String Quartets, Opus 12; Opus 44, Nos. 1, 2 & 3

String Quartets, Opus 12; Opus 44, Nos. 1, 2 & 3
Author: Felix Mendelssohn
Publisher: Alfred Music
Total Pages: 172
Release: 1999-08-26
Genre: Music
ISBN: 9781457475436

Expertly arranged String Quartets by Felix Mendelssohn from the Kalmus Edition series. This is from the Romantic era.

Chamber Music

Chamber Music
Author: Mark A. Radice
Publisher: University of Michigan Press
Total Pages: 384
Release: 2012-01-19
Genre: Music
ISBN: 0472028111

Intended for the music student, the professional musician, and the music lover, Chamber Music: An Essential History covers repertoire from the Renaissance to the present, crossing genres to include string quartets, piano trios, clarinet quintets, and other groupings. Mark A. Radice gives a thorough overview and history of this long-established and beloved genre, typically performed by groups of a size to fit into spaces such as homes or churches and tending originally toward the string and wind instruments rather than percussion. Radice begins with chamber music's earliest expressions in the seventeenth century, discusses its most common elements in terms of instruments and compositional style, and then investigates how those elements play out across several centuries of composers- among them Mozart, Bach, Haydn, and Brahms- and national interpretations of chamber music. While Chamber Music: An Essential History is intended largely as a textbook, it will also find an audience as a companion volume for musicologists and fans of classical music, who may be interested in the background to a familiar and important genre.

Concerto No. 12

Concerto No. 12
Author: Louis Spohr
Publisher: Alfred Music
Total Pages: 32
Release:
Genre: Music
ISBN: 9781457470998

One of the leading composers of instrumental music of the early Romantic period, Louis Spohr was a violinist, composer, and conductor. In addition to symphonic works, string quartets, and other solo and chamber music, he composed operas, operettas, and songs. There has been a trend, starting in the late 20th century, to revive his instrumental works and songs.

Felix Mendelssohn Bartholdy

Felix Mendelssohn Bartholdy
Author: John Michael Cooper
Publisher: Taylor & Francis
Total Pages: 305
Release: 2011-05-03
Genre: Art
ISBN: 1135965609

Felix Mendelssohn Bartholdy: A Research and Information Guide is a valuable tool for any scholar, performer, or music student interested in accessing the most pertinent resources on the life, works, and cultural context of the composer. It is an updated, annotated bibliography of resources on the biographical, musical, and religious aspects of Mendelssohn's life.

The Penguin Companion to Classical Music

The Penguin Companion to Classical Music
Author: Paul Griffiths
Publisher: Penguin UK
Total Pages: 1412
Release: 2004-10-07
Genre: Music
ISBN: 0141909765

This superbly authoratitive new work provides a comprehensive A-Z guide to some 1000 years of Western music. It explores in detail the lives and achievements of a vast range of composers, as well as looking at such key topics as music history (from medieval plainchant to contemporary minimalism), performers, theory and jargon. Throught Griffiths skilfully blends lightly worn scholarship with personal insight, whether examining the emotional colouring that different musical keys achieve or charting the rise and development of the symphony.

The Finale in Western Instrumental Music

The Finale in Western Instrumental Music
Author: Michael Talbot
Publisher: Oxford Monographs on Music
Total Pages: 272
Release: 2001
Genre: Language Arts & Disciplines
ISBN: 9780198166955

The knowledge that finales are by tradition (and perhaps also necessarily) 'different' from other movements has been around a long time, but this is the first time that the special nature of finales in instrumental music has been examined comprehensively and in detail. Three main types offinale, labelled 'relaxant', 'summative', and 'valedictory', are identified. Each type is studied closely, with a wealth of illustration and analytical commentary covering the entire period from the Renaissance to the present day. The history of finales in five important genres -- suite, sonata,string quartet, symphony, and concerto -- is traced, and the parallels and divergences between these traditions are identified. Several wider issues are mentioned, including narrativity, musical rounding, inter-movement relationships, and the nature of codas. The book ends with a look at thefinales of all Shostakovich's string quartets, in which examples of most of the types may be found.