String Quartet No14 In E Major
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The First Movements of Beethoven's Piano Sonata in E Major, Op. 14, No. 1 and His String Quartet in F Major, Op. 14, No. 1
Author | : Barbara Ann Sturgis-Everett |
Publisher | : |
Total Pages | : 164 |
Release | : 1986 |
Genre | : Musical analysis |
ISBN | : |
Dvo_k
Author | : David Hurwitz |
Publisher | : Hal Leonard Corporation |
Total Pages | : 202 |
Release | : 2005 |
Genre | : Music |
ISBN | : 9781574671070 |
(Unlocking the Masters). The music of Antonin Dvorak defies fashion. He is one of the very few composers whose works entered the international mainstream during his own lifetime, and some of them have remained there ever since. The pieces that historically define his international reputation, however, represent only a small fraction of what he actually composed. They comprise just one facet of his complex and remarkably rich artistic personality. This book/2-CD pack invites readers to celebrate his extraordinary achievement and experience the pleasure of getting to know more than 90 of his most important works. The two full-length CDs from Suprahon Records include 22 works.
Hero's Destiny
Author | : Ning Zhang |
Publisher | : Fulton Books, Inc. |
Total Pages | : 139 |
Release | : 2024-05-17 |
Genre | : Music |
ISBN | : 1639851291 |
This is a monograph on Western classical music written by a Chinese American. It contains the results of the author's years of work, i.e., more than two hundred thousand words of Beethoven-themed essays in the form of poems, essays, prose, and reviews. The book covers all aspects of the great composer Beethoven's life and career from his birth experience to his emotional life, from the background of the times to his ideology, from the review of his works to the analysis of music appreciation. The book is rich in historical information, rigorous in argumentation, incisive in commentary, and fluent in sentiment and reason. As a nonacademic scholar of Beethoven, this book is characterized by a distinctive personality, free from the constraints of traditional rules and regulations. Based on a comprehensive and profound understanding of the historical figure and his works, the author presents his original arguments and opinions on some important professional topics and fields.
Complete String Quartets
Author | : Ludwig van Beethoven |
Publisher | : Performer's Edition |
Total Pages | : 342 |
Release | : 2009-12-30 |
Genre | : Music |
ISBN | : 1450518125 |
Beethoven followed in the footsteps of Haydn, father of the string quartet, and created what is now regarded as one of the finest collections of masterworks in the string quartet genre. From the early quartets, reminiscent of some of Mozart's quartets, to the soaring and emotional late quartets, these works have become favorites of both performers and audiences around the world. This collections includes the full scores for all 16 string quartets as well as the Grosse Fuge. Early String Quartets: String Quartet No. 1 in F Major (Op. 18, No. 1) String Quartet No. 2 in G Major (Op. 18, No. 2) String Quartet No. 3 in D Major (Op. 18, No. 3) String Quartet No. 4 in C minor (Op. 18, No 4) String Quartet No. 5 in A Major (Op. 18, No. 5) String Quartet No. 6 in Bb Major (Op. 18, No. 6) Middle String Quartets: String Quartet No. 7 in F Major (Op. 59, No. 1) String Quartet No. 8 in E minor (Op. 59, No. 2) String Quartet No. 9 in C Major (Op. 59, No. 3) String Quartet No. 10 in Eb Major "Harp" (Op. 74) String Quartet No. 11 in F minor "Serioso" (Op. 95) Late String Quartets: String Quartet No. 12 in Eb Major (Op. 129) String Quartet No. 13 in Bb Major (Op. 130) String Quartet No. 14 in C# minor (Op. 131) String Quartet No. 15 in A minor (Op. 132) String Quartet No. 16 in F Major (Op. 135) Grosse Fuge (Op. 133)
The String Quartets
Author | : Dmitri Shostakovich |
Publisher | : |
Total Pages | : |
Release | : 1998 |
Genre | : |
ISBN | : |
String quartet no. 1 in C major, op. 49 -- String quartet no. 2 in A major, op. 68 -- String quartet no. 3 in F major, op. 73 -- String Quartet no. 4 in D major, op. 83 -- String quartet no. 5 in B flat major, op. 92 -- String quartet no. 6 in G major, op. 101 -- String quartet no. 7 in F sharp minor, op. 108 -- String quartet no. 8 in C minor, op. 110 -- String quartet no. 9 in E flat major, op. 117 -- String quartet no. 10 in A flat major, op. 118 -- String quartet no. 11 in F minor, op. 122 -- String quartet no. 12 in D flat major, op. 133 -- String quartet no. 13 in B flat minor, op. 138 -- String quartet no. 14 in F sharp major, op. 142 -- String quartet no. 15 in E flat minor, op144.
