Still Rebels Still Yankees And Other Essays
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| Author | : Donald Davidson |
| Publisher | : LSU Press |
| Total Pages | : 312 |
| Release | : 1999-03-01 |
| Genre | : History |
| ISBN | : 9780807124895 |
A decade and more has passed since the first publication of Still Rebels, Still Yankees. During that time the book has become recognized as a classic affirmation of the necessity of tradition in conserving cultural order. Donald Davidson, a major figure in the Agrarian Movement, summed up the intent of the work this way: “The general theme that binds the essays—no matter what their specific subjects—is the conflict between tradition and anti-tradition that characterizes modern society, with tradition viewed as the living continuum that makes society and civilization possible and anti-tradition as the disintegrative principle that destroys society and civilization in the name of science and progress. The South, which has suffered most in its devoted defense of tradition, naturally offers me examples for consideration; but this is not a book about the South as such. It is as near as I can come, in essay form, to defining what I would conceive to be the true American position.” In a brilliant and graceful style, Davidson pursues his theme in a rich variety of subjects: poetry, myth, and folklore; and in the complex rivalries between nation and region, the free citizen and the Leviathan state, the values of religion and the facts of science. Order, sanity, and fullness of life are cornerstones of the tradition against which he appraises writers like Hardy and John Gould Fletcher, the historiography of Toynbee, and the social reporting of W. J. Cash.
| Author | : M. Thomas Inge |
| Publisher | : UNC Press Books |
| Total Pages | : 534 |
| Release | : 2014-02-01 |
| Genre | : Reference |
| ISBN | : 1469616645 |
Offering a comprehensive view of the South's literary landscape, past and present, this volume of The New Encyclopedia of Southern Culture celebrates the region's ever-flourishing literary culture and recognizes the ongoing evolution of the southern literary canon. As new writers draw upon and reshape previous traditions, southern literature has broadened and deepened its connections not just to the American literary mainstream but also to world literatures--a development thoughtfully explored in the essays here. Greatly expanding the content of the literature section in the original Encyclopedia, this volume includes 31 thematic essays addressing major genres of literature; theoretical categories, such as regionalism, the southern gothic, and agrarianism; and themes in southern writing, such as food, religion, and sexuality. Most striking is the fivefold increase in the number of biographical entries, which introduce southern novelists, playwrights, poets, and critics. Special attention is given to contemporary writers and other individuals who have not been widely covered in previous scholarship.
| Author | : Noorul Hasan |
| Publisher | : Springer |
| Total Pages | : 210 |
| Release | : 1982-06-18 |
| Genre | : Fiction |
| ISBN | : 1349062510 |
| Author | : Martyn Bone |
| Publisher | : LSU Press |
| Total Pages | : 292 |
| Release | : 2014-01-13 |
| Genre | : History |
| ISBN | : 0807156353 |
For generations, southern novelists and critics have grappled with a concept that is widely seen as a trademark of their literature: a strong attachment to geography, or a "sense of place." In the 1930s, the Agrarians accorded special meaning to rural life, particularly the farm, in their definitions of southern identity. For them, the South seemed an organic and rooted region in contrast to the North, where real estate development and urban sprawl evoked a faceless, raw capitalism. By the end of the twentieth century, however, economic and social forces had converged to create a modernized South. How have writers responded to this phenomenon? Is there still a sense of place in the South, or perhaps a distinctly postsouthern sense of place? Martyn Bone innovatively draws upon postmodern thinking to consider the various perspectives that southern writers have brought to the concept of "place" and to look at its fate in a national and global context. He begins with a revisionist assessment of the Agrarians, who failed in their attempts to turn their proprietary ideal of the small farm into actual policy but whose broader rural aesthetic lived on in the work of neo-Agrarian writers, including William Faulkner and Eudora Welty. By the 1950s, adherence to this aesthetic was causing southern writers and critics to lose sight of the social reality of a changing South. Bone turns to more recent works that do respond to the impact of capitalist spatial development on the South -- and on the nation generally -- including that self-declared "international city" Atlanta. Close readings of novels by Robert Penn Warren, Walker Percy, Richard Ford, Anne Rivers Siddons, Tom Wolfe, and Toni Cade Bambara illuminate evolving ideas about capital, land, labor, and class while introducing southern literary studies into wider debates around social, cultural, and literary geography. Bone concludes his remarkably rich book by considering works of Harry Crews and Barbara Kingsolver that suggest the southern sense of place may be not only post-Agrarian or postsouthern but also transnational.
| Author | : Kenneth E. Hall |
| Publisher | : McFarland |
| Total Pages | : 257 |
| Release | : 2005-04-19 |
| Genre | : History |
| ISBN | : 0786420855 |
The relationship between war and religion is nothing new. For millennia, humankind has waged war over religion and derived religion from war. It is not surprising, then, that military leadership and religious conviction frequently coincide. This study documents the long tradition of the religious warrior in Western history and literature, with a special focus on Civil War general Thomas J. "Stonewall" Jackson. It also provides a general survey of the religious antecedents of Jackson and other more modern American military heroes. The book begins with an introduction to the Confederate general, largely from the perspective of those who lived with and served under him, whose testimonies attest to his courage, initiative, innate tactical talent, deep religious faith, and eccentric personal habits. The author analyzes the extent to which Jackson's national zeal has elevated him to the status of a religious martyr, remembered today within an epic frame of sainthood and heroism. Concise comparisons are drawn between Jackson and his Old World predecessors, including Ulrich Zwingli, John Knox and Oliver Cromwell. Similar associations are made between Jackson and such Civil War contemporaries as William Dorsey Pender and Oliver Otis Howard. A chapter addressing the representation of "Stonewall" in modern Civil War literature and film, particularly in the novel and subsequent motion picture Gods and Generals, provides an insightful juxtaposition of Jackson's status among the "gods" of the Civil War and his own reverence for the God of his Presbyterian faith.
