Sketches From Mr Mathews At Home
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Author | : Richard L. Klepac |
Publisher | : London : Society for Theatre Research |
Total Pages | : 138 |
Release | : 1979 |
Genre | : Biography & Autobiography |
ISBN | : |
Charles Mathews was an English theatre manager and comic actor, well known during his time for his gift of impersonation and skill at table entertainment. His versatility and originality were displayed in his one man show, or "monodramatic entertainment," entitled "At Home" or "Matthews at Home." He played every character, and combined mimicry, storytelling, recitations, improvisation, quick-change artistry, and comic song. Mathews toured the United States in 1822-1823, during which he developed impressions of American types. These were incorporated into his next show, "A Trip to America," also a great success. In 1834, he made a second tour of the United States, but fell ill. After his last appearance in New York City on 11 February 1835, he returned to England and died in June of that year.
Author | : Charles MATHEWS (the Elder.) |
Publisher | : |
Total Pages | : 142 |
Release | : 1821 |
Genre | : |
ISBN | : |
Author | : Charles MATHEWS (the Elder.) |
Publisher | : |
Total Pages | : 24 |
Release | : 1827 |
Genre | : |
ISBN | : |
Author | : Charles MATHEWS (the Elder.) |
Publisher | : |
Total Pages | : 46 |
Release | : 1827 |
Genre | : |
ISBN | : |
Author | : |
Publisher | : |
Total Pages | : 1416 |
Release | : 1922 |
Genre | : Catalogs, Booksellers' |
ISBN | : |
Author | : Maggs Bros |
Publisher | : |
Total Pages | : 438 |
Release | : 1922 |
Genre | : Booksellers' catalogs |
ISBN | : |
Author | : American Art Association, Anderson Galleries (Firm) |
Publisher | : |
Total Pages | : 1246 |
Release | : 1923 |
Genre | : |
ISBN | : |
Author | : Gunhild Borggreen |
Publisher | : Museum Tusculanum Press |
Total Pages | : 498 |
Release | : 2013-07-12 |
Genre | : Art |
ISBN | : 8763537508 |
Performing Archives/Archives of Performance contributes to the ongoing critical discussions of performance and its disappearance, of the ephemeral and its reproduction, of archives and mediatized recordings of liveness. The many contributions by excellent scholars and artists from a broad range of interdisciplinary fields as well as from various locations in research geographies demonstrate that despite the extensive discourse on the relationship between performance and the archive, inquiry into the productive tensions between ephemerality and permanence is by no means outdated or exhausted. New ways of understanding archives, history, and memory emerge and address theories of enactment and intervention, while concepts of performance constantly proliferate and enable a critical focus on archival residue. The contributions in Performing Archives/Archives of Performance cover philosophical inquiries as well as discussions of specific art works, performances, and archives.
Contributions by: Heike Roms, Amelia Jones, Julie Louise Bacon, Peter van der Meijden, Emma Willis, Rivka Syd Eisner, Rachel Fensham, Sarah Whatley, Tracy C. Davis, Barnaby King, Laura Luise Schultz, Malene Vest Hansen, Mette Sandbye, Bodil Marie Stavning Thomsen, Margeritha Sprio, Annelis Kuhlmann, Morten Søndergaard, Martha Wilson, Catherine Bagnall, Paul Clarke, Solveig Gade, Gunhild Borggreen, Rune Gade, Louise Wolthers, Mathias Danbolt, Marco Pustianaz.
Gunhild Borggreen is Associate Professor at the Department of Arts and Cultural Studies at the University of Copenhagen.
Rune Gade is Associate Professor at the Department of Arts and Cultural Studies at the University of Copenhagen.
Author | : |
Publisher | : |
Total Pages | : 564 |
Release | : 1880 |
Genre | : Electronic journals |
ISBN | : |
Author | : |
Publisher | : |
Total Pages | : 668 |
Release | : 1879 |
Genre | : |
ISBN | : |