Songs Of The Newfoundland Outports
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Author | : Anna Kearney Guigné |
Publisher | : University of Ottawa Press |
Total Pages | : 462 |
Release | : 2016-12-12 |
Genre | : Music |
ISBN | : 0776623850 |
In 1951, musician Kenneth Peacock (1922–2000) secured a contract from the National Museum of Canada (today the Canadian Museum of History) to collect folksongs in Newfoundland. As the province had recently joined Confederation, the project was deemed a goodwill gesture, while at the same time adding to the Museum’s meager Anglophone archival collections. Between 1951 and 1961, over the course of six field visits, Peacock collected 766 songs and melodies from 118 singers in 38 communities, later publishing two-thirds of this material in a three-volume collection, Songs of the Newfoundland Outports (1965). As the publication consists of over 1000 pages, Outports is considered to be a bible for Newfoundland singers and a valuable resource for researchers. However, Peacock’s treatment of the material by way of tune-text collations, use of lines and stanzas from unpublished songs has always been somewhat controversial. Additionally, comparison of the field collection with Outports indicates that although Peacock acquired a range of material, his personal preferences requently guided his publishing agenda. To ensure that the songs closely correspond to what the singers presented to Peacock, the collection has been prepared by drawing on Peacock’s original music and textual notes and his original field recordings. The collection is far-ranging and eclectic in that it includes British and American broadsides, musical hall and vaudeville material alongside country and western songs, and local compositions. It also highlights the influence of popular media on the Newfoundland song tradition and contextualizes a number of locally composed songs. In this sense, it provides a key link between what Peacock actually recorded and the material he eventually published. As several of the songs have not previously appeared in the standard Newfoundland collections, The Forgotten Songs sheds new light on the extent of Peacock’s collecting. The collection includes 125 songs arranged under 113 titles along with extensive notes on the songs, and brief biographies of the 58 singers. Thanks to the Research Centre for the Study of Music Media and Place, a video of the launch event, held in St.John's, Newfoundland, is available at https://www.youtube.com/watch?v=ghj6E6-QiLI&t=21s.
Author | : Gordon Sidney Allister Cox |
Publisher | : University of Ottawa Press |
Total Pages | : 238 |
Release | : 1980-01-01 |
Genre | : Music |
ISBN | : 1772823392 |
A holistic description of Newfoundland outport music and its social significance based on interviews conducted in Green’s Harbour and the Trinity Bay South area.
Author | : Gordon S. A. Cox |
Publisher | : |
Total Pages | : 258 |
Release | : 1980 |
Genre | : Canada |
ISBN | : |
Author | : |
Publisher | : |
Total Pages | : |
Release | : 1981 |
Genre | : Labrador (N.L.) |
ISBN | : 9780920508138 |
Author | : Emma Hooper |
Publisher | : Penguin |
Total Pages | : 308 |
Release | : 2018-08-07 |
Genre | : Fiction |
ISBN | : 0735232725 |
LONGLISTED FOR THE SCOTIABANK GILLER PRIZE From Emma Hooper, acclaimed author of Etta and Otto and Russell and James, a People magazine “Pick of the Week,” comes a “haunting fable about the transformative power of hope” (Booklist, starred review) in a charming and mystical story of a family on the edge of extinction. Newfoundland, 1992. When all the fish vanish from the waters and the cod industry abruptly collapses, it's not long before the people begin to disappear from the town of Big Running as well. As residents are forced to leave the island in search of work, ten-year-old Finn Connor suddenly finds himself living in a ghost town. There's no school, no friends, and whole rows of houses stand abandoned. And then Finn's parents announce that they too must separate if their family is to survive. But Finn still has his sister, Cora, with whom he counts the dwindling boats on the coast at night, and Mrs. Callaghan, who teaches him the strange and ancient melodies of their native Ireland. That is until his sister disappears, and Finn must find a way of calling home the family and the life he has lost.
Author | : Rainer Baehre |
Publisher | : McGill-Queen's Press - MQUP |
Total Pages | : 428 |
Release | : 1999 |
Genre | : Fiction |
ISBN | : 9780886293192 |
Outrageous Seas is about that time, and about the harrowing, almost mythic, experience of shipwreck, near-shipwreck, and survival in waters off Newfoundland.
