Sondheim And Lapines Into The Woods
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Author | : Olaf Jubin |
Publisher | : Routledge |
Total Pages | : 93 |
Release | : 2017-08-15 |
Genre | : Drama |
ISBN | : 1351967932 |
‘The Woods are just Trees. The Trees are just Wood.’ – All together In 1987, Stephen Sondheim and James Lapine combined several classic fairy tales including Little Red Riding Hood, Cinderella, and Jack and the Beanstalk to create Into the Woods. Funny and heartfelt, this musical explores what it might mean to act responsibly in society, both as a parent and as a child. Situating the work within Sondheim’s oeuvre and the Broadway canon, Olaf Jubin first offers a detailed reading of the show itself, before discussing key productions in New York and London, and 2014’s Oscar-nominated screen adaptation. The radically different approaches to staging Into the Woods are testament to how open the musical is to re-interpretation for new audiences. A combination of critical explication with performance and film analysis, as well as an overview of popular and critical reception, this book is meant for anyone who has enjoyed Into the Woods, be it as a musical theatre fan, an enchanted audience member, a student or a dedicated theatre professional.
Author | : Theatre Aquarius Archives (University of Guelph) |
Publisher | : |
Total Pages | : |
Release | : 2004 |
Genre | : |
ISBN | : |
Author | : James Lapine |
Publisher | : Farrar, Straus and Giroux |
Total Pages | : 417 |
Release | : 2021-08-03 |
Genre | : Performing Arts |
ISBN | : 0374720223 |
A NEW YORK TIMES BESTSELLER A behind-the-scenes look at the making of the iconic musical Sunday in the Park with George Putting It Together chronicles the two-year odyssey of creating the iconic Broadway musical Sunday in the Park with George. In 1982, James Lapine, at the beginning of his career as a playwright and director, met Stephen Sondheim, nineteen years his senior and already a legendary Broadway composer and lyricist. Shortly thereafter, the two decided to write a musical inspired by Georges Seurat’s nineteenth-century painting A Sunday Afternoon on the Island of La Grande Jatte. Through conversations between Lapine and Sondheim, as well as most of the production team, and with a treasure trove of personal photographs, sketches, script notes, and sheet music, the two Broadway icons lift the curtain on their beloved musical. Putting It Together is a deeply personal remembrance of their collaboration and friend - ship and the highs and lows of that journey, one that resulted in the beloved Pulitzer Prize–winning classic.
Author | : |
Publisher | : Hal Leonard Corporation |
Total Pages | : 228 |
Release | : 1991 |
Genre | : Performing Arts |
ISBN | : 9781557830685 |
(Applause Libretto Library). This 1995 Pulitzer Prize-winning musical was inspired by the painting A Sunday Afternoon on the Island of La Grande Jatte by Georges Seurat. A complex work revolving around a fictionalized Seurat immersed in single-minded concentration while painting the masterpiece, the production has evolved into a meditation on art, emotional connection, and community. This publication contains the entire script of the musical. " Sunday is itself a modernist creation, perhaps the first truly modernist work of musical theatre that Broadway has produced ... a watershed event that demands nothing less than a retrospective, even revisionist, look at the development of the serious Broadway musical." Frank Rich, The New York Times Magazine
Author | : Stephen Sondheim |
Publisher | : Theatre Communications Grou |
Total Pages | : 148 |
Release | : 1994 |
Genre | : Drama |
ISBN | : 9781559360883 |
The newest Broadway musical by Pulitzer Prize-winning collaborators Stephen Sondheim and James Lapine, winner of the Tony Award for Best Musical, 1994.
Author | : James Lapine |
Publisher | : Dramatists Play Service, Inc. |
Total Pages | : 91 |
Release | : 2016-05-16 |
Genre | : Drama |
ISBN | : 0822232170 |
THE STORY: Growing up in an impoverished family in the Bronx, Moss Hart dreamed of being part of the glamorous world of the theatre. Forced to drop out of school at age thirteen, Hart’s famous memoir Act One is a classic Hortatio Alger story that plots Hart’s unlikely collaboration with the legendary playwright George S. Kaufman. Tony Award-winning writer and director James Lapine has adapted Act One for the stage, creating a funny, heartbreaking, and suspenseful play that celebrates the making of a playwright and his play Once in a Lifetime. ACT ONE offers great fun to a director to utilize over fifty roles, which can be played by a cast as few as twelve, and in a production that can be done as simply or elaborately as desired.
