Shakespeare Without English
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Author | : Sukanta Chaudhuri |
Publisher | : Pearson Education India |
Total Pages | : 244 |
Release | : 2006 |
Genre | : Literary Criticism |
ISBN | : 9788177581423 |
Transcript of papers read out in the Seventh World Shakespeare Congress held at Valencia in 2001.
Author | : Translated by Hugh Macdonald |
Publisher | : Troubador Publishing Ltd |
Total Pages | : 240 |
Release | : 2016-12-05 |
Genre | : Literary Criticism |
ISBN | : 178589840X |
Shakespeare in Modern English breaks the taboo about Shakespeare’s texts, which have long been regarded as sacred and untouchable while being widely and freely translated into foreign languages. It is designed to make Shakespeare more easily understood in the theatre without dumbing down or simplifying the content. Shakespeare’s ‘As You Like It’, ‘Coriolanus’ and ‘The Tempest’ are presented in Macdonald’s book in modern English. They show that these great plays lose nothing by being acted or read in the language we all use today. Shakespeare’s language is poetic, elaborately rich and memorable, but much of it is very difficult to comprehend in the theatre when we have no notes to explain allusions, obsolete vocabulary and whimsical humour. Foreign translations of Shakespeare are normally into their modern language. So why not ours too? The purpose in rendering Shakespeare into modern English is to enhance the enjoyment and understanding of audiences in the theatre. The translations are not designed for children or dummies, but for those who want to understand Shakespeare better, especially in the theatre. Shakespeare in Modern English will appeal to those who want to understand the rich and poetical language of Shakespeare in a more comprehensible way. It is also a useful tool for older students studying Shakespeare.
Author | : Frank Kermode |
Publisher | : Macmillan |
Total Pages | : 342 |
Release | : 2001-08 |
Genre | : Literary Criticism |
ISBN | : 0374527741 |
In this magnum opus, Britain's most distinguished scholar of 16th-century and 17th-century literature restores Shakespeare's poetic language to its rightful primacy.
Author | : Valerie Hotchkiss |
Publisher | : University of Illinois Press |
Total Pages | : 259 |
Release | : 2008-04-02 |
Genre | : History |
ISBN | : 0252033469 |
A landmark collection of early English books, with many gorgeous illustrations
Author | : Christy Desmet |
Publisher | : Springer |
Total Pages | : 316 |
Release | : 2017-11-09 |
Genre | : Literary Criticism |
ISBN | : 3319633007 |
This essay collection addresses the paradox that something may at once “be” and “not be” Shakespeare. This phenomenon can be a matter of perception rather than authorial intention: audiences may detect Shakespeare where the author disclaims him or have difficulty finding him where he is named. Douglas Lanier’s “Shakespearean rhizome,” which co-opts Deleuze and Guattari’s concept of artistic relations as rhizomes (a spreading, growing network that sprawls horizontally to defy hierarchies of origin and influence) is fundamental to this exploration. Essays discuss the fine line between “Shakespeare” and “not Shakespeare” through a number of critical lenses—networks and pastiches, memes and echoes, texts and paratexts, celebrities and afterlives, accidents and intertexts—and include a wide range of examples: canonical plays by Shakespeare, historical figures, celebrities, television performances and adaptations, comics, anime appropriations, science fiction novels, blockbuster films, gangster films, Shakesploitation and teen films, foreign language films, and non-Shakespearean classic films.