Author | : J.D.A. Widdowson |
Publisher | : Routledge |
Total Pages | : 878 |
Release | : 2015-02-20 |
Genre | : Social Science |
ISBN | : 1317551486 |
This collection of Newfoundland folk narratives, first published in 1996, grew out of extensive fieldwork in folk culture in the province. The intention was to collect as broad a spectrum of traditional material as possible, and Folktales of Newfoundland is notable not only for the number and quality of its narratives, but also for the format in which they are presented. A special transcription system conveys to the reader the accents and rhythms of each performance, and the endnote to each tale features an analysis of the narrator’s language. In addition, Newfoundland has preserved many aspects of English and Irish folk tradition, some of which are no longer active in the countries of their origin. Working from the premise that traditions virtually unknown in England might still survive in active form in Newfoundland, the researchers set out to discover if this was in fact the case.
Author | : Susan H. Motherway |
Publisher | : Routledge |
Total Pages | : 229 |
Release | : 2016-03-09 |
Genre | : Music |
ISBN | : 1317030044 |
In The Globalization of Irish Traditional Song Performance Susan Motherway examines the ways in which performers mediate the divide between local and global markets by negotiating this dichotomy in performance practice. In so doing, she discusses the globalizing processes that exert transformative influences upon traditional musics and examines the response to these influences by Irish traditional song performers. In developing this thesis the book provides an overview of the genre and its subgenres, illustrates patterns of musical change extant within the tradition as a result of globalization, and acknowledges music as a medium for re-negotiating an Irish cultural identity within the global. Given Ireland’s long history of emigration and colonisation, globalization is recognised as both a synchronic and a diachronic phenomenon. Motherway thus examines Anglo-Irish song and songs of the Irish Diaspora. Her analysis reaches beyond essentialist definitions of the tradition to examine evolving sub-genres such as Country & Irish, Celtic and World Music. She also recognizes the singing traditions of other ethnic groups on the island of Ireland including Orange-Order, Ulster-Scots and Traveller song. In so doing, she shows the disparity between native conceptions and native realities in respect to Irish cultural Identity.
Author | : Brian Cherney |
Publisher | : University of Toronto Press |
Total Pages | : 273 |
Release | : 1975-12-15 |
Genre | : Biography & Autobiography |
ISBN | : 1442654627 |
Harry Somers is one of Canada's leading composers, and one of the most original. In the 1950s he experimented with contrapuntal writing, serialism, and style juxtaposition; in more recent years he has been concerned with the development of new vocal resources and improvisation. Harry Somers, a detailed study of the composer and his works, has been commissioned by the Canadian Music Centre as the first of a series, each volume of which will cover in depth the career and works of a major Canadian composer. Within the framework provided by major biographical events, Brian Cherney traces Somers' development as a composer from 1939 to 1973 by analysing works from various stages in his career. He discusses in particular the influences on Somers of Bartók, Debussy, and Weinzweig, the interrelationships between his works, and his stylistic traits and compositional techniques. A chronological list of Somers' works is included, and, because of its importance, an entire chapter is devoted to the opera Louis Riel. In view of the scarcity of in-depth critical literature on Canadian composers, this thorough and objective book will be of interest to music students, professional musicians, composers, and the general music public, both in Canada and abroad.
Author | : Carl F. Klinck |
Publisher | : University of Toronto Press |
Total Pages | : 611 |
Release | : 1976-12-15 |
Genre | : Literary Criticism |
ISBN | : 1487590970 |
Hailed as a landmark in Canadian literary scholarship when it was originally published in 1965, the Literary History of Canada is now being reissued, revised and enlarged, in three volumes. This major effort of a large group of scholars working in the field of English-language Canadian literature provides a comprehensive, up-to-date reference work. It has already proven itself invaluable as a source of information on authors, genres, and literary trends and influences. It represents a positive attempt to give a history of Canada in terms of writings which deserve attention because of significant thought, form, and use of language. Volume I comprises Parts I to III of the original edition, and covers the years from the beginning of Canadian literature in English to about 1920. The contributors to this volume are David Galloway, Victor G. Hopwood, Alfred G. Bailey, Fred Cogswell, James and Ruth Talman, Carl F. Klinck, Edith Gordon Roper, Rupert Schieder, S. Ross Beharriell, Brandon Conron, Elizabeth Waterston, Alec Lucas, John A. Irving, A.H. Johnson, A. Vibert Douglas, and Frank W. Watt.