Stone Age Painting in India
Author | : Robert Romano Ravi Brooks |
Publisher | : New Haven : Yale University Press |
Total Pages | : 116 |
Release | : 1976 |
Genre | : Art, Prehistoric |
ISBN | : 9780300019377 |
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Author | : Robert Romano Ravi Brooks |
Publisher | : New Haven : Yale University Press |
Total Pages | : 116 |
Release | : 1976 |
Genre | : Art, Prehistoric |
ISBN | : 9780300019377 |
Author | : Erwin Neumayer |
Publisher | : OUP India |
Total Pages | : 0 |
Release | : 2013-03-28 |
Genre | : Social Science |
ISBN | : 9780198060987 |
Covering a vast terrain-from Ladakh and other Himalayan locations, to central India including the Vindhyas, the Satpuras, and the Chhota Nagpur Plateau, to southern Deccan and Sri Lanka-the book presents for the first time a well-rounded overview of rock art in India down the ages.
Author | : John Guy |
Publisher | : Metropolitan Museum of Art |
Total Pages | : 226 |
Release | : 2011 |
Genre | : Painters |
ISBN | : 1588394301 |
Published in conjunction with an exhibition held at the Metropolitan Museum of Art, New York, Sept. 28, 2011-Jan. 8, 2012.
Author | : David Coulson |
Publisher | : Harry N Abrams B.V. |
Total Pages | : 264 |
Release | : 2001 |
Genre | : Art |
ISBN | : |
Contains more than two hundred photographs of Africa's rock art, coupled with historical and interpretive analyses, compiled to raise public awareness of the variety, importance, and frailty of these works.
Author | : Fabio Barry |
Publisher | : Yale University Press |
Total Pages | : 449 |
Release | : 2020-10-27 |
Genre | : Architecture |
ISBN | : 0300248164 |
A sweeping history of premodern architecture told through the material of stone Spanning almost five millennia, Painting in Stone tells a new history of premodern architecture through the material of precious stone. Lavishly illustrated examples include the synthetic gems used to simulate Sumerian and Egyptian heavens; the marble temples and mansions of Greece and Rome; the painted palaces and polychrome marble chapels of early modern Italy; and the multimedia revival in 19th-century England. Poetry, the lens for understanding costly marbles as an artistic medium, summoned a spectrum of imaginative associations and responses, from princes and patriarchs to the populace. Three salient themes sustained this “lithic imagination”: marbles as images of their own elemental substance according to premodern concepts of matter and geology; the perceived indwelling of astral light in earthly stones; and the enduring belief that colored marbles exhibited a form of natural—or divine—painting, thanks to their vivacious veining, rainbow palette, and chance images.
Author | : Paul Yule |
Publisher | : C.H.Beck |
Total Pages | : 268 |
Release | : 1985 |
Genre | : Art metal-work, Ancient |
ISBN | : 9783406304408 |
Author | : Jean Clottes |
Publisher | : University of Chicago Press |
Total Pages | : 214 |
Release | : 2016-04-25 |
Genre | : Art |
ISBN | : 022618806X |
The noted archaeologist explores the varieties of prehistoric cave art across the world and offers surprising insights into its purpose and meaning. What drew our Stone Age ancestors into caves to paint in charcoal and red hematite, to watch the likenesses of lions, bison, horses, and aurochs as they flickered by firelight? Was it a creative impulse, a spiritual dawn, a shamanistic conception of the world? In this book, Jean Clottes, one of the most renowned figures in the study of cave paintings, pursues an answer to the “why” of Paleolithic art. Discussing sites and surveys across the world, Clottes offers personal reflections on how we have viewed these paintings in the past, what we learn from looking at them across geographies, and what these paintings may have meant—and what function they may have served—for their artists. Steeped in Clottes’s shamanistic theories of cave painting, What Is Paleolithic Art? travels from well-known Ice Age sites like Chauvet, Altamira, and Lascaux to visits with contemporary aboriginal artists, evoking a continuum between the cave paintings of our prehistoric past and the living rock art of today. Clottes’s work lifts us from the darkness of our Paleolithic origins to reveal surprising insights into how we think, why we create, why we believe, and who we are
Author | : Navina Najat Haidar |
Publisher | : Metropolitan Museum of Art |
Total Pages | : 386 |
Release | : 2015-04-13 |
Genre | : Architecture |
