Stefano Della Bella 1610 1664
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| Author | : Robin O'Bryan |
| Publisher | : Amsterdam University Press |
| Total Pages | : 285 |
| Release | : 2019-02-26 |
| Genre | : Art |
| ISBN | : 904854484X |
This collection of essays examines the vogue for games and game playing as expressed in art, architecture, and literature in sixteenth- and seventeenth-century Europe. Moving beyond previous scholarship on game theory, game monographs, and period and regional studies on games, this volume analyzes a range of artistic and literary works produced in England, Scotland, Italy, France, and Germany, which used the game topos to illuminate special themes. In essays dealing with chess, playing cards, dice, gambling, and board and children's games, scholars show how games not only functioned as recreational pastimes, but were also used for demonstrations of wit and skill, courtship rituals, didactic and moralistic instruction, commercial enterprises, and displays of status. Offering new iconographical and literary interpretations, these studies reveal how game play became a metaphor for broader cultural issues related to gender, age, and class differences, social order, politics and religion, and ethical and sexual behavior.
| Author | : Jolanta Talbierska |
| Publisher | : |
| Total Pages | : 462 |
| Release | : 2001 |
| Genre | : Etching |
| ISBN | : |
| Author | : Caroline O. Fowler |
| Publisher | : Harvey Miller |
| Total Pages | : 0 |
| Release | : 2016 |
| Genre | : Drawing |
| ISBN | : 9781909400399 |
A study of drawing and philosophy in artistic practice, important not only for art history but also for literature studies, intellectual history, religious history, history of the book,and history of science. 00Leon Battista Alberti wrote in 'De pictura' (1435) that painting is divine because, ?as they say of friendship, a painting lets the absent be present.? Absence and Presence in Early-Modern Drawing Pedagogy examines this relationship between absent and present objects and subjects in early-modern artistic pedagogy. This book studies the intersections among artistic treatises, natural philosophy and theology from 1400-1700, arguing that drawing pedagogy sought to teach the painting of histories that stimulated in the viewer the sensation of being present before the historical moment, the person, the still life. The manifestation of presence remained not only in the sensation of sight but also in all the sensory perceptions of touch, taste, smell and the sixth sense of sensing, the experience of existence. This book demonstrates the pedagogical means by which artists sought to teach the simulation of presence (and the sensorial perception of absence
| Author | : Betsy Geraghty Fryberger |
| Publisher | : University of California Press |
| Total Pages | : 239 |
| Release | : 2003 |
| Genre | : Art |
| ISBN | : 9780520238824 |
"For centuries, artists have represented the glories of wondrous gardens. Like a vivid bouquet of flowers, The Changing Garden gathers together a variety of lovely prints, drawings, photographs, and paintings depicting picturesque garden views, formal designs, and natural features. This book is essential for anyone seeking a visual history and interesting perspectives of grand gardens--from the Villa d'Este and Versailles to contemporary experiences of city parks."--Marilyn Symmes, editor and author, Fountains: Splash and Spectacle, Water and Design from the Renaissance to the Present "The Changing Garden is the first book that asks us to stop and appreciate many of the 'documents' of the history of European and American gardens. It addresses the development of the representation of gardens, and the story it tells proves to be a fascinating chapter in the history of art, particularly for the history of prints and engravings."--Guy Walton, author of Louis XIV's Versailles
| Author | : Amy Golahny |
| Publisher | : Brill's Studies in Intellectua |
| Total Pages | : 258 |
| Release | : 2020 |
| Genre | : Art |
| ISBN | : 9789004382664 |
"Rembrandt: Studies in his Varied Approaches to Italian Art explores his engagement with imagery by Italian masters. His references fall into three categories: pragmatic adaptations, critical commentary, and conceptual rivalry. These are not mutually exclusive but provide a strategy for discussion. This study also discusses Dutch artists' attitudes toward traveling south, surveys contemporary literature praising and/or criticizing Rembrandt, and examines his art collection and how he used it. It includes an examination of the vocabulary used by Italians to describe Rembrandt's art, with a focus on the patron Don Antonio Ruffo, and closes by considering the reception of his works by Italian artists"--
| Author | : Angelica Groom |
| Publisher | : BRILL |
| Total Pages | : 360 |
| Release | : 2018-10-22 |
| Genre | : History |
| ISBN | : 9004371133 |
The book examines the roles that rare and exotic animals played in the cultural self-fashioning and the political imaging of the Medici court during the family’s reign, first as Dukes of Florence (1532-1569) and subsequently as Grand Dukes of Tuscany (1569-1737). The book opens with an examination of global practices in zoological collecting and cultural uses of animals. The Medici’s activities as collectors of exotic species, the menageries they established and their deployment of animals in the ceremonial life of the court and in their art are examined in relation to this wider global perspective. The book seeks to nuance the myth promoted by the Medici themselves that theirs was the most successful princely serraglio in early modern Europe.