The Secular Commedia
Author | : Wye Jamison Allanbrook |
Publisher | : Univ of California Press |
Total Pages | : 252 |
Release | : 2014-06-07 |
Genre | : Music |
ISBN | : 0520274075 |
Wye Jamison AllanbrookÕs The Secular Commedia is a stimulating and original rethinking of the music of the late eighteenth century. Hearing the symphonies and concertos of Haydn and Mozart with an ear tuned to operatic style, as their earliest listeners did, Allanbrook shows that this familiar music is built on a set of mimetic associations drawn from conventional modes of depicting character and emotion in opera buffa. Allanbrook mines a rich trove of writings by eighteenth-century philosophers and music theorists to show that vocal music was considered aesthetically superior to instrumental music and that listeners easily perceived the theatrical tropes that underpinned the style. Tracing Enlightenment notions of character and expression back to Greek and Latin writings about comedy and drama, she strips away preoccupations with symphonic form and teleology to reveal anew the kaleidoscopic variety and gestural vitality of the musical surface. In prose as graceful and nimble as the music she discusses, Allanbrook elucidates the idiom of this period for contemporary readers. With notes, musical examples, and a foreword by editors Mary Ann Smart and Richard Taruskin.
SchenkerGUIDE
Author | : Thomas Pankhurst |
Publisher | : Routledge |
Total Pages | : 268 |
Release | : 2008-05-07 |
Genre | : Art |
ISBN | : 1135871035 |
Derived from the widely used website, www.SchenkerGUIDE.com, this book offers a step-by-step method to tackling Schenkerian analysis. It outlines the concepts involved in analysis, provides a detailed working method to help students to get started on the process of analysis, and explores the basics of a Schenkerian approach to form, register, motives and dramatic structure. It also provides a series of exercises with hints and tips for their completion.
The Symphonic Repertoire, Volume IV
Author | : A. Peter Brown |
Publisher | : Indiana University Press |
Total Pages | : 1026 |
Release | : 2024-03-29 |
Genre | : Music |
ISBN | : 0253072115 |
Central to the repertoire of Western art music since the 18th century, the symphony has come to be regarded as one of the ultimate compositional challenges. Surprisingly, heretofore there has been no truly extensive, broad-based treatment of the genre, and the best of the existing studies are now several decades old. In this five-volume series, A. Peter Brown explores the symphony from its 18th-century beginnings to the end of the 20th century. Synthesizing the enormous scholarly literature, Brown presents up-to-date overviews of the status of research, discusses any important former or remaining problems of attribution, illuminates the style of specific works and their contexts, and samples early writings on their reception. The Symphonic Repertoire provides an unmatched compendium of knowledge for the student, teacher, performer, and sophisticated amateur. The series is being launched with two volumes on the Viennese symphony. Volume IV The Second Golden Age of the Viennese Symphony Brahms, Bruckner, Dvorák, Mahler, and Selected Contemporaries Although during the mid-19th century the geographic center of the symphony in the Germanic territories moved west and north from Vienna to Leipzig, during the last third of the century it returned to the old Austrian lands with the works of Brahms, Bruckner, Dvorák, and Mahler. After nearly a half century in hibernation, the sleeping Viennese giant awoke to what some viewed as a reincarnation of Beethoven with the first hearing of Brahms's Symphony No. 1, which was premiered at Vienna in December 1876. Even though Bruckner had composed some gigantic symphonies prior to Brahms's first contribution, their full impact was not felt until the composer's complete texts became available after World War II. Although Dvorák was often viewed as a nationalist composer, in his symphonic writing his primary influences were Beethoven, Schubert, and Brahms. For both Bruckner and Mahler, the symphony constituted the heart of their output; for Brahms and Dvorák, it occupied a less central place. Yet for all of them, the key figure of the past remained Beethoven. The symphonies of these four composers, together with the works of Goldmark, Zemlinsky, Schoenberg, Berg, Smetana, Fibich, Janácek, and others are treated in Volume IV, The Second Golden Age of the Viennese Symphony, covering the period from roughly 1860 to 1930.