Sir David Lyndsays A Satire Of The Three Estates
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Author | : David Lindsay |
Publisher | : Heinemann Educational Publishers |
Total Pages | : 180 |
Release | : 1967 |
Genre | : Drama festivals |
ISBN | : |
A Satire of the Three Estates (Middle Scots: Ane Pleasant Satyre of the Thrie Estaitis), is a satirical morality play in Middle Scots, written by makar Sir David Lyndsay. The complete play was first performed outside in the playing field at Cupar, Fife in June 1552 during the Midsummer holiday, where the action took place under Castle Hill. It was subsequently performed in Edinburgh, also outdoors, in 1554. The full text was first printed in 1602 and extracts were copied into the Bannatyne Manuscript. The Satire is an attack on the Three Estates represented in the Parliament of Scotland -- the clergy, lords and burgh representatives, symbolised by the characters Spiritualitie, Temporalitie and Merchant. The clergy come in for the strongest criticism. The work portrays the social tensions present at this pivotal moment in Scottish history.
Author | : Samuel Marion Tucker |
Publisher | : |
Total Pages | : 276 |
Release | : 1908 |
Genre | : English poetry |
ISBN | : |
Author | : Nigel Mace |
Publisher | : Routledge |
Total Pages | : 295 |
Release | : 2016-12-05 |
Genre | : Literary Criticism |
ISBN | : 1351881140 |
This is the first ever English translation of Sir David Lindsay’s masterpiece of 16th-century Scottish political theatre, Ane Pleasant Satyre of the Thrie Estaitis in Commendatioun of Vertew and Vituperatioune of Vyce. The work’s importance lies in its status as a well-known piece of national literature, and as a historical document of interest to historians of Scottish and European court politics.The verse translation available here is of over 3,000 lines, in an edition which combines a historical and critical introduction with the possibilities of modern performance. Besides issues of text and translation, the introduction examines the background of Scotland in 1552, the author and his audience, the play’s performance history and its position as a Renaissance text. A work on a grand scale with a cast of over 40, the play confronts and resolves the ill-counselled, misrule of young King Humanity through the intervention, not only of King Correction and of learned contemporaries, but also through the fearless condemnations of the Poor Man and the political resolution of John The Common Weal. Its conclusions are humanly centred, popularly representative and yet strikingly realistic. They, and their manner of expression, make an ideal object for the study of a society poised between the pluralism of the Renaissance and the rigour of the Reformation.
Author | : Darryll Grantley |
Publisher | : Cambridge University Press |
Total Pages | : 445 |
Release | : 2004-04-05 |
Genre | : Literary Criticism |
ISBN | : 1139451707 |
Darryll Grantley has created a comprehensive guide to the interlude: the extant non-cycle drama in English from the late fourteenth century up to the period in which the London commercial theatre began. As precursors of seventeenth-century drama, not only do these interludes shed important light on the technical and literary development of Shakespearean theatre, but many are also works of considerable theatrical or cultural interest in themselves. This accessible reference guide provides an entry for each of the extant interludes and fragments (c.100) typically containing an account of early editions or manuscripts; authorship and sources; modern editions; plot summary and dramatis personae; list of social issues present in the plays; verbal and dramaturgical features; songs and music; allusions and place names; stage directions and comments on staging; and modern productions, among other valuable and informative details. There are full bibliographies, indexes of characters and songs, and appendices.
Author | : Walter Melion |
Publisher | : BRILL |
Total Pages | : 787 |
Release | : 2016-03-11 |
Genre | : Art |
ISBN | : 9004310436 |
Personification, or prosopopeia, the rhetorical figure by which something not human is given a human identity or ‘face’, is readily discernible in early modern texts and images, but the figure’s cognitive form and function, its rhetorical and pictorial effects, have rarely elicited sustained scholarly attention. The aim of this volume is to formulate an alternative account of personification, to demonstrate the ingenuity with which this multifaceted device was utilized by late medieval and early modern authors and artists in Italy, France, England, Scotland, and the Low Countries. Personification is susceptible to an approach that balances semiotic analysis, focusing on meaning effects, and phenomenological analysis, focusing on presence effects produced through bodily performance. This dual approach foregrounds the full scope of prosopopoeic discourse—not just the what, but also the how, not only the signified, but also the signifier.
Author | : Adrian Poole |
Publisher | : Bloomsbury Publishing |
Total Pages | : 1168 |
Release | : 2014-09-11 |
Genre | : Literary Criticism |
ISBN | : 1441145281 |
Great Shakespeareans presents a systematic account of those figures who have had the greatest influence on the interpretation, understanding and cultural reception of Shakespeare, both nationally and internationally. This major project offers an unprecedented scholarly analysis of the contribution made by the most important Shakespearean critics, editors, actors and directors as well as novelists, poets, composers, and thinkers from the seventeenth to the twentieth century. An essential resource for students and scholars in Shakespeare studies.
Author | : William Dunbar |
Publisher | : |
Total Pages | : 316 |
Release | : 1893 |
Genre | : Denmark |
ISBN | : |
Author | : Mackay |
Publisher | : |
Total Pages | : 304 |
Release | : 1889 |
Genre | : |
ISBN | : |
Author | : William Dunbar |
Publisher | : |
Total Pages | : 654 |
Release | : 1889 |
Genre | : |
ISBN | : |
Author | : |
Publisher | : |
Total Pages | : 308 |
Release | : 1893 |
Genre | : Scottish literature |
ISBN | : |