Challenges and Objectives in Music Archaeology
Author | : Ellen Hickmann |
Publisher | : |
Total Pages | : 630 |
Release | : 2008 |
Genre | : Music archaeology |
ISBN | : |
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Author | : Ellen Hickmann |
Publisher | : |
Total Pages | : 630 |
Release | : 2008 |
Genre | : Music archaeology |
ISBN | : |
Author | : Gjermund Kolltveit |
Publisher | : Ekho Verlag |
Total Pages | : 367 |
Release | : 2020-12-31 |
Genre | : Music |
ISBN | : 394441540X |
The ICTM Study Group on Music Archaeology was founded in the early 1980s by Ellen Hickmann, John Blacking, Mantle Hood and Cajsa S. Lund. This is the third volume of the new anthology series published by the study group, bringing together theoretical and methodological approaches in the study of past music cultures. Each volume of the series is composed of concise case studies, bringing together the world's foremost researchers on a particular subject, reflecting the wide scope of music-archaeological research world-wide. The series draws in perspectives from a range of different disciplines, including newly emerging fields such as archaeoacoustics, but particularly encouraging both music-archaeological and ethnomusicological perspectives.
Author | : Rolf Bader |
Publisher | : Springer |
Total Pages | : 1089 |
Release | : 2018-03-21 |
Genre | : Technology & Engineering |
ISBN | : 3662550040 |
This unique reference book offers a holistic description of the multifaceted field of systematic musicology, which is the study of music, its production and perception, and its cultural, historical and philosophical background. The seven sections reflect the main topics in this interdisciplinary subject. The first two parts discuss musical acoustics and signal processing, comprehensively describing the mathematical and physical fundamentals of musical sound generation and propagation. The complex interplay of physiology and psychology involved in sound and music perception is covered in the following sections, with a particular focus on psychoacoustics and the recently evolved research on embodied music cognition. In addition, a huge variety of technical applications for professional training, music composition and consumer electronics are presented. A section on music ethnology completes this comprehensive handbook. Music theory and philosophy of music are imbedded throughout. Carefully edited and written by internationally respected experts, it is an invaluable reference resource for professionals and graduate students alike.
Author | : Bruno David |
Publisher | : Oxford University Press |
Total Pages | : 1185 |
Release | : 2018-10-17 |
Genre | : Social Science |
ISBN | : 0190844957 |
Rock art is one of the most visible and geographically widespread of cultural expressions, and it spans much of the period of our species' existence. Rock art also provides rare and often unique insights into the minds and visually creative capacities of our ancestors and how selected rock outcrops with distinctive images were used to construct symbolic landscapes and shape worldviews. Equally important, rock art is often central to the expression of and engagement with spiritual entities and forces, and in all these dimensions it signals the diversity of cultural practices, across place and through time. Over the past 150 years, archaeologists have studied ancient arts on rock surfaces, both out in the open and within caves and rock shelters, and social anthropologists have revealed how people today use art in their daily lives. The Oxford Handbook of the Archaeology and Anthropology of Rock Art showcases examples of such research from around the world and across a broad range of cultural contexts, giving a sense of the art's regional variability, its antiquity, and how it is meaningful to people in the recent past and today - including how we have ourselves tended to make sense of the art of others, replete with our own preconceptions. It reviews past, present, and emerging theoretical approaches to rock art investigation and presents new, cutting-edge methods of rock art analysis for the student and professional researcher alike.
Author | : Martin Van Schaik |
Publisher | : Ekho Verlag |
Total Pages | : 105 |
Release | : 2017-12-31 |
Genre | : Music |
ISBN | : 3944415345 |
This is the first volume of a series of compilations of music-archaeological bibliographic source material.
Author | : Alice Choyke |
Publisher | : Oxbow Books |
Total Pages | : 702 |
Release | : 2013-12-19 |
Genre | : Social Science |
ISBN | : 1782972129 |
A fundamental component of the study of worked osseous objects is the identification of the raw materials chosen to make them. In archaeological contexts many objects become degraded to the point where identification is very difficult and the way in which these materials decay during burial and upon excavation can vary greatly. Correct identification is crucial to the investigation of objects, their conservation and future curation. Above all, understanding raw material selection aids our understanding of human-animal interaction in the past both on pragmatic and symbolic levels since the choices made by artisans vary by cultural tradition as well as availability. The 20 papers presented here explore a wealth of information pertaining to the use of osseous materials over the long period of human craftsmanship and tool manufacture by exploring several key themes: · Raw material selection and curation within tool types · Social aspects of raw material selection · New methods of materials identification It is demonstrated that the issue of raw material identification has numerous implications for conservation work, reproduction of objects, the physical characteristics of the tool or ornament, availability of raw materials, the materials chosen for procurement and the cultural reasons that lie behind the choice of raw materials from particular species and skeletal elements to produce planned tool and ornament types. Together, these papers emphasize the need for confident and correct materials identification and demonstrate that functionality is by no means the only, nor necessarily the most important, factor in the selection of osseous raw materials for the fabrication of tools and other cultural objects.
