Stanzas
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Stanzas in Meditation by Gertrude Stein - Delphi Classics (Illustrated)
Author | : Gertrude Stein |
Publisher | : Delphi Classics |
Total Pages | : 349 |
Release | : 2017-07-17 |
Genre | : Fiction |
ISBN | : 1788778979 |
This eBook features the unabridged text of ‘Stanzas in Meditation by Gertrude Stein - Delphi Classics (Illustrated)’ from the bestselling edition of ‘The Complete Works of Gertrude Stein’. Having established their name as the leading publisher of classic literature and art, Delphi Classics produce publications that are individually crafted with superior formatting, while introducing many rare texts for the first time in digital print. The Delphi Classics edition of Stein includes original annotations and illustrations relating to the life and works of the author, as well as individual tables of contents, allowing you to navigate eBooks quickly and easily. eBook features: * The complete unabridged text of ‘Stanzas in Meditation by Gertrude Stein - Delphi Classics (Illustrated)’ * Beautifully illustrated with images related to Stein’s works * Individual contents table, allowing easy navigation around the eBook * Excellent formatting of the textPlease visit www.delphiclassics.com to learn more about our wide range of titles
Stanzas
Author | : Giorgio Agamben |
Publisher | : U of Minnesota Press |
Total Pages | : 226 |
Release | : 1993 |
Genre | : Literary Criticism |
ISBN | : 9780816620388 |
"Stanzas" (which means "rooms" in Italian) is a blend of philology, the psychoanalysis of toys, medieval physics and psychology, and contemporary linguistics and philosophy. In this work, Giorgio Agamben attempts to reconfigure the epistemological foundation of Western culture. He rereads Freud and Saussure to discover the impossibility of metalanguage - there is no "superior language" that can read the obscure scenes of the unconscious, and the "symbol" is always the return of the repressed in an improper signifier. This impossibility leads Agamben to the problem of representation. He argues that since language is the locus of the production and storage of phantasms, all real objects are fractured by phantasmic itineraries that in turn divide poetry and philosophy, joy and knowledge. This division is at the origin of Western culture and renders impossible the possession of any object of knowledge. Giorgio Agamben is the author of "Language and Death" (University of Minnesota Press 1991).
The Stanza
Author | : Ernst Häublein |
Publisher | : Routledge |
Total Pages | : 134 |
Release | : 2017-07-14 |
Genre | : Literary Criticism |
ISBN | : 1315310074 |
First published in 1978, this work bridges the gap between the study of poetic form, which tends to isolate form from meaning and structural poetics, which tends to focus on meaning without considering the stanza’s impact. Beginning with an examination of the various definitions of the stanza, the book goes on to describe the many forms of the stanza and the different strategies by which poets achieve stanzaic units of meaning. It then evaluates the logical relationships between stanzas, and, finally, assesses their place and function as parts within the poetic whole. This work will be of interest to those studying poetry and literature.
The Stanzas on Vibration
Author | : |
Publisher | : State University of New York Press |
Total Pages | : 452 |
Release | : 1992-09-30 |
Genre | : Religion |
ISBN | : 1438401752 |
In his Doctrine of Vibration, the author presents a synthesis of Kashmir Shaivism—an overview with Spanda as the central theme. Spanda is the vibratory dynamism of the absolute consciousness. In this book the author focuses on the school of Kashmir Shaivism that presents this doctrine as its cardinal principle and whose literature consists essentially of the works translated here. In his Introduction and in his exposition of the four commentaries, the author shows both how the Spanda tradition contributes to the other schools of Kashmir Shaivism and how it is different from them. He presents for the first time a detailed treatment of this tradition and an analysis of its development. The aim is to offer a method that affords access by the general reader to the wonderful world of the Spanda Yogi through which she travels to the liberating realization of her authentic identity vibrant with the vitality of the universal pulse of Shiva.