| Author | : Audrey Goodman |
| Publisher | : University of Arizona Press |
| Total Pages | : 256 |
| Release | : 2022-02-08 |
| Genre | : Literary Criticism |
| ISBN | : 0816547882 |
Winner of the Western Literature Association’s Thomas J. Lyon Award Whether as tourist's paradise, countercultural destination, or site of native resistance, the American Southwest has functioned as an Anglo cultural fantasy for more than a century. In Translating Southwestern Landscapes, Audrey Goodman excavates this fantasy to show how the Southwest emerged as a symbolic space from 1880 through the early decades of the twentieth century. Drawing on sources as diverse as regional magazines and modernist novels, Pueblo portraits and New York exhibits, Goodman has crafted a wide-ranging history that explores the invention, translation, and representation of the Southwest. Its principal players include amateur ethnographer Charles Lummis, who conflated the critical work of cultural translation; pulp novelist Zane Grey, whose bestselling novels defined the social meanings of the modern West; fashionable translator Mary Austin, whose "re-expressions" of Indian song are contrasted with recent examples of ethnopoetics; and modernist author Willa Cather, who demonstrated an immaterial feeling for landscape from the Nebraska Plains to Acoma Pueblo. Goodman shows how these writers—as well as photographers such as Paul Strand, Ansel Adams, and Alex Harris—exhibit different phases of the struggle between an Anglo calling to document Native and Hispanic difference and America's larger drive toward imperial mastery. In critiquing photographic representations of the Southwest, she argues that commercial interests and eastern prejudices boiled down the experimental images of the late nineteenth century to a few visual myths: the persistence of wilderness, the innocence of early portraiture, and the purity of empty space. An ambitious synthesis of criticism and anthropology, art history and geopolitical theory, Translating Southwestern Landscapes names the defining contradictions of America's most recently invented cultural space. It shows us that the Southwest of these early visitors is the only Southwest most of us have ever known.
| Author | : Byron Herbert Reece |
| Publisher | : University of Georgia Press |
| Total Pages | : 228 |
| Release | : 2019-03 |
| Genre | : Poetry |
| ISBN | : 0820370959 |
Collected here are poems by one of Georgia's most intriguing and talented poets of the twentieth century. Byron Herbert Reece was born in Union County, Georgia, in 1917 and authored four volumes of poems and two novels during his short lifetime. Until now, many of his poems, originally published in the 1940s and 1950s, have been out of print. Reece, who faithfully assumed responsibility for his family's farm when his parents became ill, was never a poet of the academic ivory tower. Indeed, he rebelled against the rising New Criticism associated with the Vanderbilt Fugitives, the elite of southern poetry at that time. Reece's work reflects both the devastating impact of his parents' death from tuberculosis and his own affliction with the disease, which caused him to distance himself from others: "A solitary thing am I / Upon the roads of rust and flame / That thin at sunset to the air." Reece was also preoccupied with his ambivalence toward the farm, which sustained his solitude yet took time away from his writing: "In the far, dark woods go roving / And find there to match your mood / A kindred spirit moving / Where the wild winds blow in the wood." Reece's poetry is resonant and contemplative, and Jim Clark has included here works that speak for the true grace of Reece's talent. In addition, Clark's attentive introduction should bring increased interest to this notable southern poet.
| Author | : Fred Douglas Young |
| Publisher | : University of Missouri Press |
| Total Pages | : 244 |
| Release | : 1995 |
| Genre | : Biography & Autobiography |
| ISBN | : 9780826210302 |
Young accomplishes this by using Weaver's own writings on scholarship and by discussing his most representative and significant essays and books - Ideas Have Consequences, Language Is Sermonic, and others. Young also interviews the people who were closest to Weaver: Russell Kirk; Cleanth Brooks; Clifford Amyx, an artist and intellectual; his sister Polly Weaver Beaton; and Professor Wilma R. Ebbitt, a colleague and friend during Weaver's years at the University of Chicago. Although many have associated Weaver with the Vanderbilt Agrarians and have stereotyped him as a conservative, this work makes plain that Weaver cannot be seen simply and wholly in this light. Many of the stands Weaver took, such as opposing the registration of Communists during the McCarthy era, set him apart from the conservative mainstream and made people of many different political persuasions respect his ideas.
| Author | : Andrea Brady |
| Publisher | : Cambridge University Press |
| Total Pages | : 437 |
| Release | : 2021-10-21 |
| Genre | : Literary Criticism |
| ISBN | : 110884572X |
Offering a new theory of poetic constraint, this book analyses contributions of bound people to the history of the lyric.
| Author | : Louis D. Rubin, Jr. |
| Publisher | : LSU Press |
| Total Pages | : 408 |
| Release | : 1978-06-01 |
| Genre | : Literary Criticism |
| ISBN | : 9780807104545 |
John Crowe Ransom, Allen Tate, Donald Davidson, and Robert Penn Warren—each began his career as one of the coterie of southern poets centered at Vanderbilt University who attracted national attention with their publication of The Fugitive magazine in the early 1920s and the celebrated essays in I’ll Take My Stand. Collectively known as the Fugitives (or Agrarians as they were later called) they became ardent and influential participants in the regionalist-proletarian literary controversies of the Depression decades. Each of the four poets was personally concerned with the connection between their creative work and the social realities around them. In The Wary Fugitives Louis Rubin masterfully explores and illustrates the relationships between their poetry, novels, and literary criticism, and their work as social critics. He conducts, in the process, a revealing and provocative inquiry into the connection between American history and the twentieth-century South.
