Staging Corruption
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Author | : Fan Yang |
Publisher | : University of Michigan Press |
Total Pages | : 231 |
Release | : 2024-06-03 |
Genre | : Social Science |
ISBN | : 0472904469 |
Disorienting Politics mines 21st-century media artifacts—including films like The Martian and TV/streaming media shows such as Firefly and House of Cards—to make visible the economic, cultural, political, and ecological entanglements of China and the United States. Describing these transpacific entanglements as “Chimerica”—coined by economic historians to reference the symbiosis of China and America—Yang examines how Chimerican media, originating in the US but traversing national boundaries in their production, circulation, and consumption, co-create the figure of rising China and extend a political imagination beyond the conventional ground of the nation. Examining how Chimerican media are shaped by and perpetuate uneven power relations, Disorienting Politics argues that the pervasive tendency among wide-ranging cultural producers to depict the Chinese state as a racialized Other in American media life diminishes the possibility of engaging transpacific entanglements as a basis for envisioning new political horizons. Such othering of China not only results in overt racism against people of Asian descent, Yang argues, but also impacts the wellbeing of people of color more generally. This interdisciplinary book demonstrates the ways in which race is embedded in geopolitics even when the subject of discussion is not the people, but the (Chinese) state. Bridging media and cultural studies, Asian and Asian American studies, geography, and globalization studies, Disorienting Politics calls for a relational politics that acknowledges the multifarious interconnectivity between people, places, media, and environment.
Author | : Jörg Baberowski |
Publisher | : Campus Verlag |
Total Pages | : 379 |
Release | : 2022-01-19 |
Genre | : History |
ISBN | : 3593449684 |
Krisen offenbaren die Fragilität der Ordnung und fordern die Macht heraus. Wie gehen autoritäre Regime mit ihnen um? Welche Stärken und Schwächen zeigen sie in der Krisenbewältigung, verglichen mit demokratischen Ordnungen? Wie lässt sich ihre Anpassungsfähigkeit und Persistenz erklären? Die Beiträge dieses Bandes verbinden die Sichtweisen von Politikwissenschaft, Geschichte, Literaturwissenschaft, Soziologie und Regionalwissenschaften auf gegenwärtige und untergegangene Regime in Afrika, Ost- und Zentralasien, Ost- und Westeuropa und Lateinamerika. Die Fallstudien beleuchten die Verdichtung autoritärer Herrschaft in der Krise, die meist zwei konträre Ziele verfolgt: die Stabilität zu erhalten und die eigene Herrschaft zu erneuern.
Author | : Johan Lagerkvist |
Publisher | : Springer Nature |
Total Pages | : 120 |
Release | : 2023-08-21 |
Genre | : Political Science |
ISBN | : 3031400372 |
This book analyses the ideology that China's leader Xi Jinping has crafted during his decade in power. China’s political system and domestic and foreign policies have, between 2012 and 2022, become more defined by the political thought of Xi Jinping, the most powerful leader of the Chinese Communist Party since the time of Mao Zedong. Today, Xi’s China is embroiled in superpower rivalry with the United States and its allies. Therefore, ongoing ideological transformation in the People’s Republic is destined to have global repercussions. Yet surprisingly, the ideological mission of Xi Jinping is poorly understood. Based on analysis of Xi Jinping’s collected speeches, the book argues that China’s new state ideology is constructed around the three key concepts of loyalty, discipline, and greatness. Xi’s mission is about ideological re-orientation and re-activation, as well as organizational innovation, seeking to frame China’s “national self” as a collective unit under one political banner and one leader. However, despite the monumental Party-state effort to boost the new ideology and state-scripted “moral careers”, the book contends that Xi Jinping cannot take for granted that political and patriotic loyalty will forever trump the formation of “disloyal moral careers” in society.
Author | : Haiyan Lee |
Publisher | : University of Chicago Press |
Total Pages | : 351 |
Release | : 2023-06-05 |
Genre | : Literary Criticism |
ISBN | : 0226825256 |
"China has an image as a realm of Oriental despotism where law is at best window-dressing and at worst an instrument of coercion and tyranny. The rule of law seems an elusive ideal in the face of entrenched obstacles baked, as it were, into China's cultural and political DNA. In this highly original contribution to the interdisciplinary field of law and humanities, Haiyan Lee contends that this image arises from an ahistorical understanding of China's political-legal tradition, particularly the failure to distinguish what she calls high justice and low justice. Lee argues that the liberal (and, so to speak, horizontal) conception of justice as fairness is quite different from the Chinese understanding of law. In the Chinese legal imagination, she shows, justice is a vertical concept, with low justice between individuals firmly subordinated to the high justice of the state. China's political-legal culture mistrusts law's ability to deliver justice and privileges moral over procedural justice. Lee shows that Chinese literature and film invariably dramatize the relationship between law and morality in ways that emphasize law's concession to moral sentiments and the triumph of moral justice through the discretion of a sagacious judge or the defiance of a vigilante hero. As China rises to global superpower status, its conception of justice can no longer be treated as a pale, floundering, and negligible sideshow to the legal drama of defending liberty and upholding human rights in the West. Lee's book helps us recognize the fight for justice outside the familiar arenas of liberal democracy and in terms other than those furnished by the rule of law"--
Author | : Luzhou Li |
Publisher | : MIT Press |
Total Pages | : 313 |
Release | : 2024-02-06 |
Genre | : Social Science |
ISBN | : 026255125X |
An examination of “cultural zoning” in China considers why government regulation of online video is so much more lenient than regulation of broadcast television. In Zoning China, Luzhou Li investigates why the Chinese government regulates online video relatively leniently while tightly controlling what appears on broadcast television. Li argues that television has largely been the province of the state, even as the market has dominated the development of online video. Thus online video became a space where people could question state media and the state's preferred ideological narratives about the nation, history, and society. Li connects this relatively unregulated arena to the “second channel” that opened up in the early days of economic reform—piracy in all its permutations. She compares the dual cultural sphere to China's economic zoning; the marketized domain of online video is the cultural equivalent of the Special Economic Zones, which were developed according to market principles in China's coastal cities. Li explains that although the relaxed oversight of online video may seem to represent a loosening of the party-state's grip on media, the practice of cultural zoning in fact demonstrates the the state's strategic control of the media environment. She describes how China's online video industry developed into an original, creative force of production and distribution that connected domestic private production companies, transnational corporations, and a vast network of creative labor from amateurs to professional content creators. Li notes that China has increased state management of the internet since 2014, signaling that online and offline censorship standards may be unified. Cultural zoning as a technique of cultural governance, however, will likely remain.
