String Quartet Op 3 No 3
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| Author | : Willard A. Palmer |
| Publisher | : Alfred Music Publishing |
| Total Pages | : 150 |
| Release | : 1996-12 |
| Genre | : Music |
| ISBN | : 9780882849942 |
Alfred's Basic Adult All-in-One Course is designed for use with an instructor for the beginning student looking for a truly complete piano course. It is a greatly expanded version of Alfred's Basic Adult Piano Course that will include lesson, theory, and technique in a convenient, all-in-one" format. This comprehensive course features written assignments that reinforce each lesson's concepts, a smooth, logical progression between each lesson, a thorough explanation of chord theory and playing styles, and outstanding extra songs, including folk, classical, and contemporary selections. At the completion of this course, the student will have learned to play some of the most popular music ever written and will have gained a good understanding of basic musical concepts and styles. The CD has accompaniments to support the student's playing of the exercises and songs found in the Level 2 book. Titles: Alexander's Ragtime Band * Arkansas Traveler * Ballin' the Jack * The Battle Hymn of the Republic * Black Forest Polka * Black is the Color of My True Love's Hair * Bourlesq * Brahms Lullaby * Bridal Chorus from "Lohengrin" * Calypso Carnival * Canon in D (Pachelbel) * Chorale * Circus March * Danny Boy * Dark Eyes * Deep River * Divertimento in D * Down in the Valley * Etude (Chopin) * Farewell to Thee (Aloha Oe) * Fascination * Festive Dance * For He's a Jolly Good Fellow * Frankie and Johnnie * Guantanamera * Hava Nagila * He's Got the Whole World in His Hands * The Hokey-Pokey * The House of the Rising Sun * Hungarian Rhapsody No. 2 * Introduction and Dance * La Bamba * La Donna E Mobile * La Raspa * Light and Blue * Loch Lomond * Lonesome Road * Love's Greeting * The Magic Piper * The Marriage of Figaro * Mexican Hat Dance * Morning Has Broken * Musetta's Waltz * Night Song * Nobody Knows the Trouble I've Seen * Olympic Procession * Overture from "Raymond" * Plaisir D'Amour * Polyvetsian Dances * Pomp and Circumstance No. 1 * The Riddle * Rock-a My Soul * Sakura * Scherzo * Solace * Space Shuttle Blues * The Streets of Laredo * Swingin' Sevenths * Tarantella * Theme from Symphony No. 6 (Tchaikovsky) * Village Dance * Waltz in G Minor * Waves of the Danube * When Johnny Comes Marching Home * You're in My Heart."
| Author | : Mara Parker |
| Publisher | : Routledge |
| Total Pages | : 330 |
| Release | : 2017-07-05 |
| Genre | : Music |
| ISBN | : 1351540289 |
The second half of the eighteenth century witnessed a flourishing of the string quartet, often represented as a smooth and logical progression from first violin-dominated homophony to a more equal conversation between the four voices. Yet this progression was neither as smooth nor as linear as previously thought, as Mara Parker illustrates in her examination of the string quartet during this period. Looking at a wide variety of string quartets by composers such as Pleyel, Distler and Filtz, in addition to Haydn and Mozart, the book proposes a new way of describing the relationships between the four instruments in different works. Broadly speaking, these relationships follow one of four patterns: the 'lecture', the 'polite conversation', the 'debate', and the 'conversation'. In focusing on these musical discourses, it becomes apparent that each work is the product of its composer's stylistic choices, location, intended performers and intended audience. Instead of evolving in a strict and universal sequence, the string quartet in the latter half of the eighteenth century was a complex genre with composers mixing and matching musical discourses as circumstances and their own creative impulses required.
| Author | : Alberto Bachmann |
| Publisher | : |
| Total Pages | : 508 |
| Release | : 1925 |
| Genre | : Cellists |
| ISBN | : |
| Author | : Melvin Berger |
| Publisher | : Courier Corporation |
| Total Pages | : 502 |
| Release | : 2013-06-17 |
| Genre | : Music |
| ISBN | : 0486316726 |
Authoritative guide presents 231 of the most frequently performed pieces by 55 composers. A must for music lovers and musicians alike. "No lover of chamber music should be without this Guide." — John Barkham Reviews.
| Author | : Jan Caeyers |
| Publisher | : Univ of California Press |
| Total Pages | : 656 |
| Release | : 2022-05-03 |
| Genre | : Biography & Autobiography |
| ISBN | : 0520390210 |
"With unprecedented access to the archives at the Beethoven House in Bonn, ... Beethoven conductor and scholar Jan Caeyers ... weaves together a deeply human and complex image of Beethoven--his troubled youth, his unpredictable mood swings, his desires, relationships, and conflicts with family and friends, the mysteries surrounding his affair with the 'immortal beloved, ' and the dramatic tale of his deafness. Caeyers also offers new insights into Beethoven's music and its gradual transformation from the work of a skilled craftsman into that of a consummate artist"--Publisher marketing.
| Author | : |
| Publisher | : |
| Total Pages | : 424 |
| Release | : 1925 |
| Genre | : Music |
| ISBN | : |
| Author | : Darin Hoskisson |
| Publisher | : Routledge |
| Total Pages | : 286 |
| Release | : 2017-03-27 |
| Genre | : Music |
| ISBN | : 1317672674 |
Anton Webern: A Research and Information Guide offers carefully selected and annotated sources regarding Webern from 1975 to present day, including sources on Webern’s life, his music, and the interpretation and reception of his music. Along with this comprehensive annotated listing of print and online sources, the book discusses the history of research on Webern and includes a brief chronology of his life. It is a major reference tool for those interested in Webern and his music and valuable for researchers of 20th century music and the Second Viennese School.
| Author | : Georges Jean-Aubry |
| Publisher | : |
| Total Pages | : 488 |
| Release | : 1925 |
| Genre | : Music |
| ISBN | : |
| Author | : Nancy November |
| Publisher | : Cambridge University Press |
| Total Pages | : 297 |
| Release | : 2013 |
| Genre | : Music |
| ISBN | : 1107035457 |
The first detailed contextual study of Beethoven's middle-period quartets, encompassing reception history, early performance practices, aesthetic contexts and theatrical impetus.
| Author | : Clive Brown |
| Publisher | : Oxford University Press |
| Total Pages | : 677 |
| Release | : 2004-05-20 |
| Genre | : Music |
| ISBN | : 0195347242 |
The past ten years have seen a rapidly growing interest in performing and recording Classical and Romantic music with period instruments; yet the relationship of composers' notation to performing practices during that period has received only sporadic attention from scholars, and many aspects of composers' intentions have remained uncertain. Brown here identifies areas in which musical notation conveyed rather different messages to the musicians for whom it was written than it does to modern performers, and seeks to look beyond the notation to understand how composers might have expected to hear their music realized in performance. There is ample evidence to demonstrate that, in many respects, the sound worlds in which Mozart, Beethoven, Wagner, and Brahms created their music were more radically different from ours than is generally assumed.
