Excerpt from Some Aspects of the Dramatic Art of Aeschylus 2this statement must be understood in the light of the following reservation. In three or four cases in his earlier plays Aeschylus, merely for scenic considerations, brought on an actor with naive free dom; that is to say, in these few cases he did not feel constrained to make clear just why his actor should appear at the given place at the given time. - See (i) Atossa's entrance (persians, Out of her anxiety for Xerxes she tells the chorus she has come for advice. To that extent her coming is motived. But why should she have come to the particular place, Darius' tomb? (for a discussion on scenic arrangements in the Persians see Dignan, The Idle Actor in Aeschylus, pp. 16 and 17, where the references are cited).-see (2) Xerxes' en . About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.