Sir Nicholas Bacons Great House Sententiae
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Godly People
| Author | : Patrick Collinson |
| Publisher | : A&C Black |
| Total Pages | : 604 |
| Release | : 1982-07-01 |
| Genre | : Religion |
| ISBN | : 0826436471 |
Some of the sons and grandsons of the English Reformation, the 'hotter sort', were known to their contemporaries as 'puritans', but they called themselves 'the godly'. This career-spanning collection of essays by Patrick Collinson, Regius Professor of Modern History at Cambridge University, deals with numerous aspects of the religious culture of post-Reformation England and its implications for the politics, mentality, and social relations of the Elizabethans and Jacobeans.
Graffiti and the Writing Arts of Early Modern England
| Author | : Juliet Fleming |
| Publisher | : Reaktion Books |
| Total Pages | : 226 |
| Release | : 2011-12-15 |
| Genre | : Literary Criticism |
| ISBN | : 1861898436 |
Tattoos and graffiti immediately bring to mind contemporary urban life and its inhabitants. But in fact, both practices date back much further than is generally thought—even by scholars. Drawing on a previously unavailable archive, Juliet Fleming reveals the unknown and disregarded literary arts of sixteenth century England. In Graffiti and the Writing Arts of Early Modern England, Fleming argues that our modern assumptions of what constitutes written expression have limited our access to and understanding of early modern history and writing. Fleming combines detailed historical scholarship with intellectual daring in a work that describes how writing practices have not been limited to the boundaries of the page; instead they have included body surfaces, ceramics, ceilings, walls, and windows. Moving beyond what has been preserved in print and manuscript, this book claims the whitewashed wall as the primary textual canvas of the early modern English, explores the tattooing practices of sixteenth-century Europeans, and uncovers the poetics of ceramic cookware. Graffiti and the Writing Arts of Early Modern England will provide a startling new perspective for scholars of early modern literature and cultural history.
Of Books and Botany in Early Modern England
| Author | : Leah Knight |
| Publisher | : Routledge |
| Total Pages | : 193 |
| Release | : 2016-12-05 |
| Genre | : Literary Criticism |
| ISBN | : 1351914111 |
Contemplating the textual gardens, poetic garlands, and epigrammatic groves which dot the landscape of early modern English print, Leah Knight exposes and analyzes the close configuration of plants and writing in the period. She argues that the early modern cultures and cultivation of plants and books depended on each other in historically specific and novel ways that yielded a profusion of linguistic, conceptual, metaphorical, and material intersections. Examining both poetic and botanical texts, as well as the poetics of botanical texts, this study focuses on the two outstanding English botanical writers of the sixteenth century, William Turner and John Gerard, to suggest the unexpected historical relationship between literature and science in the early modern genre of the herbal. In-depth readings of their work are situated amid chapters that establish the broader context for the interpenetration of plants and writing in the period's cultural practices in order to illuminate a complex interplay between materials and discourses rarely considered in tandem today.
Rival Wisdoms
| Author | : Nancy Mason Bradbury |
| Publisher | : Penn State Press |
| Total Pages | : 221 |
| Release | : 2024-01-31 |
| Genre | : Literary Criticism |
| ISBN | : 0271098341 |
In this elegantly written study, Nancy Mason Bradbury situates Chaucer’s last and most ambitious work in the context of a zeal for proverbs that was still rising in his day. Rival Wisdoms demonstrates that for Chaucer’s contemporaries, these tiny embedded microgenres could be potent, disruptive, and sometimes even incendiary. In order to understand Chaucer’s use of proverbs and their reception by premodern readers, we must set aside post-Romantic prejudices against such sayings as prosaic and unoriginal. The premodern focus on proverbs conditioned the literary culture that produced the Canterbury Tales and helped shape its audience’s reading practices. Aided by Thomas Speght’s notations in his 1602 edition, Bradbury shows that Chaucer acknowledges the power of the proverb, reflecting on its capacity for harm as well as for good and on its potential to expand and deepen—but also to regulate and constrict—the meanings of stories. Far from banishing proverbs as incompatible with the highest reaches of poetry, Chaucer places them at the center of the liberating interpretive possibilities the Canterbury Tales extends to its readers. Revelatory and persuasive, this book will appeal to scholars and students of medieval and early modern English literature as well as those interested in proverbs and the Canterbury Tales.
