Stage Plays From The Classics
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Author | : Joellen Bland |
Publisher | : Plays |
Total Pages | : 0 |
Release | : 1987 |
Genre | : Children's plays, American |
ISBN | : 9780823802814 |
One-act stage adaptations of famous short stories, novels, and plays. Includes "The Prince and the Pauper, " "Nicholas Nickleby, " and "Frankenstein."
Author | : Lorraine Kimsa Theatre for Young People Theatre Archives (University of Guelph) |
Publisher | : |
Total Pages | : 0 |
Release | : 1993 |
Genre | : Vocal music |
ISBN | : |
Author | : Ernest Fenollosa |
Publisher | : New Directions Publishing |
Total Pages | : 176 |
Release | : 1959 |
Genre | : Drama |
ISBN | : 9780811201520 |
The Noh plays of Japan have been compared to the greatest of Greek tragedies for their evocative, powerful poetry and splendor of emotional intensity.
Author | : Julie Meighan |
Publisher | : Jembooks |
Total Pages | : 80 |
Release | : 2016-01-06 |
Genre | : Performing Arts |
ISBN | : 9780956896681 |
Classics on Stage is a collection of ten plays adapted from popular and cherished works of children's literature. This is a unique collection of scripts that will entertain and educate readers. The plays are written with a sense of fun, which will engage and delight children of all ages. The plays in the collection are: The Wizard of Oz Alice in Wonderland How the Leopard Got His Spots How the Elephant Got His Trunk The Happy Prince The Selfish Giant The Canterville Ghost Peter Pan Pinocchio Around the World in Eighty Days
Author | : Aurand Harris |
Publisher | : Anchorage Press (UK) |
Total Pages | : 353 |
Release | : 1991 |
Genre | : Drama |
ISBN | : 9780876020326 |
Author | : |
Publisher | : |
Total Pages | : 464 |
Release | : 2002-01-01 |
Genre | : Juvenile Nonfiction |
ISBN | : 9780789157294 |
Author | : A.C. Scott |
Publisher | : Routledge |
Total Pages | : 266 |
Release | : 2013-11-05 |
Genre | : Drama |
ISBN | : 113657588X |
First published in 1957. Besides tracing the history and development of the Peking Theatre, this volume explains acting techniques, stage costume and symbolism, musical forms and the various types of plays.
Author | : Julie Meighan |
Publisher | : Jembooks |
Total Pages | : 78 |
Release | : 2016-01-06 |
Genre | : Education |
ISBN | : 9780956896698 |
This book is a collection of plays that have been adapted from Aesop's most famous fables. They can be used as performance plays, readers theatre or just used to promote reading in groups. Each play is between five and ten minutes long. The plays can be adapted to suit the various needs of the group. The cast list is very flexible - more characters can be added. Characters can be changed or omitted. In addition, the teacher/group leader can assume the role of the storyteller if the children are unable to read or not at the reading level required. Also included in this book is a variety of drama activities. These activities are designed to be fun and enjoyable as well as promoting group cohesion, character development and creativity. The plays in the collection are: The Lion and the Mouse The Ants and the Grasshopper The Hare and the Tortoise The Boy Who Cried Wolf The Town Mouse and the Country Mouse Belling the Cat The Miller, his Son and the Donkey The Fox and the Crow The Cockerel and the Fox The Goatherd and the Wild Goats The North Wind and the Sun The Fox and the Cat The Fox that lost his tail The Cat and the Hen The Peacock and the Crane The Dog and the Bone The Ant and the Dove The Crow and the Pitcher
Author | : Marianthe Colakis |
Publisher | : |
Total Pages | : 112 |
Release | : 1993 |
Genre | : Drama |
ISBN | : |
This book traces modern versions and adaptations of Greek tragedies in the recent past. The author provides a survey of the most significant and characteristic drama and shows how classically-based dramas reflected the chaotic decade in which they had been written, both through their form and the artist's vision they depicted. After the culture of the 1950s had embraced Freudian language and comfort so readily, the departure from this norm in the 1960s left the ancient heroes and heroines free to be "themselves" again. This decade was more hospitable to a dark view of life as the playwright moved away from the fate of the individual towards the fate of humankind as a whole. The widespread mistrust of technology as a solution to problems led to a romantic vision of primitive life and the recreation of the power in Greek tragedy by re-introducing its supposed ritual origins. Plays discussed include: The Prodigal by Jack Richardson, Prometheus Bound by Robert Lowell, Heracles by Archibald MacLeish, Dionysus in '69 by The Performance Group, Antigone by The Living Theatre, and The Orphan by David Rabe.
Author | : Helene P. Foley |
Publisher | : Univ of California Press |
Total Pages | : 396 |
Release | : 2014-06-26 |
Genre | : History |
ISBN | : 0520283872 |
This book explores the emergence of Greek tragedy on the American stage from the nineteenth century to the present. Despite the gap separating the world of classical Greece from our own, Greek tragedy has provided a fertile source for some of the most innovative American theater. Helene P. Foley shows how plays like Oedipus Rex and Medea have resonated deeply with contemporary concerns and controversies—over war, slavery, race, the status of women, religion, identity, and immigration. Although Greek tragedy was often initially embraced for its melodramatic possibilities, by the twentieth century it became a vehicle not only for major developments in the history of American theater and dance but also for exploring critical tensions in American cultural and political life. Drawing on a wide range of sources—archival, video, interviews, and reviews—Reimagining Greek Tragedy on the American Stage provides the most comprehensive treatment of the subject available.