Author | : Andres Rodriguez |
Publisher | : UBC Press |
Total Pages | : 234 |
Release | : 2022-10-15 |
Genre | : Social Science |
ISBN | : 0774867582 |
The centre may hold, but borders can fray. Frontier Fieldwork explores the work of social scientists, agriculturists, photographers, and missionaries who took to the field in China’s southwest at a time when foreign political powers were contesting China’s claims over its frontiers. In the early twentieth century, when the threat of imperialism loomed large in the Sino-Tibetan borderlands, these fieldworkers undertook a nation-building exercise to unite a disparate, multi-ethnic population. Andres Rodriguez exposes the transformative power of the fieldworkers’ efforts, which placed China’s margins at the centre of its nation-making process and race to modernity.
Author | : Joseph Lawson |
Publisher | : UBC Press |
Total Pages | : 282 |
Release | : 2017-10-06 |
Genre | : History |
ISBN | : 0774833726 |
In the nineteenth and early twentieth centuries, the region of Liangshan in southwest China was plagued by violence. Indigenous Nuosu communities clashed with Han migrants, the Qing and Republican states, and local warlords. Large numbers of Nuosu and Han alike were kidnapped and killed in widespread patterns of captive taking. The first English-language history of Liangshan, A Frontier Made Lawless challenges the view that the persistent turmoil was the result of population pressures, opium production, and the growth of local paramilitary groups. Instead, Joseph Lawson argues that the conflict resulted from the lack of a common framework for dealing with property disputes, compounded by the repeated destabilization of the region by turmoil elsewhere in China. Drawing on a range of sources including court records, locals’ memoirs, regional government records and surveys, and Nuosu epic poetry, Lawson adds new insights and comparative perspectives to the study of conflict in Liangshan.
Author | : Geng Song |
Publisher | : University of Michigan Press |
Total Pages | : 253 |
Release | : 2022-05-09 |
Genre | : Social Science |
ISBN | : 0472220047 |
The serial narrative is one of the most robust and popular forms of storytelling in contemporary China. With a domestic audience of one billion-plus and growing transnational influence and accessibility, this form of storytelling is becoming the centerpiece of a fast-growing digital entertainment industry and a new symbol and carrier of China’s soft power. Televising Chineseness: Gender, Nation, and Subjectivity explores how television and online dramas imagine the Chinese nation and form postsocialist Chinese gendered subjects. The book addresses a conspicuous paradox in Chinese popular culture today: the coexistence of increasingly diverse gender presentations and conservative gender policing by the government, viewers, and society. Using first-hand data collected through interviews and focus group discussions with audiences comprising viewers of different ages, genders, and educational backgrounds, Televising Chineseness sheds light on how television culture relates to the power mechanisms and truth regimes that shape the understanding of gender and the construction of gendered subjects in postsocialist China.
Author | : Ruoyun Bai |
Publisher | : UBC Press |
Total Pages | : 293 |
Release | : 2014-09-04 |
Genre | : Social Science |
ISBN | : 0774826347 |
In late 1995, the drama Heaven Above (Cangtian zaishang) debuted on Chinese TV. Featuring a villainous high-ranking government official, it was the first in a series of wildly popular corruption dramas that riveted the nation. In Staging Corruption, Ruoyun Bai looks at the rise, fall, and reincarnation of these dramas and the ways in which they express the collective dreams and nightmares of China in the market-reform era. She also considers how these dramas – as products of the interplay between television stations, production companies, media regulation, and political censorship – unveil complicated relationships between power, media, and society. Her book will be essential reading for those following China's ongoing struggles with the highly volatile issue of political and social nepotism.
Author | : Thomas J. Gradel |
Publisher | : University of Illinois Press |
Total Pages | : 289 |
Release | : 2015-02-15 |
Genre | : Political Science |
ISBN | : 0252097033 |
Public funds spent on jets and horses. Shoeboxes stuffed with embezzled cash. Ghost payrolls and incarcerated ex-governors. Illinois' culture of "Where's mine?" and the public apathy it engenders has made our state and local politics a disgrace. In Corrupt Illinois, veteran political observers Thomas J. Gradel and Dick Simpson take aim at business-as-usual. Naming names, the authors lead readers through a gallery of rogues and rotten apples to illustrate how generations of chicanery have undermined faith in, and hope for, honest government. From there, they lay out how to implement institutional reforms that provide accountability and eradicate the favoritism, sweetheart deals, and conflicts of interest corroding our civic life. Corrupt Illinois lays out a blueprint to transform our politics from a pay-to-play–driven marketplace into what it should be: an instrument of public good.