Sixties British Pop Outside In
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| Author | : Gordon Ross Thompson |
| Publisher | : Oxford University Press |
| Total Pages | : 497 |
| Release | : 2024 |
| Genre | : History |
| ISBN | : 0190672358 |
"Itchycoo Park, 1964-1970-the second volume of Sixties British Pop, Outside In- explores how London songwriters, musicians, and production crews navigated the era's cultural upheavals by reimagining the pop-music envelope. British songwriters, musicians, and production crews explored form, sound, and subject matter as western society grappled with racism, sexism, war, revolution, and migration in a postcolonial world. As these creators and curators of popular culture combined interests in jazz, folk, blues, Indian ragas, and western classical music, they created sophisticated hybrid forms that redefined pop music. Based on extensive research and drawing on vintage and original interviews, Sixties British Pop, Outside In contextualizes the world of the Beatles through King Crimson in the frameworks of the postwar surge in births that created the Bulge Generation in the UK (and Baby Boomers in America), emergent technologies, English behavior, and the places and spaces in which people created and consumed pop music"--
| Author | : Gordon Thompson |
| Publisher | : Oxford University Press |
| Total Pages | : 425 |
| Release | : 2024 |
| Genre | : Music |
| ISBN | : 0190672382 |
Itchycoo Park, 1964-1970--the second volume of Sixties British Pop, Outside In--explores how London songwriters, musicians, and production crews navigated the era's cultural upheavals by reimagining the pop-music envelope. Thompson explores how some British artists conjured up sophisticated hybrid forms by recombining elements of jazz, folk, blues, Indian ragas, and western classical music while others returned to the raw essentials. Encouraging these experiments, youth culture's economic power challenged the authority of their parents' generation. Based on extensive research, including vintage and original interviews, Thompson presents sixties British pop, not as lists of discrete people and events, but as an interwoven story.
| Author | : Gordon Thompson |
| Publisher | : Oxford University Press |
| Total Pages | : 361 |
| Release | : 2008-09-10 |
| Genre | : Business & Economics |
| ISBN | : 0195333187 |
The Beatles, the Rolling Stones, the Kinks, the Who, and numerous other groups put Britain at the center of the modern musical map. Please Please Me offers an insider's view of the British pop-music recording industry during the seminal period of 1956 to 1968, based on personal recollections, contemporary accounts, and all relevant data that situate this scene in the economic, political, and social context of postwar Britain. Author Gordon Thompson weaves issues of class, age, professional status, gender, and ethnicity into his narrative, beginning with the rise of British beat groups and the emergence of teenagers as consumers in postwar Britain, and moving into the competition between performers and the recording industry for control over the music. He interviews musicians, songwriters, music directors, and producers and engineers who worked with the best-known performers of the era. Drawing his interpretation of the processes at work during this musical revolution into a wider context, Thompson unravels the musical change and innovation of the time with an eye on understanding what traces individuals leave in the musical and recording process.
| Author | : Tudor Jones |
| Publisher | : Routledge |
| Total Pages | : 275 |
| Release | : 2018-12-07 |
| Genre | : Music |
| ISBN | : 0429788487 |
Britain played a key role in Bob Dylan's career in the 1960s. He visited Britain on several occasions and performed across the country both as an acoustic folk singer and as an electric-rock musician. His tours of Britain in the mid-1960s feature heavily in documentary films such as D.A. Pennebaker's Don't Look Back and Martin Scorsese's No Direction Home and the concerts contain some of his most acclaimed ever live performances. Dylan influenced British rock musicians such as The Beatles, The Animals, and many others; they, in turn, influenced him. Yet this key period in Dylan's artistic development is still under-represented in the extensive literature on Dylan. Tudor Jones rectifies that glaring gap with this deeply researched, yet highly readable, account of Dylan and the British Sixties. He explores the profound impact of Dylan on British popular musicians as well as his intense, and at times fraught, relationship with his UK fan base. He also provides much interesting historical context – cultural, social, and political – to give the reader a far greater understanding of a defining period of Dylan's hugely varied career. This is essential reading for all Dylan fans, as well as for readers interested in the tumultuous social and cultural history of the 1960s.
| Author | : Mark Donnelly |
| Publisher | : Routledge |
| Total Pages | : 264 |
| Release | : 2014-01-14 |
| Genre | : History |
| ISBN | : 1317866630 |
Sixties Britain provides a more nuanced and engaging history of Britain. This book analyses the main social, political, cultural and economic changes Britain undertook as well as focusing on the 'silent majority' who were just as important as the rebellious students, the residents if Soho and the icons of popular culture. Sixties Britain engages the reader without losing sight of the fact that the 1960s were a vibrant, fascinating and controversial time in British History.
