Songs In Sepia And Black White
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| Author | : Norbert Krapf |
| Publisher | : Indiana University Press |
| Total Pages | : 235 |
| Release | : 2012-08-13 |
| Genre | : Poetry |
| ISBN | : 0253006325 |
A collaboration born of a shared love of music, photography, poetry, and Indiana, this book celebrates the history, literature, and art that informs the present and shapes our identity. Richard Fields's black and white photos are evocative imaginings of Norbert Krapf's poems, visual metaphors that extend and deepen their vision. Krapf's poems pay tribute to poets from Homer and Virgil to Walt Whitman, Emily Dickinson, and Wendell Berry, and to singer-songwriters such as Woody Guthrie and John Lennon. They also explore the poet's German heritage, question ethnic prejudice and social conflict, and praise the natural world. The book includes a cycle of 15 poems about Bob Dylan; a public poem written in response to 9/11, "Prayer to Walt Whitman at Ground Zero"; "Back Home," a poem reproduced in a stained glass panel at the Indianapolis airport; and ruminations on the 20th anniversary of the fall of the Berlin Wall, "Questions on a Wall."
| Author | : Helen Abbott |
| Publisher | : Oxford University Press |
| Total Pages | : 205 |
| Release | : 2017-11-03 |
| Genre | : Poetry |
| ISBN | : 0192513656 |
Why do we find it hard to explain what happens when words are set to music? This study looks at the kind of language we use to describe word/music relations, both in the academic literature and in manuals for singers or programme notes prepared by professional musicians. Helen Abbott's critique of word/music relations interrogates overlaps emerging from a range of academic disciplines including translation theory, adaptation theory, word/music theory, as well as critical musicology, métricométrie, and cognitive neuroscience. It also draws on other resources-whether adhesion science or financial modelling-to inform a new approach to analysing song in a model proposed here as the assemblage model. The assemblage model has two key stages of analysis. The first stage examines the bonds formed between the multiple layers that make up a song setting (including metre/prosody, form/structure, sound repetition, semantics, and live performance options). The second stage considers the overall outcome of each song in terms of the intensity or stability of the words and music present in a song (accretion/dilution). Taking the work of the major nineteenth-century French poet Charles Baudelaire (1821-67) as its main impetus, the volume examines how Baudelaire's poetry has inspired composers of all genres across the globe, from the 1860s to the present day. The case studies focus on Baudelaire song sets by European composers between 1880 and 1930, specifically Maurice Rollinat, Gustave Charpentier, Alexander Gretchaninov, Louis Vierne, and Alban Berg. Using this corpus, it tests out the assemblage model to uncover what happens to Baudelaire's poetry when it is set to music. It factors in the realities of song as a live performance genre, and reveals which parameters of song emerge as standard for French text-setting, and where composers diverge in their approach.
| Author | : |
| Publisher | : |
| Total Pages | : 496 |
| Release | : 1979 |
| Genre | : African Americans |
| ISBN | : |
| Author | : Lewis C. Mainzer |
| Publisher | : Xlibris Corporation |
| Total Pages | : 108 |
| Release | : 2012-11 |
| Genre | : Poetry |
| ISBN | : 1479735116 |
This collection, written since Two Wives Ago: Selected Poems, includes poems on Isaac and strong-willed Abraham, King Lear and his troublesome daughters, the mysteries of choir practice, the historical prominence of male decapitation, a boy shot by the cops, searching the lake for a missing boy, a hippo in the bed (with the poet's wife?), old age and decay, death-timely, too soon, too late, sweet love in youth and in old age, lilac blossoms in an outhouse, a gardener's hopes and joys and failures, elephant dung, a skunk, a quite day at the frog pond, the history and esthetics of tattooing, a Japanese woodblock print moon, a Robert Frost tool, an E.M. Forster story, and a message which may have gone astray. Cover engraving by J.G. Posada
| Author | : P.D. Magnus |
| Publisher | : Open Book Publishers |
| Total Pages | : 203 |
| Release | : 2022-04-28 |
| Genre | : Science |
| ISBN | : 1800644256 |
Cover songs are a familiar feature of contemporary popular music. Musicians describe their own performances as covers, and audiences use the category to organize their listening and appreciation. However, until now philosophers have not had much to say about them. In A Philosophy of Cover Songs, P.D. Magnus demonstrates that philosophy provides a valuable toolbox for thinking about covers; in turn, the philosophy of cover songs illustrates some general points about philosophical method. Lucidly written, the book is divided into three parts: how to think about covers, appreciating covers, and the metaphysics of covers and songs. Along the way, it explores a range of issues raised by covers, from the question of what precisely constitutes a cover, to the history and taxonomy of the category, the various relationships that hold between songs, performances, and tracks, and the appreciation and evaluation of covers. This unique and engaging book will be of interest to those working in philosophy of art, philosophy of music, popular music studies, music history, and musicology, as well as to readers with a general interest in popular music, covers, and how we think about them.
