Standing In The Shadow Of The Master Chaucerian Influences And Interpretations
Download Standing In The Shadow Of The Master Chaucerian Influences And Interpretations full books in PDF, epub, and Kindle. Read online free Standing In The Shadow Of The Master Chaucerian Influences And Interpretations ebook anywhere anytime directly on your device. Fast Download speed and no annoying ads. We cannot guarantee that every ebooks is available!
Author | : Kathleen A. Bishop with a Foreword by David Matthews |
Publisher | : Cambridge Scholars Publishing |
Total Pages | : 330 |
Release | : 2020-05-22 |
Genre | : Poetry |
ISBN | : 1527553299 |
Standing in the Shadow of the Master? Chaucerian Influences and Interpretations grew out of a session at the 2008 International Medieval Congress at the University of Leeds. In this volume Editor Kathleen A. Bishop brings together a collection of essays contributed by a talented and diverse group of scholars from the United States, Canada, and Europe. The articles question the traditional supremacy of Chaucer in the canon while also reaffirming the lasting impact of this great English writer of the Middle Ages. Topics covered include Shakespeare, Lydgate, Gower, Henryson, Douglas, Clanvowe, Bokenham, and the Gawain Poet, as well as a modern psychoanalytic assessment of the Wife of Bath, and a dialogue on making Chaucer relevant to undergraduates immersed in 21st century culture.
Author | : Mark Allen |
Publisher | : Manchester University Press |
Total Pages | : 934 |
Release | : 2015-11-01 |
Genre | : Literary Criticism |
ISBN | : 1784996459 |
An extremely thorough, expertly compiled and crisply annotated comprehensive bibliography of Chaucer scholarship between 1997 and 2010
Author | : K.P. Clarke |
Publisher | : Society for the Study of Medieval Languages and Literature |
Total Pages | : 229 |
Release | : 2014-12-30 |
Genre | : History |
ISBN | : 0907570291 |
The essays assembled in this new volume explore the fascination of the Middle Ages with the mystery of light, and its central role in the period's thought and creativity. Spanning medieval theology, literature, science and material culture, the topics covered include the history of light (and, inseparably, darkness) as a literary figure, from the Latin Bible to Geoffrey Chaucer; theoretical speculations on colour, sight and blindness, and their unexpected fertilization of fields such as poetic imagery; medieval preachers' evocations of light as much more than merely figuring the moral and religious, from St. Simeon in the ninth century to John Fisher in the early sixteenth; indeed the belief that light possessed not only reality but physical materality, as manifested in artefacts such as the Gloucester Candlestick. On Light thereby reveals not only the importance of this phenomenon to diverse aspects of medieval culture, but profound and unremarked ways in which it helped to bind these into a whole.
Author | : Isabel Davis |
Publisher | : Boydell & Brewer Ltd |
Total Pages | : 266 |
Release | : 2015 |
Genre | : Literary Criticism |
ISBN | : 1843844079 |
Fama, or fame, is a central concern of late medieval literature. Where fame came from, who deserved it, whether it was desirable, how it was acquired and kept were significant inquiries for a culture that relied extensively on personal credit and reputation. An interest in fame was not new, being inherited from the classical world, but was renewed and rethought within the vernacular revolutions of the later Middle Ages. The work of Geoffrey Chaucer shows a preoccupation with ideas on the subject of fama, not only those received from the classical world but also those of his near contemporaries; via an engagement with their texts, he aimed to negotiate a place for his own work in the literary canon, establishing fame as the subject-site at which literary theory was contested and writerly reputation won. Chaucer's place in these negotiations was readily recognized in his aftermath, as later writers adopted and reworked postures which Chaucer had struck, in their own bids for literary place. This volume considers the debates on fama which were past, present and future to Chaucer, using his work as a centre point to investigate canon formation in European literature from the late Middle Ages and into the Early Modern period. Isabel Davis is Senior Lecturer in Medieval Literature at Birkbeck, University of London; Catherine Nall is Senior Lecturer in Medieval Literature at Royal Holloway, University of London. Contributors: Joanna Bellis, Alcuin Blamires, Julia Boffey, Isabel Davis, Stephanie Downes, A.S.G. Edwards, Jamie C. Fumo, Andrew Galloway, Nick Havely, Thomas A. Prendergast, Mike Rodman Jones, William T. Rossiter, Elizaveta Strakhov.
