Shakespeares Dramatic Transactions
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Author | : Michael Mooney |
Publisher | : Duke University Press |
Total Pages | : 246 |
Release | : 1991-07-31 |
Genre | : Drama |
ISBN | : 0822382830 |
Shakespeare’s Dramatic Transactions uses conventions of performance criticism—staging and theatrical presentation—to analyze seven major Shakespearean tragedies: Hamlet, Othello, King Lear, Macbeth, Antony and Cleopatra, Richard II, and Richard III. As scholars and readers increasingly question the theoretical models used to describe the concepts of “mimesis” and “representation,” this book describes how the actor’s stage presentation affects the actor’s representational role and the ways in which viewers experience Shakespearean tragedy. Michael Mooney draws on the work of East German critic Robert Weimann and his concept of figurenposition—the correlation between an actor’s stage location and the speech, action, and stylization associated with that position—to understand the actor/stage location relationship in Shakespeare’s plays. In his examination of the original staging of Shakespeare’s tragedies, Mooney looks at the traditional interplay between a downstage “place” and upstage “location” to describe the difference between non-illusionistic action (often staged near the audience) and the illusionistic, localized action that characterizes mimetic art. The innovative and insightful approach of Shakespeare’s Dramatic Transactions brings together the techniques of performance criticism and the traditional literary study of Shakespearean tragedy. In showing how the distinctions of stage location illuminate the interaction among language, representation, Mooney’s compelling argument enhances our understanding of Shakespeare and the theater.
Author | : Professor Michele Marrapodi |
Publisher | : Ashgate Publishing, Ltd. |
Total Pages | : 344 |
Release | : 2013-05-28 |
Genre | : Literary Criticism |
ISBN | : 1409478424 |
Throwing fresh light on a much discussed but still controversial field, this collection of essays places the presence of Italian literary theories against and alongside the background of English dramatic traditions, to assess this influence in the emergence of Elizabethan theatrical convention and the innovative dramatic practices under the early Stuarts. Contributors respond anew to the process of cultural exchange, cultural transaction, and generic intertextuality involved in the debate on dramatic theory and literary kinds in the Renaissance, exploring, with special emphasis on Shakespeare's works, the level of cultural appropriation, contamination, revision, and subversion characterizing early modern English drama. Shakespeare and Renaissance Literary Theories offers a wide range of approaches and critical viewpoints of leading international scholars concerning questions which are still open to debate and which may pave the way to further groundbreaking analyses on Shakespeare's art of dramatic construction and that of his contemporaries.
Author | : David Scott Kastan |
Publisher | : Cambridge University Press |
Total Pages | : 168 |
Release | : 2001-09-20 |
Genre | : Drama |
ISBN | : 9780521786515 |
An account of Shakespeare's plays as they were transformed from scripts into books.
Author | : Leah Scragg |
Publisher | : Routledge |
Total Pages | : 250 |
Release | : 2014-05-12 |
Genre | : Drama |
ISBN | : 1317892828 |
In this useful guide, Leah Scragg indicates some of the ways in which meaning is generated in Shakespearian drama and the kinds of approaches that might lead to a fuller understanding of the plays. Each chapter focuses on one aspect of the dramatic composition, such as verse and prose, imagery and spectacle, and the use of soliloquy, and explores how this contributes to the overall meaning. Written in a clear and helpful style, Discovering Shakespearian Meaning enables students to discover the meaning for themselves.
Author | : Harold Bloom |
Publisher | : Infobase Publishing |
Total Pages | : 224 |
Release | : 2009 |
Genre | : Juvenile Nonfiction |
ISBN | : 1438129424 |
Presents a collection of critical essays on the works of William Shakespeare.
Author | : E. Lin |
Publisher | : Springer |
Total Pages | : 462 |
Release | : 2012-09-14 |
Genre | : Literary Criticism |
ISBN | : 1137006501 |
Winner of the MRDS 2013 David Bevington Award for Best New Book in Early Drama Studies! Drawing on a wide variety of primary sources, Lin reconstructs playgoers' typical ways of thinking and feeling and demonstrates how these culturally-trained habits of mind shaped dramatic narratives and the presentational dynamics of onstage action.
