Mr. Mathews at Home

Mr. Mathews at Home
Author: Richard L. Klepac
Publisher: London : Society for Theatre Research
Total Pages: 138
Release: 1979
Genre: Biography & Autobiography
ISBN:

Charles Mathews was an English theatre manager and comic actor, well known during his time for his gift of impersonation and skill at table entertainment. His versatility and originality were displayed in his one man show, or "monodramatic entertainment," entitled "At Home" or "Matthews at Home." He played every character, and combined mimicry, storytelling, recitations, improvisation, quick-change artistry, and comic song. Mathews toured the United States in 1822-1823, during which he developed impressions of American types. These were incorporated into his next show, "A Trip to America," also a great success. In 1834, he made a second tour of the United States, but fell ill. After his last appearance in New York City on 11 February 1835, he returned to England and died in June of that year.

Catalogue

Catalogue
Author:
Publisher:
Total Pages: 1416
Release: 1922
Genre: Catalogs, Booksellers'
ISBN:

Catalogue

Catalogue
Author: Maggs Bros
Publisher:
Total Pages: 438
Release: 1922
Genre: Booksellers' catalogs
ISBN:

Sale

Sale
Author: American Art Association, Anderson Galleries (Firm)
Publisher:
Total Pages: 1246
Release: 1923
Genre:
ISBN:

Performing Archives/Archives of Performance

Performing Archives/Archives of Performance
Author: Gunhild Borggreen
Publisher: Museum Tusculanum Press
Total Pages: 498
Release: 2013-07-12
Genre: Art
ISBN: 8763537508

Performing Archives/Archives of Performance contributes to the ongoing critical discussions of performance and its disappearance, of the ephemeral and its reproduction, of archives and mediatized recordings of liveness. The many contributions by excellent scholars and artists from a broad range of interdisciplinary fields as well as from various locations in research geographies demonstrate that despite the extensive discourse on the relationship between performance and the archive, inquiry into the productive tensions between ephemerality and permanence is by no means outdated or exhausted. New ways of understanding archives, history, and memory emerge and address theories of enactment and intervention, while concepts of performance constantly proliferate and enable a critical focus on archival residue. The contributions in Performing Archives/Archives of Performance cover philosophical inquiries as well as discussions of specific art works, performances, and archives.

Contributions by: Heike Roms, Amelia Jones, Julie Louise Bacon, Peter van der Meijden, Emma Willis, Rivka Syd Eisner, Rachel Fensham, Sarah Whatley, Tracy C. Davis, Barnaby King, Laura Luise Schultz, Malene Vest Hansen, Mette Sandbye, Bodil Marie Stavning Thomsen, Margeritha Sprio, Annelis Kuhlmann, Morten Søndergaard, Martha Wilson, Catherine Bagnall, Paul Clarke, Solveig Gade, Gunhild Borggreen, Rune Gade, Louise Wolthers, Mathias Danbolt, Marco Pustianaz.

Gunhild Borggreen is Associate Professor at the Department of Arts and Cultural Studies at the University of Copenhagen.

Rune Gade is Associate Professor at the Department of Arts and Cultural Studies at the University of Copenhagen.