ISBN | : 0300211104 |
The vast Deccan plateau of south-central India stretches from the Arabian Sea to the Bay of Bengal. In the sixteenth and seventeenth centuries, the region was home to several major Muslim kingdoms and became a nexus of international trade — most notably in diamonds and textiles, through which the sultanates attained remarkable wealth. The opulent art of the Deccan courts, invigorated by cultural connections to the Middle East, Africa, and Europe, developed an otherworldly character distinct from that of the contemporary Mughal north: in painting, a poetic lyricism and audacious use of color; in the decorative arts, lively creations of inlaid metalware and painted and dyed textiles; and in architecture, a somber grandeur still visible today in breathtaking monuments throughout the plateau. The first book to fully explore the history and legacy of these kingdoms, Sultans of Deccan India elucidates the predominant themes in Deccani art—the region’s diverse spiritual traditions, its exchanges with the outside world, and the powerful styles of expression that evolved under court patronage—with fresh insights and new scholarship. Alongside the discussion of the art, lively, engaging essays by some of the field’s leading scholars offer perspectives on the cycles of victory and conquest as dynasties competed with one another, vied with Vijayanagara, a great empire to the south, and finally succumbed to the Mughals from the north. Featuring some 200 of the finest works from the Deccan sultanates, as well as spectacular site photographs and informative maps, this magnificently illustrated catalogue provides the most comprehensive examination of this world to date and constitutes a pioneering resource for specialists and general readers alike.
Author | : Jo McDonald |
Publisher | : John Wiley & Sons |
Total Pages | : 692 |
Release | : 2012-06-22 |
Genre | : Social Science |
ISBN | : 1118253922 |
This unique guide provides an artistic and archaeological journey deep into human history, exploring the petroglyphic and pictographic forms of rock art produced by the earliest humans to contemporary peoples around the world. Summarizes the diversity of views on ancient rock art from leading international scholars Includes new discoveries and research, illustrated with over 160 images (including 30 color plates) from major rock art sites around the world Examines key work of noted authorities (e.g. Lewis-Williams, Conkey, Whitley and Clottes), and outlines new directions for rock art research Is broadly international in scope, identifying rock art from North and South America, Australia, the Pacific, Africa, India, Siberia and Europe Represents new approaches in the archaeological study of rock art, exploring issues that include gender, shamanism, landscape, identity, indigeneity, heritage and tourism, as well as technological and methodological advances in rock art analyses
Author | : Yashodhar Mathpal |
Publisher | : Abhinav Publications |
Total Pages | : 322 |
Release | : 1984 |
Genre | : |
ISBN | : 9788170171935 |
Prehistoric Rock Paintings Of Bhimbetka By Dr. Yashodhar Mathpal Is The First Exhaustive Study Of A Single Rock Art Site In India. It Covers The Entire Art Activity In The Form Of Paintings Found In 133 Caves At Bhimbetka, Central India, The Largest Concentration Of Rock Paintings In The Country. For The First Time Copies Of Prehistoric Cave Paintings Have Been Made On The Spot, In Original Colour, To Scale And With Original Background. All The Superimpositions Of Figures Have Been Copied. For The First Time Indian Rock Paintings Are Dated 10,000 Years Back On The Firm Ground Of The Archaeological Findings From The Excavations Of Painted Caves. For The First Time Indian Rock Paintings Have Been Studied In Their Historical Perspective. For Example, The First Discovery Of Rock Paintings Was Made In India 12 Years Before Their Discovery Of Altamira In Spain. India Is Also The First Country To Recognize The Antiquity Of Rock Paintings. For The First Time Too The Maximum Literary, Ethnologic And Archaeological Evidences Have Been Researched For Evidence Of Drawing Material, Motivation And The Antiquity Of Rock Paintings. In His Foreword To This Monumental Work Professor H.D. Sankalia Says: This Work Is Unique Because For The First Time Prehistoric Indian Paintings Are Evaluated By A Scholar Who Is Artist By Nature And Training And A Trained Prehistorian, And Thus Eminently Qualified To Write On The Subject.