Shaws Dramatic Criticism 1895
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Author | : Chris Baldick |
Publisher | : Routledge |
Total Pages | : 344 |
Release | : 2014-06-11 |
Genre | : Literary Criticism |
ISBN | : 1317900979 |
Presents a coherent and accessible historical account of the major phases of British and American Twentieth-century criticism, from 'decadent' aestheticism to feminist, decontsructonist and post-colonial theories. Special attention is given to new perspectives on Shakesperean criticism, theories of the novel and models of the literary canon. The book will help to define and account for the major developments in literary criticism during this century exploring the full diversity of critical work from major critics such as T S Eliot and F R Leavis to minor but fascinating figures and critical schools. Unlike most guides to modern literary theory, its focus is firmly on developments within the English speaking world.
Author | : Brad Kent |
Publisher | : Cambridge University Press |
Total Pages | : 723 |
Release | : 2015-10-14 |
Genre | : Drama |
ISBN | : 1316432165 |
When George Bernard Shaw died in 1950, the world lost one of its most well-known authors, a revolutionary who was as renowned for his personality as he was for his humour, humanity, and rebellious thinking. He remains a compelling figure who deserves attention not only for how influential he was in his time, but for how relevant he is to ours. This collection sets Shaw's life and achievements in context, with forty-two scholarly essays devoted to subjects that interested him and defined his work. Contributors explore a wide range of themes, moving from factors that were formative in Shaw's life, to the artistic work that made him most famous and the institutions with which he worked, to the political and social issues that consumed much of his attention, and, finally, to his influence and reception. Presenting fresh material and arguments, this collection will point to new directions of research for future scholars.
Author | : George Rowell |
Publisher | : Routledge |
Total Pages | : 400 |
Release | : 2015-07-16 |
Genre | : Performing Arts |
ISBN | : 1317389409 |
Originally published in 1971. The Victorian Age was one of popular theatre and increasingly popular journalism. One manifestation of this journalism was the emergence of the dramatic critic from the anonymity and brevity which had previously characterized periodical treatment of the theatre. If Victorian theatre is regarded as existing essentially thirty years before Victoria acceded and continuing until the outbreak of war in 1914, the names of Lamb, Leigh Hunt and Hazlitt at one end, and of Beerbohm and MacCarthy at the other, can be added to a list that includes Lewes, James, Archer, Walkley, Shaw and Montague. All these writers, and others less famous, are represented in this selection. By selecting the articles on the basis of the play in performance, rather than the play as literature, and by arranging them according to various aspects of the theatrical process, this book builds up a skilful and lively picture of the contemporary theatre at work, in the words of its leading commentators. The anthology successfully conveys the qualities of abundance and vitality to characteristic of Victorian theatre.
Author | : W. D. King |
Publisher | : Univ of California Press |
Total Pages | : 330 |
Release | : 1993-01-01 |
Genre | : Performing Arts |
ISBN | : 9780520080720 |
"This is an extraordinary, provocative, and informative book which covers a wide range of aspects of the theatre of the time and touches upon a large number of individual artists and personalities. The book locates a theatrical phenomenon in the larger culture, drawing upon documents around and beyond the theatre itself. It will shake up complacent scholars, generate a new methodological freedom, and open up a whole period to sophisticated and creative cultural analysis."--Cary M. Mazer, author of Shakespeare Refashioned "W. D. King has developed an original close-reading of a particular (and only apparently marginal) episode of theatrical history and has placed that episode within a network of crucial cultural issues and values. The book is original in methodology, elegant in its argument, and persuasive in its conclusions."--Joseph R. Roach, author of The Player's Passion
Author | : J. L. Styan |
Publisher | : Cambridge University Press |
Total Pages | : 224 |
Release | : 1981 |
Genre | : Drama |
ISBN | : 9780521296281 |
This 1981 volume begins with the French revolt against naturalism in theatre and then covers the European realist movement.
Author | : L. Aschenbrenner |
Publisher | : Springer Science & Business Media |
Total Pages | : 549 |
Release | : 2012-12-06 |
Genre | : Art |
ISBN | : 9401022542 |
Tbis inquiry may be thought of as a sequel to The Concepts of Value and as an extension of the brief core-vocabulary of aesthetic concepts found in one of the appendices to it. In terms of sheer numbers, most of the value concepts of our language are to be found in the area of human relations and of the aesthetic. There are also other value vocabularies, shorter but equally important, for example, the cognitive and logical. These and other objects of pbilosopbical study (for example, the question of "other minds") deserve the kind of empirical survey that has been made of moral and aesthetic notions, if only to test a priori approaches to them. In the present studyan even more determined empirical approach than that adopted for the first has been found necessary. Once the moral or human value vocabulary has been identified, sentential contexts for the use of the terms readily come to mind. In a study of the language of criticism, however, the vocabulary has first to be sought in the utterances of critics themselves and quoted in sufficient context to make their critical intentions clear. The outcome is that the present study is of great length, about half of it being quotations from critics. The rule adopted for arriving at tbis length go on collecting quotations as long as new types of appraisal came was to to light.
Author | : Bernard Shaw |
Publisher | : |
Total Pages | : 356 |
Release | : 1906 |
Genre | : Egypt |
ISBN | : |
Author | : Bernard Shaw |
Publisher | : |
Total Pages | : 142 |
Release | : 1895 |
Genre | : Art |
ISBN | : |
Author | : Judith Evans |
Publisher | : McFarland |
Total Pages | : 230 |
Release | : 2002-12-17 |
Genre | : Literary Criticism |
ISBN | : 9780786413232 |
Do politics and the playhouse go together? For Bernard Shaw they most certainly did. As a playwright with a message he saw the theatre as the ideal medium for conveying his view of life, which was essentially socialistic. The theatre was to Shaw a latter-day temple of the arts within a community. But Shaw was, of course, multi-voiced, not only through the characters he created but also in his own persona as public speaker, essayist, tract writer and author of works on political economy. Much of the thinking that is expressed in his non-dramatic works is contained also in his plays. This work offers a readily accessible means of looking at the nature and the progression of Shaw's thinking. All the plays included in the major canon are reviewed and, except for brief plays and playlets (which are grouped), they are presented in sequential order.
Author | : A M Gibbs |
Publisher | : Springer |
Total Pages | : 574 |
Release | : 1990-06-14 |
Genre | : Literary Criticism |
ISBN | : 134905402X |