| Author | : Claire Farago |
| Publisher | : BRILL |
| Total Pages | : 1371 |
| Release | : 2018-01-29 |
| Genre | : Art |
| ISBN | : 900435378X |
The basis for our understanding of Leonardo’s theory of art was, for over 150 years, his Treatise on Painting, which was issued in 1651 in Italian and French. This present volume offers both the first scholarly edition of the Italian editio princeps as well as the first complete English translation of this seminal work. In addition, It provides a comprehensive study of the Italian first edition, documenting how each editorial campaign that lead to it produced a different understanding of the artist’s theory. What emerges is a rich cultural and textual history that foregrounds the transmission of artisanal knowledge from Leonardo’s workshop in the Duchy of Milan to Carlo Borromeo’s Milan, Cosimo I de’ Medici’s Florence, Urban VIII’s Rome, and Louis XIV’s Paris.
| Author | : |
| Publisher | : BRILL |
| Total Pages | : 389 |
| Release | : 2019-03-27 |
| Genre | : History |
| ISBN | : 9004390502 |
The Shroud at the Court analyses, through various essays characterized by a multidisciplinary and diachronic perspective, the strict ties created between the Shroud and the Savoy court from the fifteenth to twentieth centuries. Presented as proof of the divine legitimacy of Savoy lineage, the Shroud (of which the Savoy dynasty came into possession in 1453, keeping it first in Chambéry and then from 1578 in Turin) was central to their propagandistic strategies. The court – its spaces, protagonists, and rituals – became the natural setting for a relationship reinforced over time through customs, ceremonies, and images intended to celebrate the excellence of the Savoy, both within their own state and in Europe’s “society of princes”. Contributors are Paola Caretta, Paolo Cornaglia, Paolo Cozzo, Davide De Franco, Bernard Dompnier, Laura Gaffuri, Pierangelo Gentile, Luisella Giachino, Andrea Merlotti, Frédéric Meyer, Andrea Nicolotti, Almudena Pérez de Tudela, Laurent Ripart, Alessandro Serra and Franca Varallo.
| Author | : Peter Fuhring |
| Publisher | : Getty Publications |
| Total Pages | : 348 |
| Release | : 2015-06-18 |
| Genre | : Art |
| ISBN | : 1606064509 |
Once considered the golden age of French printmaking, Louis XIV’s reign saw Paris become a powerhouse of print production. During this time, the king aimed to make fine and decorative arts into signs of French taste and skill and, by extension, into markers of his imperialist glory. Prints were ideal for achieving these goals; reproducible and transportable, they fueled the sophisticated propaganda machine circulating images of Louis as both a man of war and a man of culture. This richly illustrated catalogue features more than one hundred prints from the Getty Research Institute and the Bibliothèque nationale de France in Paris, whose print collection Louis XIV established in 1667. An esteemed international group of contributors investigates the ways that cultural policies affected printmaking; explains what constitutes a print; describes how one became a printmaker; studies how prints were collected; and considers their reception in the ensuing centuries. A Kingdom of Images is published to coincide with an exhibition on view at the Getty Research Institute from June 18 through September 6, 2015, and at the Bibliothèque nationale de France in Paris from November 2, 2015, through January 31, 2016.
| Author | : Tomasz Grusiecki |
| Publisher | : Manchester University Press |
| Total Pages | : 340 |
| Release | : 2023-12-12 |
| Genre | : Design |
| ISBN | : 1526164353 |
Transcultural things examines four sets of artefacts from the Polish-Lithuanian Commonwealth: maps pointing to Poland–Lithuania’s roots in the supposedly ‘Oriental’ land of Sarmatia, portrayals of fashions that purport to trace Polish culture back to a distant and revered past, Ottomanesque costumes worn by Polish ambassadors and carpets labelled as Polish despite their foreign provenance. These examples of invented tradition borrowed from abroad played a significant role in narrating and visualising the cultural landscape of Polish-Lithuanian elites. But while modern scholarship defines these objects as exemplars of national heritage, early modern beholders treated them with more flexibility, seeing no contradiction in framing material things as local cultural forms while simultaneously acknowledging their foreign derivation. The book reveals how artefacts began to signify as vernacular idioms in the first place, often through obscuring their non-local origin and tainting subsequent discussions of the imagined purity of national culture as a result.