| Author | : David Pogue |
| Publisher | : "O'Reilly Media, Inc." |
| Total Pages | : 744 |
| Release | : 2005-08-24 |
| Genre | : Computers |
| ISBN | : 0596100361 |
The incomparable iLife '05 is the must-have multimedia suite for everyone who owns a Mac--and the envy of everyone who doesn't. iLife '05: The Missing Manual is the definitive iLife '05 book--and what should have come with the suite. There's no better guide to your iLife experience than the #1 bestselling Macintosh author and expert--and Missing Manual series creator--David Pogue. Totally objective and utterly in-the-know, Pogue highlights the newest features, changes, and improvements of iLife '05, covers the capabilities and limitations of each program within the suite, and delivers countless goodies that you won't find anywhere else: undocumented tips, tricks, and secrets for getting the best performance out of every iLife application. Pogue examines all five programs in iLife '05, including: iTunes 4.7. The digital jukebox software for Mac (and Windows) rips songs from music CDs onto your hard drive, organizes and plays your music collection, lets you buy songs from the iTunes Music Store, and syncs all your music with your iPod. iPhoto 5. With iPhoto 5, you can pull photos from digital cameras and then organize and present them as a slideshow, desktop picture, screen saver, email attachment, web page, DVD, printout, or hardbound photo book. iMovie HD. Now you can easily import and edit video from the newest High Definition camcorders and even little flash media video cams in all the latest formats. You can turn those seemingly endless home movies into short, fun, tightly edited, top-quality highlight reels that friends and family actually beg to watch. iDVD 5. Transform your iMovie productions and digital slideshows into Hollywood-style DVDs that play on everyday DVD players. GarageBand 2. This critically acclaimed program turns a Mac into a digital music-recording studio. With your authoritative, witty, full color, all-inclusive iLife '05: The Missing Manual at the ready, there's nothing standing between you and professional-caliber music, photos, movies, and more.
| Author | : Bernard L. Peterson Jr. |
| Publisher | : Bloomsbury Publishing USA |
| Total Pages | : 554 |
| Release | : 1993-10-25 |
| Genre | : Literary Criticism |
| ISBN | : 0313064547 |
This comprehensive reference book provides succinct information on almost thirteen hundred musical stage works written and produced from the 1870s to the 1990s involving contributions by black librettists, lyricists, composers, musicians, producers, or performers or containing thematic materials relevant to the black experience. Organized alphabetically, they include tent and outdoor shows, vaudeville, operas and operettas, comedies, farces, spectacles, revues, cabaret and nightclub shows, children's musicals, skits, one-act musicals, one-person shows, and even a musical without songs. In addition to the hundreds of shows independently created, produced, and performed by black writers and theatrical artists, it presents hundreds more representing a collaboration of black and white talents. An appendix organizes the shows chronologically and highlights those that were most significant in the history of the black American musical stage. An extensive bibliography and indexes of names, songs, and subjects complete the work.
| Author | : Mark Kurlansky |
| Publisher | : Penguin |
| Total Pages | : 339 |
| Release | : 2014-07-01 |
| Genre | : History |
| ISBN | : 1594632731 |
Can a song change a nation? In 1964, Marvin Gaye, record producer William “Mickey” Stevenson, and Motown songwriter Ivy Jo Hunter wrote “Dancing in the Street.” The song was recorded at Motown’s Hitsville USA Studio by Martha and the Vandellas, with lead singer Martha Reeves arranging her own vocals. Released on July 31, the song was supposed to be an upbeat dance recording—a precursor to disco, and a song about the joyousness of dance. But events overtook it, and the song became one of the icons of American pop culture. The Beatles had landed in the U.S. in early 1964. By the summer, the sixties were in full swing. The summer of 1964 was the Mississippi Freedom Summer, the Berkeley Free Speech Movement, the beginning of the Vietnam War, the passage of the Civil Rights Act, and the lead-up to a dramatic election. As the country grew more radicalized in those few months, “Dancing in the Street” gained currency as an activist anthem. The song took on new meanings, multiple meanings, for many different groups that were all changing as the country changed. Told by the writer who is legendary for finding the big story in unlikely places, Ready for a Brand New Beat chronicles that extraordinary summer of 1964 and showcases the momentous role that a simple song about dancing played in history.
| Author | : Ferdinand Schuyler Mathews |
| Publisher | : |
| Total Pages | : 420 |
| Release | : 1904 |
| Genre | : Birds |
| ISBN | : |
A description of the character and music of birds, intended to assist in the identification of species common in the United States east of the Rocky Mountains.
| Author | : Lloyd Godman |
| Publisher | : PHOTO-synthesis media |
| Total Pages | : 96 |
| Release | : 2023-01-18 |
| Genre | : Photography |
| ISBN | : 0645715107 |
In The Last Rivers Song, Lloyd Godman presents a stunning series of black and white photographs that show the raw, natural, beauty of Clutha River (which flows from Lake Wanka) and Kawarau River (which flows from Lake Wakatiku, Queenstown) before the water was stilled with the filling of Lake Dunstan at the completion of the hydro dam at Clyde in Central Otago, New Zealand. The hydro dam was planned to provide power to an aluminium smelter at Aromana which due to protests never eventuated. In an age where rivers are increasingly under threat from development, it offers an emblematic, evocative portrait of a wild, free-flowing river that has been lost to hydro development. The publication includes a detailed introduction to the conception of the project and the technical challenges of producing large mural photographs (which are gold toned from gold mined from the very river itself) and were first exhibited at the Dunedin Public Art Gallery. From photographic stop motion to time exposure the aura of the river is captured beyond human vision. Exhibited at the Marshall Seifert Gallery, to compliment the murals at the DPAG, was a series of smaller photographs, the Clutha Panels, which show the expansive mood of the river. The full suite of photographs is included in the book. Hyperlinks within the publication link to animated video using sequences of the photographs and an original soundscape composed by Trevor Coleman and Paul Hutchins to accompany the DPAG exhibition. "Water surges, sprays, foams, whirls, ripples and rests, framed by very black rock which, when devoid of detail cameos the textures of its movements. In other instances a chiaroscuro lighting throws forward rock surface, its water-worn texture combining in rhythmic counterpoint with the current. The mural works are more expressively extreme, and have a greater over-all movement, each work capturing a different mood, from candy-floss fibres of foam in mural five, to the bone-crushing torrents". Alastair Galbraith