Author | : Laurie Atkinson |
Publisher | : Boydell & Brewer |
Total Pages | : 238 |
Release | : 2024-03-05 |
Genre | : Literary Criticism |
ISBN | : 1843846926 |
An investigation of English and Scottish dream visions written on the cusp of the "Renaissance", teasing out distinctive ideas of authorship which informed their design. The fifteenth and sixteenth centuries have long been acknowledged as a period of profound change in ideas of authorship, in which a transition from a "medieval" to a "modern" paradigm took place. In England and Scotland, changing approaches to Chaucer have rightly been considered as a catalyst for the elevation of English as a literary language and the birth of an English literary history. There is a tendency, however, when moving from Chaucer's self-professed poetic followers of this time to the philological approach associated with William Caxton and the 1532 Works, to pass over the literary careers of the English and Scots poets belonging to the intervening half-century: John Skelton, William Dunbar, Stephen Hawes, and Gavin Douglas. This volume redresses that neglect. Its close and comparative readings of these poets' stimulating but critically neglected dream visions and related first-person narratives reveal a spectrum of ideas of authorship: four distinct engagements with tradition and opportunity, united by their utilisation of a particular form. It regards authorship as a topic of invention, a discourse for appropriation, which is available to but not inevitable in late medieval and early modern writing. Overall, it facilitates newly focussed study of an often obscured literary-historical period, one with a heightened interest in the authors of the past - Chaucer, Lydgate, Petrarch, Virgil - but also an increasingly acute perception of the conditions of authorship in the present.
Author | : Julia Boffey |
Publisher | : Oxford University Press |
Total Pages | : 593 |
Release | : 2023-04-12 |
Genre | : Literary Criticism |
ISBN | : 0198878516 |
The Oxford History of Poetry in English is designed to offer a fresh, multi-voiced, and comprehensive analysis of 'poetry': from Anglo-Saxon culture through contemporary British, Irish, American, and Global culture, including English, Scottish, and Welsh poetry, Anglo-American colonial and post-colonial poetry, and poetry in Canada, Australia, New Zealand, the Caribbean, India, Africa, Asia, and other international locales. The series both synthesizes existing scholarship and presents cutting-edge research, employing a global team of expert contributors for each of the fourteen volumes. This volume explores the developing range of English verse in the century after the death of Chaucer in 1400, years that saw both change and consolidation in traditions of poetic writing in English in the regions of Britain. Chaucer himself was an important shaping presence in the poetry of this period, providing a stimulus to imitation and to creative expansion of the modes he had favoured. In addition to assessing his role, this volume considers a range of literary factors significant to the poetry of the century, including verse forms, literary language, translation, and the idea of the author. It also signals features of the century's history that were important for the production of English verse: responses to wars at home and abroad, dynastic uncertainty, and movements towards religious reform, as well as technological innovations such as the introduction of printing, which brought influential changes to the transmission and reception of verse writing. The volume is shaped to include chapters on the contexts and forms of poetry in English, on the important genres of verse produced in the period, on some of the fifteenth-century's major writers (Lydgate, Hoccleve, Dunbar, and Henryson), and a consideration of the influence of the verse of this century on what was to follow.
