Sight Seeing In Berlin And Holland Among Pictures
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ABA Journal
Author | : |
Publisher | : |
Total Pages | : 162 |
Release | : 1974-11 |
Genre | : |
ISBN | : |
The ABA Journal serves the legal profession. Qualified recipients are lawyers and judges, law students, law librarians and associate members of the American Bar Association.
The Capitalist and the Critic
Author | : Charles Molesworth |
Publisher | : University of Texas Press |
Total Pages | : 257 |
Release | : 2016-03-01 |
Genre | : History |
ISBN | : 1477308407 |
Shortly after the turn of the twentieth century, the Metropolitan Museum of Art began an ambitious program of collection building and physical expansion that transformed it into one of the world’s foremost museums, an eminence that it has maintained ever since. Two men of singular qualities and accomplishments played key roles in the Met’s transformation—J. P. Morgan, America’s leading financier and a prominent art collector, and Roger Fry, the headstrong English expert in art history who served as the Met’s curator of painting. Their complicated, often contentious relationship embodies and illuminates the myriad tensions between commerce and art, philanthropists and professional staff, that a great museum must negotiate to define and fulfill its mission. In this masterful, multidisciplinary narrative, Charles Molesworth offers the first in-depth look at how Morgan and Fry helped to mold the cultural legacy of masterpieces of painting and the development of the “encyclopedic” museum. Structuring the book as a joint biography, Molesworth describes how Morgan used his vast wealth to bring European art to an American citizenry, while Fry brought high standards of art history from the world of connoisseurs to a general public. Their clashes over the purpose and functions of the Met, which ultimately led to Fry’s ouster, reveal the forces—personal and societal—that helped to shape the Metropolitan Museum and other major American cultural institutions during the twentieth century.
The Italian Presence in American Art, 1860-1920
Author | : Irma B. Jaffe |
Publisher | : Fordham Univ Press |
Total Pages | : 312 |
Release | : 1992 |
Genre | : Art |
ISBN | : 9780823213429 |
The Italian Presence in American Art, 1760-1860, based on papers presented at a joint Instituto della Enciclopedia Italiana/Fordham U. symposium held in 1987, was published in 1989. The present volume comprises 17 papers presented at the second joint symposium, dealing with American art from 1860 to 1920. It is also Volume II of what is now projected as a three-volume study of the Italian presence in American art, to be completed with a volume based on the third symposium (1991) covering the period 1920-1990. The production is lovely throughout, and the essays are illustrated with 16 color plates and 149 bandw figures. Co-published with the Instituto della Enciclopedia Italiana, Rome. Annotation copyright by Book News, Inc., Portland, OR
Destination Image - Do Berlin ́s tourist authorities have to consider cultural segmentation when developing marketing strategies relating to the place ́s image in an era that refers to the global tourist?
Author | : Wassim El Kadhi |
Publisher | : diplom.de |
Total Pages | : 167 |
Release | : 2008-10-13 |
Genre | : Business & Economics |
ISBN | : 383662057X |
Inhaltsangabe:Abstract: Destination image is considered as the key in attracting tourists. This thesis purported to scrutinise whether Berlin s tourist authorities have to consider cultural segmentation when developing marketing strategies relating to the place s image. As an exploratory study, it examined Berlin s image among youths from Arab-Islamic and Protestant European countries and confronted them. In an era that is subjected to globalisation and refers to the global tourist, it is vindicated to pose this question. Various scholars are convinced that the world tourism market may be treated as a homogenous one due to globalisation. However, the literature also provides some opposing bearings and discusses them. It further gives some background information on Berlin as a tourist destination, addresses destination image concerning influential cultural factors and the implications of globalisation on consumer behaviour. Finally, it studies the Arab-Islamic and Protestant European youth cultures in the light of globalisation and possible modifying effects. In response to the objectives of this study, primary research was conducted. It involved both quantitative and qualitative data collection methods. Field and online surveys enabled the researcher to collect 239 completed questionnaires (103 Arab-Islamic and 136 Protestant European youths). Besides semi-structured interviews and focus group discussions were carried out at EF Language School, Bournemouth. Following the completion of the survey, obtained data was entered into SPSS. Frequencies and means were calculated for each variable and several ANOVA tests and cross-tabulations conducted in order to stress destination image s specificity in terms of cultural background. Research findings revealed significant differences between the groups regarding their perception of Berlin. Arab-Islamic youths had a more negative stance towards Berlin than their counterparts. Not only did divergences occur between the groups, but also within the groups. Thus, destination image is culture-specific and may also vary across countries sharing similar cultural backgrounds. Overall, despite the effects of globalisation, cultural market segmentation still remains a vital element for a tourist place such as Berlin where the image management is concerned. The thesis provides recommendations for Berlin congruent with the outcomes and concludes with the provision of recommendations for further [...]
sinjinlands
Author | : Gerard J. St. John |
Publisher | : Lulu.com |
Total Pages | : 269 |
Release | : 2011-12-02 |
Genre | : Biography & Autobiography |
ISBN | : 1105559939 |
This collection of writings includes memoirs and previously published works of the author, a retired lawyer, adjunct professor, U.S. Marine Corps officer and native of Philadelphia.
The Grove Encyclopedia of American Art
Author | : Joan M. Marter |
Publisher | : Oxford University Press, USA |
Total Pages | : 3140 |
Release | : 2011 |
Genre | : Architecture |
ISBN | : 0195335791 |
Arranged in alphabetical order, these 5 volumes encompass the history of the cultural development of America with over 2300 entries.
Annual Report
Author | : New York Society Library |
Publisher | : |
Total Pages | : 798 |
Release | : 1893 |
Genre | : Libraries |
ISBN | : |
Deaccessioning and Its Discontents
Author | : Martin Gammon |
Publisher | : MIT Press |
Total Pages | : 445 |
Release | : 2018-11-06 |
Genre | : Art |
ISBN | : 0262345218 |
The first history of the deaccession of objects from museum collections that defends deaccession as an essential component of museum practice. Museums often stir controversy when they deaccession works—formally remove objects from permanent collections—with some critics accusing them of betraying civic virtue and the public trust. In fact, Martin Gammon argues in Deaccessioning and Its Discontents, deaccession has been an essential component of the museum experiment for centuries. Gammon offers the first critical history of deaccessioning by museums from the seventeenth to the twenty-first century, and exposes the hyperbolic extremes of “deaccession denial”—the assumption that deaccession is always wrong—and “deaccession apology”—when museums justify deaccession by finding some fault in the object—as symptoms of the same misunderstanding of the role of deaccessions in proper museum practice. He chronicles a series of deaccession events in Britain and the United States that range from the disastrous to the beneficial, and proposes a typology of principles to guide future deaccessions. Gammon describes the liquidation of the British Royal Collections after Charles I's execution—when masterworks were used as barter to pay the king's unpaid bills—as establishing a precedent for future deaccessions. He recounts, among other episodes, U.S. Civil War veterans who tried to reclaim their severed limbs from museum displays; the 1972 “Hoving affair,” when the Metropolitan Museum of Art sold a number of works to pay for a Velázquez portrait; and Brandeis University's decision (later reversed) to close its Rose Art Museum and sell its entire collection of contemporary art. An appendix provides the first extensive listing of notable deaccessions since the seventeenth century. Gammon ultimately argues that vibrant museums must evolve, embracing change, loss, and reinvention.