Healing All Creation

Healing All Creation
Author: Joan Connell
Publisher: Rowman & Littlefield
Total Pages: 195
Release: 2019-06-12
Genre: Religion
ISBN: 1538120984

In Healing All Creation, a scripture scholar and a religion journalist explore the literary and theological symmetries of Genesis, the Gospel of Mark and the unfolding story of evolution, as told by science and the emerging discipline of cosmological theology. Read together, these narratives shed new light on the Judeo-Christian tradition and offer fresh ideas about how to respond to the moral and environmental crises of our times. Scientific discoveries make it increasingly clear that everything in the world is connected. Physically and spiritually, small actions can have great impact: In the creation myths of Genesis, it is possible for individuals to generate great evil, but also do enormous good and repair a broken world. Mark’s story of the public life of Jesus speaks to the transformative effect of cumulative acts of compassion. Cosmological theology suggests that evolution is spiritual as well as material, and that our search for meaning is dynamic, ongoing and grounded in the sanctity of all creation. This book speaks to those for whom Judeo-Christian scripture is important, but also to those who consider themselves spiritual but not religious: those who stand in awe of the majesty of the universe and appreciate the sanctity of all creation. It introduces to a general audience a century-long dialogue among scientists, theologians, scripture scholars and summons the voices of 20th century spiritual heroes, contemporary theologians and religion scholars from a variety of traditions and perspectives. This accessible but scholarly narrative and robust endnotes make it valuable as a textbook for college-level courses on religion and ecology. The authors offer fresh insights into Mark’s story of the healing ministry of Jesus and his relationships with women, including his crushing final encounter with the women who stayed with him to the end and the transformative mission it inspired. It raises questions about the gender inequity that persists in organized religion and in the world at large. This book examines institutional Christianity’s historical failures such as the early abandonment of nonviolence and its tendency to question the validity of scientific discoveries. It explores the impact of dispensational theology, whose vision of a material world ending in fiery apocalypse produced Christians so focused on the end-times that they have scant regard for the sanctity of the Earth. It has been said that the Bible is the most-purchased and least-read book in America. This accessible narrative introduces a diverse general audience to the riches of contemporary scripture scholarship, the wisdom of cosmological theology and a renewed awareness of the sanctity of all creation.

Anglo-Saxon Emotions

Anglo-Saxon Emotions
Author: Alice Jorgensen
Publisher: Routledge
Total Pages: 319
Release: 2016-04-15
Genre: Literary Criticism
ISBN: 1317180887

Research into the emotions is beginning to gain momentum in Anglo-Saxon studies. In order to integrate early medieval Britain into the wider scholarly research into the history of emotions (a major theme in other fields and a key field in interdisciplinary studies), this volume brings together established scholars, who have already made significant contributions to the study of Anglo-Saxon mental and emotional life, with younger scholars. The volume presents a tight focus - on emotion (rather than psychological life more generally), on Anglo-Saxon England and on language and literature - with contrasting approaches that will open up debate. The volume considers a range of methodologies and theoretical perspectives, examines the interplay of emotion and textuality, explores how emotion is conveyed through gesture, interrogates emotions in religious devotional literature, and considers the place of emotion in heroic culture. Each chapter asks questions about what is culturally distinctive about emotion in Anglo-Saxon England and what interpretative moves have to be made to read emotion in Old English texts, as well as considering how ideas about and representations of emotion might relate to lived experience. Taken together the essays in this collection indicate the current state of the field and preview important work to come. By exploring methodologies and materials for the study of Anglo-Saxon emotions, particularly focusing on Old English language and literature, it will both stimulate further study within the discipline and make a distinctive contribution to the wider interdisciplinary conversation about emotions.

Victorian Songhunters

Victorian Songhunters
Author: E. David Gregory
Publisher: Rowman & Littlefield
Total Pages: 458
Release: 2006
Genre: Ballads, English
ISBN: 0810857030

Victorian Songhunters is a history of popular song collecting and ballad editing from 1820 to 1883. It is a comprehensive telling of the Victorian vernacular song revival leading up to the Eduardian folksong festival, and includes information on the folksong revival in Scotland.

Vernacular Aesthetics in the Later Middle Ages

Vernacular Aesthetics in the Later Middle Ages
Author: Katharine W. Jager
Publisher: Springer
Total Pages: 314
Release: 2019-07-03
Genre: Literary Criticism
ISBN: 3030183343

Vernacular Aesthetics in the Later Middle Ages explores the formal composition, public performance, and popular reception of vernacular poetry, music, and prose within late medieval French and English cultures. This collection of essays considers the extra-literary and extra-textual methods by which vernacular forms and genres were obtained and examines the roles that performance and orality play in the reception and dissemination of those genres, arguing that late medieval vernacular forms can be used to delineate the interests and perspectives of the subaltern. Via an interdisciplinary approach, contributors use theories of multimodality, translation, manuscript studies, sound studies, gender studies, and activist New Formalism to address how and for whom popular, vernacular medieval forms were made.