Author | : Dympna Callaghan |
Publisher | : Routledge |
Total Pages | : 234 |
Release | : 2002-09-11 |
Genre | : Literary Collections |
ISBN | : 1134633122 |
Shakespeare Without Women is a controversial study of female impersonation, and the connections between dramatic and political representation in Shakespeare's plays. In this original and challenging book, Callaghan argues that Shakespeare did not include women, and that his transvestite actors did not represent women, and were not, furthermore, meant to do so. All Shakespeare's actors were, of historical necessity, (white) males which meant that the portrayal of women and racial others posed unique problems for his theatre. What is important, Shakespeare Without Women claims, is not to bemoan the absence of women, Africans, or the Irish, but to determine what such absences meant in their historical context and why they matter today. Callaghan focuses in the implications of absence and exclusion in several of Shakespeare's works: * the exclusion of the female body fromTwelfth Night * the impersonation of the female voice in the original performances of the plays * racial impersonation in Othello * echoes of removal of the Gaelic Irish in The Tempest * the absence of women on stage and in public life as shown in A Midsummer Night's Dream.
Author | : Eric Partridge |
Publisher | : Routledge |
Total Pages | : 312 |
Release | : 2005-07-08 |
Genre | : Foreign Language Study |
ISBN | : 1134522096 |
This classic work sold with continued success in its original format This new edition will attract review coverage and is appearing in the Autumn Partridge Promotion Foreword by Stanley Wells - General editor of `Oxford Shakespeare'
Author | : Emma Smith |
Publisher | : Vintage |
Total Pages | : 263 |
Release | : 2020-03-31 |
Genre | : Literary Criticism |
ISBN | : 1524748552 |
An electrifying new study that investigates the challenges of the Bard’s inconsistencies and flaws, and focuses on revealing—not resolving—the ambiguities of the plays and their changing topicality A genius and prophet whose timeless works encapsulate the human condition like no other. A writer who surpassed his contemporaries in vision, originality, and literary mastery. A man who wrote like an angel, putting it all so much better than anyone else. Is this Shakespeare? Well, sort of. But it doesn’t tell us the whole truth. So much of what we say about Shakespeare is either not true, or just not relevant. In This Is Shakespeare, Emma Smith—an intellectually, theatrically, and ethically exciting writer—takes us into a world of politicking and copycatting, as we watch Shakespeare emulating the blockbusters of Christopher Marlowe and Thomas Kyd (the Spielberg and Tarantino of their day), flirting with and skirting around the cutthroat issues of succession politics, religious upheaval, and technological change. Smith writes in strikingly modern ways about individual agency, privacy, politics, celebrity, and sex. Instead of offering the answers, the Shakespeare she reveals poses awkward questions, always inviting the reader to ponder ambiguities.
Author | : William Shakespeare |
Publisher | : Nelson Thornes |
Total Pages | : 260 |
Release | : 2014-11 |
Genre | : Brothers and sisters |
ISBN | : 9780748737765 |
Modern version side-by-side with full original text.
Author | : Mary Janell Metzger |
Publisher | : Heinemann Educational Books |
Total Pages | : 152 |
Release | : 2004 |
Genre | : Drama |
ISBN | : |
As a high school and college student, Mary Janell Metzger sat through old-school lectures that swamped Shakespeare in literary tradition and form, leaving no breathing room for individual interpretation. As a teacher, she yearned to connect students to Shakespeare's plays, and in Shakespeare Without Fear she tells you how she finally removed the barrier between text and inquiry by focusing on the rich interactive possibilities between student, teacher, and bard. Shakespeare Without Fear offers methods that will get students emotionally and imaginatively involved with the plays while developing their capacity for critical judgment. Ideal for the experienced teacher as well as for the English Education methods course, Shakespeare Without Fear first debunks the idolatry and polarizing academic politics surrounding the study of Shakespeare and then allays reader anxieties by setting up the plays as engaging historical works instead of items to check off a cultural literacy list. Next Metzger takes you into real classrooms for a complete look at how she and other educators teach several major works, including Romeo and Juliet and Hamlet, offering both a framework for teaching any Shakespearean drama and play-specific essential questions for teaching ten of his other most popular plays. Covering topics like teaching to standards, the challenges nonnative speakers face reading Shakespeare, and formatting lessons for AP instruction, Shakespeare Without Fear will help you create conditions where Shakespeare explodes off the page and into the imaginations of your students.