A Linguistic History of English Poetry
Author | : Richard Bradford |
Publisher | : Routledge |
Total Pages | : 239 |
Release | : 2005-07-25 |
Genre | : Language Arts & Disciplines |
ISBN | : 1134911726 |
This introductory book takes the reader through literary history from the Renaissance to Postmodernism, and considers individual texts as paradigms which can both reflect and unsettle their broader linguistic and cultural contexts. Richard Bradford provides detailed readings of individual texts which emphasize their relation to literary history and broader socio-cultural contexts, and which take into account developments in structuralism and postmodernism. Texts include poems by Donne, Herbert, Marvell, Milton, Pope, Wordsworth, Coleridge, Blake, Keats, Hopkins, Browning, Pound, Eliot, Carlos Williams, Auden, Larkin and Geoffrey Hill.
Stanzas in Meditation
Author | : Gertrude Stein |
Publisher | : Yale University Press |
Total Pages | : 301 |
Release | : 2012-01-17 |
Genre | : Poetry |
ISBN | : 0300157339 |
In the 1950s, Yale University Press published a number of Gertrude Stein's posthumous works, among them her incomparable "Stanzas in Meditation." Since that time, scholars have discovered that Stein's poem exists in several versions: a manuscript that Stein wrote and two typescripts that her partner Alice B. Toklas prepared. Toklas's work on the second typescript changed the poem when, enraged upon detecting in it references to a former lover, she not only adjusted the typescript but insisted that Stein make revisions in the original manuscript.This edition of "Stanzas in Meditation" is the first to confront the complicated story of its composition and revision. Through meticulous archival work, the editors present a reliable reading text of Stein's original manuscript, as well as an appendix with the textual variants among the poem's several versions. This record of Stein's multi-layered revisions enables readers to engage more fully with the author's radically experimental poem and also to detect the literary impact of Stein's relationship with Toklas. The editors' preface and poet Joan Retallack's introduction offer insight into the complexities of reading Stein's poetry and the innovative modes of reading that her works require and generate. Students and admirers of Stein will welcome this illuminating new contribution to Stein's oeuvre.
Scottish alliterative poems in riming stanzas
Author | : François Joseph Amours |
Publisher | : |
Total Pages | : 606 |
Release | : 1897 |
Genre | : Dialect literature, Scottish |
ISBN | : |
The Complete Poetry of Percy Bysshe Shelley
Author | : Percy Bysshe Shelley |
Publisher | : JHU Press |
Total Pages | : 1149 |
Release | : 2012-07-01 |
Genre | : Literary Criticism |
ISBN | : 1421411091 |
Winner of the 2013 Richard J. Finneran Award, Society for Textual ScholarshipOutstanding Academic Title, Choice "His name is Percy Bysshe Shelley, and he is the author of a poetical work entitled Alastor, or the Spirit of Solitude.” With these words, the radical journalist and poet Leigh Hunt announced his discovery in 1816 of an extraordinary talent within “a new school of poetry rising of late.” The third volume of the acclaimed edition of The Complete Poetry of Percy Bysshe Shelley includes Alastor, one of Shelley’s first major works, and all the poems that Shelley completed, for either private circulation or publication, during the turbulent years from 1814 to March 1818: Hymn to Intellectual Beauty, Mont Blanc, Laon and Cythna, as well as shorter pieces, such as his most famous sonnet, Ozymandias. It was during these years that Shelley, already an accomplished and practiced poet with three volumes of published verse, authored two major volumes, earned international recognition, and became part of the circle that was later called the Younger Romantics. As with previous volumes, extensive discussions of the poems’ composition, influences, publication, circulation, reception, and critical history accompany detailed records of textual variants for each work. Among the appendixes are Mary W. Shelley’s 1839 notes on the poems for these years, a table of the forty-two revisions made to Laon and Cythna for its reissue as The Revolt of Islam, and Shelley’s errata list for the same. It is in the works included in this volume that the recognizable and characteristic voice of Shelley emerges—unmistakable, consistent, and vital.