, illuminating a crucial chapter in Sino-Russian relations. Grounded in extensive sources in Russian and Chinese, this cultural history bridges Slavic and East Asian studies and offers new insight into the transnational dynamics that shaped socialist aesthetics and politics in both countries.
| Author | : Chloë Kitzinger |
| Publisher | : Northwestern University Press |
| Total Pages | : 357 |
| Release | : 2021-09-15 |
| Genre | : Literary Criticism |
| ISBN | : 0810143984 |
What makes some characters seem so real? Mimetic Lives: Tolstoy, Dostoevsky, and Character in the Novel explores this question through readings of major works by Leo Tolstoy and Fyodor Dostoevsky. Working at the height of the Russian realist tradition, Tolstoy and Dostoevsky each discovered unprecedented techniques for intensifying the aesthetic illusion that Chloë Kitzinger calls mimetic life—the reader’s sense of a character’s autonomous, embodied existence. At the same time, both authors tested the practical limits of that illusion by extending it toward the novel’s formal and generic bounds: philosophy, history, journalism, theology, myth. Through new readings of War and Peace, Anna Karenina, The Brothers Karamazov, and other novels, Kitzinger traces a productive tension between mimetic characterization and the author’s ambition to transform the reader. She shows how Tolstoy and Dostoevsky create lifelike characters and why the dream of carrying the illusion of “life” beyond the novel consistently fails. Mimetic Lives challenges the contemporary truism that novels educate us by providing enduring models for the perspectives of others, with whom we can then better empathize. Seen close, the realist novel’s power to create a world of compelling fictional persons underscores its resources as a form for thought and its limits as a direct source of spiritual, social, or political change. Drawing on scholarship in Russian literary studies as well as the theory of the novel, Kitzinger’s lucid work of criticism will intrigue and challenge scholars working in both fields.
