String Quartet No. 2 D major

String Quartet No. 2 D major
Author: Alexander Borodin
Publisher: Eulenburg
Total Pages: 53
Release: 2018-07-25
Genre: Music
ISBN: 3795715784

Over 200 works of the well-known Edition Eulenburg series of scores from orchestral and choral literature, chamber music and music theatre are now available in digital format. You can now enjoy the yellow study scores digitally with one click in excellent reproduction quality. Über 200 Werke der berühmten Edition Eulenburg Partiturreihe für Orchester- und Chorliteratur, Kammermusik und Musiktheater sind nun auch in einer digitalen Aufbereitung erhältlich. In optisch hervorragender Darstellung kann man die gelben Studienpartituren mit einem Klick jetzt auch digital genießen.

The Four and the One

The Four and the One
Author: David Rounds
Publisher:
Total Pages: 222
Release: 1999
Genre: Biography & Autobiography
ISBN:

Spotlighting the four women of the Lafayette Quartet, a leading Canadian ensemble, Rounds offers both a comprehensive history of the beloved instrumental form and an inside view of the complex world of professional quartet players, revealing the exultation and heatache that are the performing artists' daily fare. A treat for every music lover, whether player, listener or composer.

Compositional Process in Elliott Carter’s String Quartets

Compositional Process in Elliott Carter’s String Quartets
Author: Laura Emmery
Publisher: Routledge
Total Pages: 261
Release: 2019-12-20
Genre: Music
ISBN: 0429619510

Compositional Process in Elliott Carter’s String Quartets is an interdisciplinary study examining the evolution and compositional process in Elliott Carter’s five string quartets. Offering a systematic and logical way of unpacking concepts and processes in these quartets that would otherwise remain opaque, the book’s narrative reveals new aspects of understanding these works and draws novel conclusions on their collective meaning and Carter’s place as the leading American modernist. Each of Carter’s five string quartets is driven by a new idea that Carter was exploring during a particular period, which allows for each quartet to be examined under a unique lens and a deeper understanding of his oeuvre at large. Drawing on key ideas from a variety of subjects including performance studies, philosophy, music cognition, musical meaning and semantics, literary criticism, and critical theory, this is an informative volume for scholars and researchers in the areas of music theory and musicology. Analyses are supplemented with sketch study, correspondence, text manuscripts, and other archival sources from the Paul Sacher Stiftung, the Library of Congress, and the New York Public Library.

Indivisible by Four

Indivisible by Four
Author: Arnold Steinhardt
Publisher: Macmillan
Total Pages: 324
Release: 2000-06-15
Genre: Biography & Autobiography
ISBN: 9780374527006

The author tells of his own development as a student, "of how he and his intrepid colleagues were converted to chamber music ... [and of how] four individualists master and then overcome the confining demands of ensemble playing."--Jacket.

Three String Quartets, Op. 150

Three String Quartets, Op. 150
Author: Ferdinand Ries
Publisher: A-R Editions, Inc.
Total Pages: 191
Release:
Genre: Music
ISBN: 1987208307

Though often remembered primarily for his published recollections about his famous teacher Beethoven, Ferdinand Ries (1784–1838) was an accomplished composer in his own right. Among his many works are twenty-seven string quartets composed between the years of 1795 and 1834. His Three String Quartets, Op. 150, first published by Nikolaus Simrock in Bonn in 1828, evince his considerable imagination and skill. While these quartets borrow elements from the then-popular quatuor brillant style, Ries’s careful attention to motivic organization and polyphonic writing elevates these works to a higher level of artistic sophistication. While technically brilliant writing for the first violin remains at the forefront in Quartet no. 3, Quartets nos. 1 and 2 reveal more complex formal processes and better integration of their virtuosic first violin parts. In this volume, Quartets nos. 1 and 3 have been carefully edited based on the composer’s autographs, while Quartet no. 2, the autograph of which is now lost, is based on the original Simrock print.