Author | : Shirley Nelson Garner |
Publisher | : Indiana University Press |
Total Pages | : 346 |
Release | : 1996-02-22 |
Genre | : Drama |
ISBN | : 9780253210272 |
While considering Shakespeare's earliest attempts at tragedy in Richard III and Titus Andronicus, this volume covers the major tragic period, giving special attention to Othello.
Author | : Peter Kirwan |
Publisher | : Bloomsbury Publishing |
Total Pages | : 417 |
Release | : 2021-03-25 |
Genre | : Literary Criticism |
ISBN | : 1350080691 |
The Arden Research Handbook of Shakespeare and Contemporary Performance is a wide-ranging, authoritative guide to research on Shakespeare and performance studies by an international team of leading scholars. It contains chapters on the key methods and questions surrounding the performance event, the audience, and the archive – the primary sources on which performance studies draws. It identifies the recurring trends and fruitful lines of inquiry that are generating the most urgent work in the field, but also contextualises these within the histories and methods on which researchers build. A central section of research-focused essays offers case studies of present areas of enquiry, from new approaches to space, bodies and language to work on the technologies of remediation and original practices, from consideration of fandoms and the cultural capital invested in Shakespeare and his contemporaries to political and ethical interventions in performance practice. A distinctive feature of the volume is a curated section focusing on practitioners, in which leading directors, writers, actors, producers, and other theatre professionals comment on Shakespeare in performance and what they see as the key areas, challenges and provocations for researchers to explore. In addition, the Handbook contains various sections that provide non-specialists with practical help: an A-Z of key terms and concepts, a guide to research methods and problems, a chronology of major publications and events, an introduction to resources for study of the field, and a substantial annotated bibliography. The Arden Research Handbook of Shakespeare and Contemporary Performance is a reference work aimed at advanced undergraduate and graduate students as well as scholars and libraries, a guide to beginning or developing research in the field, and an essential companion for all those interested in Shakespeare and performance.
Author | : John C. Meagher |
Publisher | : Fairleigh Dickinson Univ Press |
Total Pages | : 498 |
Release | : 2003 |
Genre | : Drama |
ISBN | : 9780838639931 |
"The Shakespeare studied in this book is Shakespeare the playmaker, engaged in every step of the process from the first draft of the text to the performance before a live audience. This, the author contends, is the Shakespeare that is most essential, the Shakespeare who should be known as the foundation underlying any other treatment of the plays, and the Shakespeare most exciting and rewarding to pursue."--Jacket.
Author | : Richard Dutton |
Publisher | : John Wiley & Sons |
Total Pages | : 382 |
Release | : 2018-03-19 |
Genre | : Literary Criticism |
ISBN | : 1405115130 |
Shakespeare’s Theatre: A History examines the theatre spaces used by William Shakespeare, and explores these spaces in relation to the social and political framework of the Elizabethan era. The text journeys from the performing spaces of the provincial inns, guild halls and houses of the gentry of the Bard’s early career, to the purpose-built outdoor playhouses of London, including the Globe, the Theatre, and the Curtain, and the royal courts of Elizabeth and James I. The author also discusses the players for whom Shakespeare wrote, and the positioning—or dispositioning—of audience members in relation to the stage. Widely and deeply researched, this fascinating volume is the first to draw on the most recent archaeological work on the remains of the Rose and the Globe, as well as continuing publications from the Records of Early English Drama project. The book also explores the contentious view that the ‘plot’ of The Seven Deadly Sins (part II), provides unprecedented insight into the working practices of Shakespeare’s company and includes a complete and modernized version of the ‘plot’. Throughout, the author relates the practicalities of early modern playing to the evolving systems of aristocratic patronage and royal licensing within which they developed Insightful and engaging, Shakespeare’s Theatre is ideal reading for undergraduates, postgraduates, and scholars of literature and theatre studies.