Shaping Identity In Medieval French Literature
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Author | : Adrian P. Tudor |
Publisher | : University Press of Florida |
Total Pages | : 205 |
Release | : 2019-08-05 |
Genre | : Literary Criticism |
ISBN | : 0813057191 |
This collection considers the multiplicity and instability of medieval French literary identity, arguing that it is fluid and represented in numerous ways. The works analyzed span genres—epic, romance, lyric poetry, hagiography, fabliaux—and historical periods from the twelfth century to the late Middle Ages. Contributors examine the complexity of the notion of self through a wide range of lenses, from marginal characters to gender to questions of voice and naming. Studying a variety of texts—including Conte du Graal, Roman de la Rose, Huon de Bordeaux, and the Oxford Roland—they conceptualize the Other Within as an individual who simultaneously exists within a group while remaining foreign to it. They explore the complex interactions between and among individuals and groups, and demonstrate how identity can be imposed and self-imposed not only by characters but by authors and audiences. Taken together, these essays highlight the fluidity and complexity of identity in medieval French texts, and underscore both the richness of the literature and its engagement with questions that are at once more and less modern than they initially appear. Contributors: Adrian P. Tudor | Kristin L. Burr | William Burgwinkle | Jane Gilbert | Francis Gingras | Sara I. James | Douglas Kelly | Mary Jane Schenck | James R. Simpson | Jane H.M. Taylor
Author | : Adrian Tudor |
Publisher | : |
Total Pages | : 195 |
Release | : 2019 |
Genre | : French literature |
ISBN | : 9780813056432 |
This collection of essays argues that literary identity can be created and re-created, adopted, refused, imposed, and self-imposed, and that one may exist within a group while remaining foreign to it. Contributors examine this theme through a wide range of lenses--from marginal characters to gender to questions of voice and naming--in works that span genres and historical periods.
Author | : Kirsten A. Fudeman |
Publisher | : University of Pennsylvania Press |
Total Pages | : 274 |
Release | : 2011-06-06 |
Genre | : Religion |
ISBN | : 0812205359 |
A thirteenth-century text purporting to represent a debate between a Jew and a Christian begins with the latter's exposition of the virgin birth, something the Jew finds incomprehensible at the most basic level, for reasons other than theological: "Speak to me in French and explain your words!" he says. "Gloss for me in French what you are saying in Latin!" While the Christian and the Jew of the debate both inhabit the so-called Latin Middle Ages, the Jew is no more comfortable with Latin than the Christian would be with Hebrew. Communication between the two is possible only through the vernacular. In Vernacular Voices, Kirsten Fudeman looks at the roles played by language, and especially medieval French and Hebrew, in shaping identity and culture. How did language affect the way Jews thought, how they interacted with one another and with Christians, and who they perceived themselves to be? What circumstances and forces led to the rise of a medieval Jewish tradition in French? Who were the writers, and why did they sometimes choose to write in the vernacular rather than Hebrew? How and in what terms did Jews define their relationship to the larger French-speaking community? Drawing on a variety of texts written in medieval French and Hebrew, including biblical glosses, medical and culinary recipes, incantations, prayers for the dead, wedding songs, and letters, Fudeman challenges readers to open their ears to the everyday voices of medieval French-speaking Jews and to consider French elements in Hebrew manuscripts not as a marginal phenomenon but as reflections of a vibrant and full vernacular existence. Applying analytical strategies from linguistics, literature, and history, she demonstrates that language played a central role in the formation, expression, and maintenance of medieval Jewish identity and that it brought Christians and Jews together even as it set them apart.
Author | : Rachel May Golden |
Publisher | : |
Total Pages | : 310 |
Release | : 2021 |
Genre | : LITERARY CRITICISM |
ISBN | : 9780813069036 |
This volume brings together literary and musical compositions of medieval France, identifying the use of voice in these works as a way of articulating gendered identities.
Author | : Michel Zink |
Publisher | : Collège de France |
Total Pages | : 20 |
Release | : 2017-02-13 |
Genre | : Literary Criticism |
ISBN | : 2722604396 |
This long tradition would certainly not be a reason in itself to keep or restore the subject, had it not something to do with the subject itself. All of the associations between the past and literature, all of the signs that point towards an essential link between the notion of literature and a feeling for the past, are crystallized in medieval literature. The curiosity that medieval literature has aroused since it was rediscovered at the dawn of Romanticism presupposes such associations. The very forms of this literature bear indications of them. They encourage us to consider jointly the interest of modern times in the medieval past and the signs of the past with which the Middle Ages marked its own literature. Even more, they invite us to seek in the relationship with the past a defining criterion for literature, a most necessary task with reference to a time when words are not understood in their modern sense, and there is no guarantee that a corresponding notion exists. The best reason to continue with this hundred-and-fifty-year-old teaching is that its object may not even exist.
Author | : Len Scales |
Publisher | : Cambridge University Press |
Total Pages | : 637 |
Release | : 2012-04-26 |
Genre | : History |
ISBN | : 0521573335 |
German identity, a key force in history, took shape during the late Middle Ages. This book explains how and why.
Author | : Jane Gilbert |
Publisher | : Boydell & Brewer |
Total Pages | : 401 |
Release | : 2021 |
Genre | : Literary Criticism |
ISBN | : 1843845954 |
Essays on aspects of medieval French literature, celebrating the scholarship of Sarah Kay and her influence on the field.
Author | : Sarah Kay |
Publisher | : University of Chicago Press |
Total Pages | : 244 |
Release | : 2017-02-24 |
Genre | : Art |
ISBN | : 022643673X |
Sarah Kay s interests in this book are, first, to examine how medieval bestiaries depict and challenge the boundary between humans and other animals; and second, to register the effects on readers of bestiaries by the simple fact that parchment, the writing support of virtually all medieval texts, is a refined form of animal skin. Surveying the most important works created from the ninth through the thirteenth centuries, Kay connects nature to behavior to Christian doctrine or moral teaching across a range of texts. As Kay shows, medieval thought (like today) was fraught with competing theories about human exceptionalism within creation. Given that medieval bestiaries involve the inscription of texts about and images of animals onto animal hides, these texts, she argues, invite readers to reflect on the inherent fragility of bodies, both human and animal, and the difficulty of distinguishing between skin as a site of mere inscription and skin as a containing envelope for sentient life. It has been more than fifty years since the last major consideration of medieval Latin and French bestiaries was published. Kay brings us up to date in the archive, and contributes to current discussions among animal studies theorists, manuscript studies scholars, historians of the book, and medievalists of many stripes."
Author | : Michael Johnston |
Publisher | : Cambridge University Press |
Total Pages | : 319 |
Release | : 2015-08-10 |
Genre | : History |
ISBN | : 1107066190 |
This book situates the medieval manuscript within its cultural contexts, with chapters by experts in bibliographical and theoretical approaches to manuscript study.
Author | : Jeffrey Jerome Cohen |
Publisher | : |
Total Pages | : 336 |
Release | : 2003 |
Genre | : History |
ISBN | : 9780816693986 |
In Medieval Identity Machines, Jeffrey J. Cohen examines the messiness, permeability, and perversity of medieval bodies, arguing that human identity always exceeds the limits of the flesh. Combining critical theory with a rigorous reading of medieval texts, Cohen asks if the category OC humanOCO isnOCOt too small to contain the multiplicity of identities."