Sketches in the Theory of Culture

Sketches in the Theory of Culture
Author: Zygmunt Bauman
Publisher: John Wiley & Sons
Total Pages: 300
Release: 2018-12-13
Genre: Social Science
ISBN: 1509528318

Sketches in the Theory of Culture is a remarkable work by all measures. Written by Zygmunt Bauman when he was still a professor in Poland, and originally intended for publication in 1968, it was suppressed by the Polish government in the wave of repression following the protests in March of that year. For decades, it was thought to be lost. Astonishingly, it survived in the form of an uncorrected set of proofs which was recently discovered, and is the basis of this edition. Now published in English for the first time, this book sheds new light on Bauman’s work prior to his emigration and illuminates the intellectual climate of Poland in the late 1960s. Bauman’s pursuit of a semiotic theory of culture includes a discussion of processes of individualization and the intensification of global ties, anticipating themes that became central to his later work. Though this book stands as a testament to a historical moment, it also transcends it. ‘[W]e live in an age that seems, for the first time in human history, to acknowledge cultural multiplicity as an innate and fixed feature of the world, one which gives rise to new forms of identity that are at ease with plurality, like a fish in water’, writes Bauman – a statement that is as true today as it was when he penned it in the 1960s. Sketches in the Theory of Culture is a strikingly prescient reflection on culture and society by one of the most influential social thinkers of the late twentieth and early twenty-first centuries. It will appeal to students and scholars across the social sciences and humanities and to the many readers of Bauman’s work.

But Is It Art?

But Is It Art?
Author: Cynthia Freeland
Publisher: OUP Oxford
Total Pages: 254
Release: 2002-02-07
Genre: Art
ISBN: 0191504254

In today's art world many strange, even shocking, things qualify as art. In this book, Cynthia Freeland explains why innovation and controversy are valued in the arts, weaving together philosophy and art theory with many fascinating examples. She discusses blood, beauty, culture, money, museums, sex, and politics, clarifying contemporary and historical accounts of the nature, function, and interpretation of the arts. Freeland also propels us into the future by surveying cutting-edge web sites, along with the latest research on the brain's role in perceiving art. This clear, provocative book engages with the big debates surrounding our responses to art and is an invaluable introduction to anyone interested in thinking about art.

Dialectical Passions

Dialectical Passions
Author: Gail Day
Publisher: Columbia University Press
Total Pages: 321
Release: 2010-12-22
Genre: Philosophy
ISBN: 023152062X

Representing a new generation of theorists reaffirming the radical dimensions of art, Gail Day launches a bold critique of late twentieth-century art theory and its often reductive analysis of cultural objects. Exploring core debates in discourses on art, from the New Left to theories of "critical postmodernism" and beyond, Day counters the belief that recent tendencies in art fail to be adequately critical. She also challenges the political inertia that results from these conclusions. Day organizes her defense around critics who have engaged substantively with emancipatory thought and social process: T. J. Clark, Manfredo Tafuri, Fredric Jameson, Benjamin H. D. Buchloh, and Hal Foster, among others. She maps the tension between radical dialectics and left nihilism and assesses the interpretation and internalization of negation in art theory. Chapters confront the claim that exchange and equivalence have subsumed the use value of cultural objects and with it critical distance and interrogate the proposition of completed nihilism and the metropolis put forward in the politics of Italian operaismo. Day covers the debates on symbol and allegory waged within the context of 1980s art and their relation to the writings of Walter Benjamin and Paul de Man. She also examines common conceptions of mediation, totality, negation, and the politics of anticipation. A necessary unsettling of received wisdoms, Dialectical Passions recasts emancipatory reflection in aesthetics, art, and architecture.

Painting Culture

Painting Culture
Author: Fred R. Myers
Publisher: Duke University Press
Total Pages: 444
Release: 2002-12-16
Genre: Antiques & Collectibles
ISBN: 9780822329497

DIVThe history of the Australian Aboriginal painting movement from its local origins to its career in the international art market./div

Symmetries of Culture

Symmetries of Culture
Author: Dorothy Koster Washburn
Publisher: University of Washington Press
Total Pages: 322
Release: 1988
Genre: Architecture
ISBN: 9780295970844

A very appealing book. It deals with the analysis of repetitive patterns in decorative art as a means of classifying designs. A collaboration by an anthropologist (Washburn, U. Rochester) and a mathematician (Crowe, U. of Wisc.), it makes only the gentlest use of math/geometry, the principles of which are presented. These allow a discussion of color symmetry, one- and two-dimensional patterns, and finite design. History and problems of classification are covered. An important work. Annotation copyrighted by Book News, Inc., Portland, OR

Digital Visual Culture

Digital Visual Culture
Author: Anna Bentkowska-Kafel
Publisher: Intellect Books
Total Pages: 0
Release: 2009
Genre: Computer art
ISBN: 9781841502489

Digital creativity is boundless. Art practitioners and scholars continue to explore what technology has to offer and practice-based research is redefining their disciplines. What happens when an artist experiments with bio-scientific data and discovers something the scientists failed to notice? How do virtual telematic environments affect our relationship with the object and our understanding of identity and presence? Interactive engagement with the creative process takes precedence over the finite piece thus affecting the roles of the artist and the viewer. The experience of arts computing in.

Art and Culture

Art and Culture
Author: Clement Greenberg
Publisher: Beacon Press
Total Pages: 292
Release: 1971-06-01
Genre: Art
ISBN: 0807097020

"Clement Greenberg is, internationally, the best-known American art critic popularly considered to be the man who put American vanguard painting and sculpture on the world map. . . . An important book for everyone interested in modern painting and sculpture."—The New York Times

Intimacy in postmodern times

Intimacy in postmodern times
Author: Peter Beilharz
Publisher: Manchester University Press
Total Pages: 252
Release: 2020-09-01
Genre: Biography & Autobiography
ISBN: 1526132176

Zygmunt Bauman was one of the most important social theorists of recent decades. He did major work on the Holocaust, the postmodern and much else, up to fifty-eight books in English on almost as many topics. In this book, Australian sociologist Peter Beilharz, Bauman’s collaborator for thirty years, recounts the details of their relationship, simultaneously charting the changes that have occurred in academic life from the 1980s to today. Friendship was one of the bonds that made Bauman and Beilharz’s intellectual collaboration possible. Though the two were worlds apart in terms of biography and place, their work together was defined by a certain kind of intimacy. Separated by a generation, they collaborated for a generation together. This book follows their story in touching detail while puzzling over Bauman’s rich yet contested legacy.

9.5 Theses on Art and Class

9.5 Theses on Art and Class
Author: Ben Davis
Publisher: Haymarket Books
Total Pages: 242
Release: 2013
Genre: Art
ISBN: 1608462684

In 9.5 Theses on Art and Class, Ben Davis takes on a broad array of contemporary art's most persistent debates: How does creative labor fit into the economy? Is art merging with fashion and entertainment? What can we expect from political art? Davis argues that returning class to the center of discussion can play a vital role in tackling the challenges that visual art faces today, including the biggest challenge of all--how to maintain faith in art itself in a dysfunctional world.