Special Number Memory Contests
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German Memory Contests
Author | : Anne Fuchs |
Publisher | : Camden House |
Total Pages | : 353 |
Release | : 2006 |
Genre | : History |
ISBN | : 1571133240 |
Since unification in 1990, Germany has seen a boom in the confrontation with memory, evident in a sharp increase in novels, films, autobiographies, and other forms of public discourse that engage with the long-term effects of National Socialism across generations. Taking issue with the concept of "Vergangenheitsbewältigung," or coming to terms with the Nazi past, which after 1945 guided nearly all debate on the topic, the contributors to this volume view contemporary German culture through the more dynamic concept of "memory contests," which sees all forms of memory, public or private, as ongoing processes of negotiating identity in the present. Touching on gender, generations, memory and postmemory, trauma theory, ethnicity, historiography, and family narrative, the contributions offer a comprehensive picture of current German memory debates, in so doing shedding light on the struggle to construct a German identity mindful of but not wholly defined by the horrors of National Socialism and the Holocaust. Contributors: Peter Fritzsche, Anne Fuchs, Elizabeth Boa, Stefan Willer, Chloe E. M. Paver, Matthias Fiedler, J. J. Long, Dagmar C. G. Lorenz, Cathy S. Gelbin, Jennifer E. Michaels, Mary Cosgrove, Andrew Plowman, Roger Woods. Anne Fuchs is Professor of modern German literature and Georg Grote is Lecturer in German history, both at University College Dublin. Mary Cosgrove is Lecturer in German at the University of Edinburgh.
A Nation of Victims?
Author | : |
Publisher | : BRILL |
Total Pages | : 271 |
Release | : 2015-06-29 |
Genre | : Social Science |
ISBN | : 9401204454 |
The re-emergence of the issue of wartime suffering to the fore of German public discourse represents the greatest shift in German memory culture since the Historikerstreit of the 1980s. The (international) attention and debates triggered by, for example, W.G. Sebald’s Luftkrieg und Literatur, Günter Grass’s Im Krebsgang, Jörg Friedrich’s Der Brand testify to a change in focus away from the victims of National Socialism to the traumatic experience of the ‘perpetrator collective’ and its legacies. The volume brings together German, English and Israeli literary and film scholars and historians addressing issues surrounding the representation of German wartime suffering from the immediate post-war period to the present in literature, film and public commemorative discourse. Split into four sections, the volume discusses the representation of Germans as victims in post-war literature and film, the current memory politics of the Bund der Vertriebenen, the public commemoration of the air raids on Hamburg and Dresden and their representation in film, photography, historiography and literature, the impact and reception of W.G. Sebald’s Luftkrieg und Literatur, the representation of flight and expulsion in contemporary writing, the problem of empathy in representations of Germans as victims and the representation of suffering and National Socialism in Oliver Hirschbiegel’s film Der Untergang.
Community Music
Author | : National Recreation Association |
Publisher | : |
Total Pages | : 212 |
Release | : 1926 |
Genre | : Choral music |
ISBN | : |
Contemporary German Fiction
Author | : Stuart Taberner |
Publisher | : Cambridge University Press |
Total Pages | : 276 |
Release | : 2007-06-21 |
Genre | : Literary Criticism |
ISBN | : 9780521860789 |
These accessible and informative essays explore the central themes and contexts of the best writers working in Germany today.
Educational Publication
Author | : North Carolina. Department of Public Instruction |
Publisher | : |
Total Pages | : 1776 |
Release | : 1927 |
Genre | : Education |
ISBN | : |
Phantoms of War in Contemporary German Literature, Films and Discourse
Author | : A. Fuchs |
Publisher | : Springer |
Total Pages | : 266 |
Release | : 2008-01-09 |
Genre | : Political Science |
ISBN | : 0230589723 |
Phantoms of War in Contemporary German Literature, Films and Discourse offers an up-to-date and comprehensive analysis of fundamental shifts in German cultural memory. Focusing on the resurgence of family stories in fiction, autobiography and in film, this study challenges the institutional boundaries of Germany's memory culture that have guided and arguably limited German identity debates. Essays on contemporary German literature are complemented by explorations of heritage films and museum discourse. Together these essays put forward a compelling theory of family narratives and a critical evaluation of generational discourse.