| Author | : Gordon Thompson |
| Publisher | : Oxford University Press |
| Total Pages | : 361 |
| Release | : 2008-09-10 |
| Genre | : Music |
| ISBN | : 0199715556 |
The Beatles, the Rolling Stones, the Kinks, the Who, and numerous other groups put Britain at the center of the modern musical map. Please Please Me offers an insider's view of the British pop-music recording industry during the seminal period of 1956 to 1968, based on personal recollections, contemporary accounts, and all relevant data that situate this scene in the economic, political, and social context of postwar Britain. Author Gordon Thompson weaves issues of class, age, professional status, gender, and ethnicity into his narrative, beginning with the rise of British beat groups and the emergence of teenagers as consumers in postwar Britain, and moving into the competition between performers and the recording industry for control over the music. He interviews musicians, songwriters, music directors, and producers and engineers who worked with the best-known performers of the era. Drawing his interpretation of the processes at work during this musical revolution into a wider context, Thompson unravels the musical change and innovation of the time with an eye on understanding what traces individuals leave in the musical and recording process.
| Author | : Marcus Collins |
| Publisher | : Cambridge University Press |
| Total Pages | : 385 |
| Release | : 2020-03-05 |
| Genre | : History |
| ISBN | : 1108477240 |
In this rigorous study, Marcus Collins reconceives the Beatles' social, cultural and political impact on sixties Britain.
| Author | : Tilman Osterwold |
| Publisher | : Taschen |
| Total Pages | : 248 |
| Release | : 2003 |
| Genre | : Art |
| ISBN | : 9783822820704 |
""Everything is beautiful,"" raved Andy Warhol, in raptures at the glamour of modern life, consumer society, the world of the media and its stars. And in so saying, he was expressing the feelings of a generation who felt their age was dawning, an age of ""love"" and ""freedom."" In art, too, a new attitude towards the present was making itself felt. Jasper Johns, Roy Lichtenstein, Claes Oldenburg, Robert Rauschenberg, James Rosenquist, Tom Wesselmann, Richard Hamilton and many other artists were discovering Marilyn Monroe, Elvis Presley, Coca Cola, comics, advertising, household appliances and food cans as an independent aesthetic reality. Popularity and triviality were no longer terms of abuse, but were central to a new understanding of an art whose aim was to break down the barriers between art and life. The author gives us a detailed account of the styles, themes and sources of Pop Art, investigating its development in different countries and providing biographies of its leading exponents.
| Author | : DK |
| Publisher | : Penguin |
| Total Pages | : 400 |
| Release | : 2019-12-20 |
| Genre | : History |
| ISBN | : 0744024404 |
Discover the pivotal political, military, and cultural events that shaped British and Irish history, from Stone Age Britain to the present day, in this revised and updated ebook. Combining over 700 photographs, maps, and artworks with accessible text, the History of Britain and Ireland is an invaluable resource for families, students, and anyone seeking to learn more about the fascinating story of the England, Scotland, Wales, and Ireland. Spanning six distinct periods of British and Irish history, this ebook is the best way to find out how Britain transformed with the Norman rule, fought two world wars in the 20th century, and faced new economic challenges in the 21st century. DK's visual guide places key figures - from Alfred the Great to Winston Churchill - and major events - from Roman invasion to the Battle of Britain - in their wider context, making it easier than ever before to learn how they influenced Britain and Ireland's development through the age of empire into the modern era.
| Author | : Ian Inglis |
| Publisher | : Routledge |
| Total Pages | : 267 |
| Release | : 2016-04-22 |
| Genre | : Social Science |
| ISBN | : 1317078160 |
Listening to popular music and watching television have become the two most common activities for postwar generations in Britain. From the experiences of programmes like Oh Boy! and Juke Box Jury, to the introduction of 24 hour music video channels, the number and variety of television outputs that consistently make use of popular music, and the importance of the small screen as a principal point of contact between audiences and performers are familiar components of contemporary media operation. Yet there have been few attempts to examine the two activities in tandem, to chart their parallel evolution, to explore the associations that unite them, or to consider the increasingly frequent ways in which the production and consumption of TV and music are linked in theory and in practice. This volume provides an invaluable critical analysis of these, and other, topics in newly-written contributions from some of Britain's leading scholars in the disciplines of television and/or popular music studies. Through a concentration on four main areas in which TV organises and presents popular music - history and heritage; performers and performances; comedy and drama; audiences and territories - the book investigates a diverse range of musical genres and styles, factual and fictional programming, historical and geographical demographics, and the constraints of commerce and technology to provide the first systematic account of the place of popular music on British television.