Author | : Steve Swayne |
Publisher | : University of Michigan Press |
Total Pages | : 340 |
Release | : 2007-05-08 |
Genre | : Music |
ISBN | : 9780472032297 |
“Steve Swayne’s How Sondheim Found His Sound is a fascinating treatment and remarkable analysis of America’s greatest playwright in song. His marvelous text goes a long way toward placing Stephen Sondheim among the towering artists of the late twentieth century!” —Cornel West, Princeton University “Sondheim’s career and music have never been so skillfully dissected, examined, and put in context. With its focus on his work as composer, this book is surprising and welcome.” —Theodore S. Chapin, President and Executive Director, The Rodgers and Hammerstein Organization “. . . an intriguing ‘biography’ of the songwriter’s style. . . . Swayne is to be congratulated for taking the study of this unique composer/lyricist into hitherto unnavigated waters.” —Stage Directions “The research is voluminous, as are the artistry and perceptiveness. Swayne has lived richly within the world of Sondheim’s music.” —Richard Crawford, author of America’s Musical Life: A History “Amid the ever-more-crowded bookshelf of writings on Sondheim, Swayne’s analysis of Sondheim’s development as a composer stands up as a unique and worthy study. . . . For the Sondheim aficionados, there are new ideas and new information, and for others, Swayne’s How Sondheim Found His Sound will provide an intriguing introduction into the mind of arguably the greatest and most influential living Broadway composer.” —talkinbroadway.com “What a fascinating book, full of insights large and small. An impressive analysis and summary of Sondheim’s many sources of inspiration. All fans of the composer and lovers of Broadway in general will treasure and frequently refer to Swayne’s work.” —Tom Riis, Joseph Negler Professor of Musicology and Director of the American Music Research Center, University of Colorado Stephen Sondheim has made it clear that he considers himself a “playwright in song.” How he arrived at this unique appellation is the subject of How Sondheim Found His Sound—an absorbing study of the multitudinous influences on Sondheim’s work. Taking Sondheim’s own comments and music as a starting point, author Steve Swayne offers a biography of the artist’s style, pulling aside the curtain on Sondheim’s creative universe to reveal the many influences—from classical music to theater to film—that have established Sondheim as one of the greatest dramatic composers of the twentieth century.
Author | : Hudson Talbott |
Publisher | : Penguin |
Total Pages | : 49 |
Release | : 2001-01-15 |
Genre | : Juvenile Fiction |
ISBN | : 0698118898 |
Someone has stolen the witch of Crookhaven's horse, and there will be no peace in the village until it is returned. So bold, brassy Kate O'Sullivan takes matters into her own hands. But instead of saving the day, she manages to land herself--and her family--in trouble with the king. So Kate sets out to save their hides the only way she knows how--with a good story. Filled with imagination, wit, and a healthy helping of good old-fashioned Irish blarney, this is a hilarious tale that will keep readers coming back for more.
Author | : Mark Eden Horowitz |
Publisher | : Rowman & Littlefield |
Total Pages | : 293 |
Release | : 2019-03-13 |
Genre | : Performing Arts |
ISBN | : 153812551X |
From his early work as lyricist for West Side Story to acclaimed creations such as A Little Night Music, Sunday in the Park with George, and Sweeney Todd, Stephen Sondheim is widely regarded as the most important figure in musical theater since the second half of the 20th century. Who better to discuss this prolific artist’s work than the master himself? Sondheim on Music: Minor Details and Major Decisions is a collection of interviews conducted by Mark Eden Horowitz, senior music specialist in the music division of the Library of Congress. In these guided conversations, Sondheim expounds in great depth and detail on his craft. As a natural teacher, thoughtful and opinionated, Sondheim discusses the art of musical composition, lyric writing, the collaborative process of musical theater, and how he thinks about his own work. The entire scope of Sondheim’s career is covered here, in which Sondheim’s greatest works are discussed—from Passion, Assassins, Into the Woods, Sunday in the Park with George, Sweeney Todd, and Pacific Overtures to A Funny Thing Happened on the Way to the Forum, Merrily We Roll Along, Company, Follies, Anyone Can Whistle, and A Little Night Music. Sondheim even provides thoughts about the film adaptations of his works, such as Sweeney Todd. The book also features an entire chapter on Bounce, the previous incarnation of his latest musical, Road Show. Preserving the essential elements of the previous volumes, this edition includes all of the interviews—verbatim—and features a revised introduction and a postlude with an additional conversation. Finally in paperback, Sondheim on Music: Minor Details and Major Decisions, The Less Is More Edition is a must-have for fans of these creative genius.
Author | : Stephen Sondheim |
Publisher | : Knopf |
Total Pages | : 481 |
Release | : 2011-11-22 |
Genre | : Music |
ISBN | : 030759341X |
The second volume of Sondheim's collected lyrics is both a remarkable glimpse into the brilliant mind of a legend, and a continuation of the acclaimed and best-selling Finishing the Hat. Picking up where he left off in Finishing the Hat, Sondheim gives us all the lyrics, along with excluded songs and early drafts, of the Pulitzer Prize–winning Sunday in the Park with George, Into the Woods, Assassins and Passion. Here, too, is an in-depth look at the evolution of Wise Guys, which subsequently was transformed into Bounce and eventually became Road Show. Sondheim takes us through his contributions to both television and film, some of which may surprise you, and covers plenty of never-before-seen material from unproduced projects as well. There are abundant anecdotes about his many collaborations, and readers are treated to rare personal material in this volume, as Sondheim includes songs culled from commissions, parodies and personal special occasions—such as a hilarious song for Leonard Bernstein’s seventieth birthday. As he did in the previous volume, Sondheim richly annotates his lyrics with invaluable advice on songwriting, discussions of theater history and the state of the industry today, and exacting dissections of his work, both the successes and the failures. Filled with even more behind-the-scenes photographs and illustrations from Sondheim’s original manuscripts, Look, I Made a Hat is fascinating, devourable and essential reading for any fan of the theater or this great man’s work.