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| Author | : Ludwig van Beethoven |
| Publisher | : Courier Corporation |
| Total Pages | : 448 |
| Release | : 1970-01-01 |
| Genre | : Music |
| ISBN | : 0486223612 |
This affordable study score features Beethoven's entire oeuvre of string quartets. Includes: 6 quartets of Opus 18; 3 quartets of Opus 59; Opuses 74, 95, 127, 130, 131, 132, 135, and Grosse Fuge. Meticulously reprinted from the authoritative Breitkopf & Härtel edition.
| Author | : Eva-Maria Houben |
| Publisher | : transcript Verlag |
| Total Pages | : 241 |
| Release | : 2019-09-30 |
| Genre | : Music |
| ISBN | : 3839445736 |
How is musical practice connected with everyday life? Eva-Maria Houben shows that performing music as an activity - indeed, as playing - is a meaningful shift from an approach based on structural analysis. Musical practice, Eva-Maria Houben contends, can be understood as open and never finished. Such an emphasis on repetition offers freedom from perfection, productivity, and purpose, thus allowing meaning to unfold in specific situations, places, and relationships. Musical practice can become a form of life and a reality in its own right. The study includes musical examples from the 17th, 18th, 19th, and 20th centuries as well as contemporary music.
| Author | : Michael Baumgartner |
| Publisher | : Oxford University Press |
| Total Pages | : 521 |
| Release | : 2022 |
| Genre | : Motion picture music |
| ISBN | : 0190497157 |
"This monograph explores the under-researched use of music in Jean-Luc Godard's films and video essays from the early 1960s to the late 1990s. While Godard is largely hailed as a leading innovator of visual montage, unique storytelling style, and ground-breaking cinematography, his achievements as a leading pioneer in sculpting complex soundtracks altering the familiar relationship between sound and image have been mainly overlooked. On these soundtracks, music assumes the unique role of metafilm music. Metafilm music self-consciously refers to its own role as film music and disrupts the primary function of film music as an essential filmic device creating cinematic illusion. The concept of metafilm music describes how Godard thinks with film music about film music. Metafilm music manifests itself in Godard's work in four distinct manners: as fragmentized musical cues; as the same fragment verbatim repeated several times; as extrapolated, short excerpts from classical or popular music; and as music mixed unusually loudly into the soundtrack. With a detailed analysis of these parameters, the book explores fragmented and repeated music as Godard's critique of the leitmotif technique. Godard further self-reflexively investigates genre-specific music in musical comedies, films noir, and melodramas, as well as prototypical film music as arguably its own musical genre. His last foray into metafilm music entails music-making as a metaphor for filmmaking. By thinking with music about the function of film music, Godard has created throughout his career multi-layered soundtracks which challenge the conventional norms of film music and sound"--
| Author | : Giacomo Meyerbeer |
| Publisher | : Associated University Presse |
| Total Pages | : 454 |
| Release | : 1999 |
| Genre | : Biography & Autobiography |
| ISBN | : 9780838638439 |
Volume 2 covers the 1840s, a period designated as the Prussian Years. From 1846 Meyerbeer's journal becomes a consistent daily record, resulting in one of the most sustained depictions of a contemporary artistic, theatrical, and musical milieu ever kept by a famous composer. Illustrated.
| Author | : Angus Watson |
| Publisher | : Boydell & Brewer |
| Total Pages | : 322 |
| Release | : 2010 |
| Genre | : Music |
| ISBN | : 1843835770 |
Watson provides professional and amateur musicians, and music lovers generally, with a complete survey of Beethoven's chamber music and the background to each individual work - the loyalty of patrons, musicians and friends on the one hand; increasing deafness and uncertain health on the other. Attention is paid to the influence of such large-scale compositions as the Eroica Symphony and Fidelio on the chamber music of his middle years and the Missa Solemnis and the Ninth Symphony on his late quartets. The author examines Beethoven's ever-increasing freedom of form - largely a result of his mastery of improvisation and a powerful symbol of the fusion of classical discipline with the subversive spirit of romantic adventure which characterises his mature music. Beethoven's friends were not shy about asking him what his music meant, or what inspired him, and it is clear that he attached the greatest importance to the words he used when describing the character of his compositions. 'The tempo is more like the body,' he wrote when commending Malzel's invention of the metronome, 'but these indications of character certainly refer to the spirit.' ANGUS WATSON, a violinist and conductor, has been Director of Music at Stowe School, Winchester College and Wells Cathedral School, one of Britain's specialist music schools. From 1984-1989 he was Dean of Music at the newly founded Hong Kong Academy for Performing Arts.
| Author | : Michael Miller |
| Publisher | : Penguin |
| Total Pages | : 340 |
| Release | : 2008-07-01 |
| Genre | : Music |
| ISBN | : 1440636370 |
A beautifully composed journey through music history! Music history is a required course for all music students. Unfortunately, the typical music history book is dry and academic, focusing on rote memorization of important composers and works. This leads many to think that the topic is boring, but bestselling author Michael Miller proves that isn’t so. This guide makes music history interesting and fun, for both music students and older music lovers. • Covers more than Western “classical” music—also includes non-Western music and uniquely American forms such as jazz • More than just names and dates—puts musical developments in context with key historical events
| Author | : Robin Stowell |
| Publisher | : Cambridge University Press |
| Total Pages | : 394 |
| Release | : 2003-11-13 |
| Genre | : Music |
| ISBN | : 9780521000420 |
This Companion offers a concise and authoritative survey of the string quartet by eleven chamber music specialists. Its fifteen carefully structured chapters provide coverage of a stimulating range of perspectives previously unavailable in one volume. It focuses on four main areas: the social and musical background to the quartet's development; the most celebrated ensembles; string quartet playing, including aspects of contemporary and historical performing practice; and the mainstream repertory, including significant 'mixed ensemble' compositions involving string quartet. Various musical and pictorial illustrations and informative appendixes, including a chronology of the most significant works, complete this indispensable guide. Written for all string quartet enthusiasts, this Companion will enrich readers' understanding of the history of the genre, the context and significance of quartets as cultural phenomena, and the musical, technical and interpretative problems of chamber music performance. It will also enhance their experience of listening to quartets in performance and on recordings.