Reading Material in Early Modern England
| Author | : Heidi Brayman Hackel |
| Publisher | : Cambridge University Press |
| Total Pages | : 344 |
| Release | : 2005-02-17 |
| Genre | : Design |
| ISBN | : 9780521842518 |
Reading Material in Early Modern England rediscovers the practices and representations of sixteenth- and seventeenth-century English readers. By telling their stories and insisting upon their variety, Brayman Hackel displaces both the singular 'ideal' reader of literacy theory and the elite male reader of literacy history.
The Art of English Poesy
| Author | : George Puttenham |
| Publisher | : Cornell University Press |
| Total Pages | : 513 |
| Release | : 2016-10-03 |
| Genre | : Literary Criticism |
| ISBN | : 1501707418 |
George Puttenham's Art of English Poesy is a foundational work of English Renaissance criticism and literary theory. Rich in detail about the nature, purpose, and functions of poetry as well as the poet's character and goals, it is also a valuable historical document, offering generous insight into Elizabethan court culture, implicitly on display in the attitudes and values of the writer. His illustrative anecdotes enable us to watch European courtiers negotiating their social and political relationships with one another as well as with rulers and social inferiors. This new critical edition of The Art of English Poesy contains the first modernized and fully annotated edition of Puttenham's 1589 text; a substantial introductory essay by Frank Whigham and Wayne A. Rebhorn; a comprehensive bibliography; several glossaries and appendixes; and an index. The editors' masterly essay introduces Puttenham to modern readers and situates The Art of English Poesy in the context of the rhetorical theory, poetics, and courtly conduct of its time. The introduction also includes a concise biography of Puttenham based on a variety of new and unfamiliar data: he married an older and much richer woman whom he badly mistreated; indulged habitually in a life of sexual predation; was repeatedly sued, arrested, and imprisoned; survived several supposed attempts on his life; and died, nearly indigent, in 1591. For scholars and students of the English Renaissance, the Cornell edition of The Art of English Poesy should prove the definitive edition of Puttenham's major work.
Roger Ascham and His Sixteenth-Century World
| Author | : Lucy R. Nicholas |
| Publisher | : BRILL |
| Total Pages | : 370 |
| Release | : 2020-11-23 |
| Genre | : History |
| ISBN | : 9004382283 |
This edited volume offers a fresh and far-reaching survey of the life, career, intellectual networks, output and times of Roger Ascham (1515/16-1568).
Books and Readers in Early Modern England
| Author | : Jennifer Andersen |
| Publisher | : University of Pennsylvania Press |
| Total Pages | : 320 |
| Release | : 2002 |
| Genre | : History |
| ISBN | : 9780812217940 |
Books and Readers in Early Modern England examines readers, reading, and publication practices from the Renaissance to the Restoration. The essays draw on an array of documentary evidence—from library catalogs, prefaces, title pages and dedications, marginalia, commonplace books, and letters to ink, paper, and bindings—to explore individual reading habits and experiences in a period of religious dissent, political instability, and cultural transformation. Chapters in the volume cover oral, scribal, and print cultures, examining the emergence of the "public spheres" of reading practices. Contributors, who include Christopher Grose, Ann Hughes, David Scott Kastan, Kathleen Lynch, William Sherman, and Peter Stallybrass, investigate interactions among publishers, texts, authors, and audience. They discuss the continuity of the written word and habits of mind in the world of print, the formation and differentiation of readerships, and the increasing influence of public opinion. The work demonstrates that early modern publications appeared in a wide variety of forms—from periodical literature to polemical pamphlets—and reflected the radical transformations occurring at the time in the dissemination of knowledge through the written word. These forms were far more ephemeral, and far more widely available, than modern stereotypes of writing from this period suggest.
Women's Writing in English
| Author | : Patricia Demers |
| Publisher | : University of Toronto Press |
| Total Pages | : 376 |
| Release | : 2005-01-01 |
| Genre | : Literary Criticism |
| ISBN | : 0802086640 |
This wide-ranging examination of the genres of early modern women's writing embraces translation in the fields of theological discourse, romance and classical tragedy, original meditations and prayers, letters and diaries, poetry, closet drama, advice manuals, and prophecies and polemics.