Author | : Anton Killin |
Publisher | : Springer Nature |
Total Pages | : 261 |
Release | : 2021-04-26 |
Genre | : Science |
ISBN | : 3030610527 |
This volume explores various themes at the intersection of archaeology and philosophy: inference and theory; interdisciplinary connections; cognition, language and normativity; and ethical issues. Showcasing this heterogeneity, its scope ranges from the method of analogical inference to the evolution of the human mind; from conceptual issues in assessing the health of past populations to the ethics of cultural heritage tourism. It probes the archaeological record for evidence of numeracy, curiosity and creativity, and social complexity. Its contributors comprise an interdisciplinary cluster of philosophers, archaeologists, anthropologists, and psychologists, from a variety of career stages, of whom many are leading experts in their fields. Chapter 3 is available open access under a Creative Commons Attribution 4.0 International License via link.springer.com.
Author | : Arnd Adje Both |
Publisher | : Ekho Verlag |
Total Pages | : 175 |
Release | : 2012-12-31 |
Genre | : Music |
ISBN | : 3944415051 |
The bilingual series Flower World - Music Archaeology of the Americas raises the study of ancient music and music-related activities of the pre-Columbian Americas to the next level. For the first time in the history of science, a series offering anthologies featuring scientific investigations in this fascinating multidisciplinary field is available. The series encompasses peer-reviewed studies by renowned scholars on both past and living music traditions from South, Central and North America, and thus constitute a platform for the most up-to-date information on the music archaeology of the continent. It features case studies and the results of research projects in the field, in which a great variety of music-archaeological approaches, such as conventional archaeology - for the interpretation of the find contexts, experimental archaeology - for reconstructive instrument making and playing, ethnohistory and ethnolinguistics - for the interpretation of textual sources, music iconology - for the interpretation if visual sources, organology and acoustics, and ethnomusicology - for the research on contemporary legacies - for the study of the instrument finds, are commonly applied. The title of the series, Flower World, refers to a mythological, even sacred place filled with the sweet scent of flowers, bird calls, pleasant sounds, and dance. It is a place full of happiness and joy, even if it belongs to the realm of the Dead, which sustains the enduring renewal of life on earth.
Author | : Britt Baillie |
Publisher | : Springer Nature |
Total Pages | : 363 |
Release | : 2020-11-27 |
Genre | : Social Science |
ISBN | : 9811543666 |
The richness of Africa’s heritage at times stands in stark contrast to the economic, health, political and societal challenges faced. Development is essential but in what forms? For whom? Following whose agendas? At what costs? This book explores how heritage can promote, secure, or undermine sustainable development with special focus on sub-Saharan Africa, and in turn, how this affects conceptions of heritage. The chapters in this volume identify shared challenges, good practices and failures, and use specific case studies to provide detailed insights into varied forms of heritage and heritage defining processes on the continent. By critically analysing the often romanticised discourses of ‘heritage’, ‘community engagement’, and ‘sustainable development’ the volume suggests ways of harnessing aspects of heritage to tackle some of the socio-economic and political pressures facing heritage practices on the continent, including the legacies of colonialism.
Author | : Mark Howell |
Publisher | : Ekho Verlag |
Total Pages | : 393 |
Release | : 2013-12-31 |
Genre | : Music |
ISBN | : 3944415132 |
The ICTM Study Group on Music Archaeology was founded in the early 1980s by Ellen Hickmann, John Blacking, Mantle Hood and Cajsa S. Lund. This is the first volume of the new anthology series published by the study group, turning to the topic of music and religion in past cultures. Each volume of the series is composed of concise case studies, bringing together the world's foremost researchers on a particular subject, reflecting the wide scope of music-archaeological research world-wide. The series draws in perspectives from a range of different disciplines, including newly emerging fields such as archaeoacoustics, but particularly encouraging both music-archaeological and ethnomusicological perspectives.