Author | : David John Parkinson |
Publisher | : Medieval Institute Publications |
Total Pages | : 239 |
Release | : 2018-12-11 |
Genre | : Literary Criticism |
ISBN | : 1580444091 |
At the end of the fifteenth century, Gavin Douglas devised his ambitious dream vision The Palyce of Honour in part to signal a new scope to Scottish literary culture. While deeply versed in Chaucer's writings, Douglas identified Ovid's Metamorphoses as a particularly timely model in the light of contemporary humanist scholarship. For all its comedy, The Palyce of Honour stands as a reminder to James IV of Scotland that poetry casts a powerful light upon the arts of rule.
Author | : David C. Ogden |
Publisher | : Univ. Press of Mississippi |
Total Pages | : 306 |
Release | : 2013-06-03 |
Genre | : Sports & Recreation |
ISBN | : 1628467134 |
Female athletes are too often perceived as interlopers in the historically male-dominated world of sports. Obstacles specific to women are of particular focus in A Locker Room of Her Own. Race, sexual orientation, and the similar qualities ancillary to gender bear special exploration in how they impact an athlete's story. Central to this volume is the contention that women in their role as inherent outsiders are placed in a unique position even more complicated than the usual experiences of inequality and discord associated with race and sports. The contributors explore and critique the notion that in order to be considered among the pantheon of athletic heroes one cannot deviate from the traditional demographic profile, that of the white male. These essays look specifically and critically at the nature of gender and sexuality within the contested nexus of race, reputation, and sport. The collection explores the reputations of iconic and pioneering sports figures and the cultural and social forces that helped to forge their unique and often problematic legacies. Women athletes discussed in this volume include Babe Didrikson Zaharias, the women of the AAGPBL, Billie Jean King, Venus and Serena Williams, Marion Jones, Chris Evert and Martina Navratilova, Sheryl Swoopes, Florence Griffith Joyner, Roberta Gibb and Kathrine Switzer, and Danica Patrick.
Author | : Anonymous |
Publisher | : Broadview Press |
Total Pages | : 261 |
Release | : 2012-10-19 |
Genre | : Poetry |
ISBN | : 1554810191 |
Sir Gawain and the Green Knight is a masterpiece of medieval English literature and one of the finest Arthurian tales in any language. Though its ingenious plotting and verbal artistry continue to dazzle readers, it is written in a challenging regional dialect and uses many words that were already archaic when the poem was written in the late fourteenth century. This edition is designed to make the poem, in its original Middle English, accessible to students and general readers. Following standards adopted for editing other Middle English poets, the edition lightly normalizes spellings to make words more recognizable for a modern audience. Extensive marginal glossing of difficult words, thorough on-page explanatory notes, and a comprehensive glossary offer further support for readers. The historical appendices include other examples of medieval romance from France and Britain.
Author | : Alice Spencer |
Publisher | : Cambridge Scholars Publishing |
Total Pages | : 145 |
Release | : 2013-01-11 |
Genre | : Religion |
ISBN | : 144384537X |
This is the first book-length study to consider the works of Osbern Bokenham in the light of the discovery of his long-lost magnum opus, the so-called Abbotsford Legenda Aurea, in 2004. Bokenham is an author who, throughout his oeuvre, never tires of stressing his own marginality, historically (as the belated, inferior son of greater poets) and geographically (as an Englishman writing in the vernacular). Notwithstanding this, he negotiates with the very spatial and temporal perspectives which would seem to isolate him in such a way as to lay claim to an authentic and broad-reaching auctoritas for his own poetic voice. Throughout his oeuvre, Bokenham counters the patriarchal hegemonies of literary and political history by asserting an alternative, spiritually pristine matrilineage, which also serves to legitimise his own feminised vernacular tongue and national identity. He deploys the motifs of language, lineage and location in such a way that historical, geographical and gender marginality ultimately become grounds for exaltation, due to their deep-rooted spiritual integrity. Yet, beyond this, spatial and historical hierarchies and distinctions are ultimately dissolved through Bokenham’s increasingly daring vision of the inclusiveness of the communio sanctorum – of the continuously and universally binding force of exemplarity.