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| Author | : Frank Walsh Brownlow |
| Publisher | : University of Delaware Press |
| Total Pages | : 452 |
| Release | : 1993 |
| Genre | : Drama |
| ISBN | : 9780874134360 |
Part 1 of this book provides an annotated edition of Samuel Harsnett's famous attack on the practice of exorcism, which had a profound influence upon Shakespeare's conception and writing of King Lear. Part 2 explores the context of Shakespeare's reading of Harsnett's book.
| Author | : Gillian Woods |
| Publisher | : Oxford English Monographs |
| Total Pages | : 252 |
| Release | : 2013-06-20 |
| Genre | : Drama |
| ISBN | : 0199671265 |
Shakespeare's Unreformed Fictions asks why Catholicism had such an imaginative hold on Shakespearean drama, even though the on-going Reformation outlawed its practice. Concentrating on dramatic impact, and integrating literary analysis with fresh historical research, Gillian Woods offers a new and engaging answer to this important question.
| Author | : Holger Schott Syme |
| Publisher | : Cambridge University Press |
| Total Pages | : 299 |
| Release | : 2011-12-01 |
| Genre | : Literary Criticism |
| ISBN | : 1139503405 |
Holger Syme presents a radically new explanation for the theatre's importance in Shakespeare's time. He portrays early modern England as a culture of mediation, dominated by transactions in which one person stood in for another, giving voice to absent speakers or bringing past events to life. No art form related more immediately to this culture than the theatre. Arguing against the influential view that the period underwent a crisis of representation, Syme draws upon extensive archival research in the fields of law, demonology, historiography and science to trace a pervasive conviction that testimony and report, delivered by properly authorised figures, provided access to truth. Through detailed close readings of plays by Ben Jonson and William Shakespeare - in particular Volpone, Richard II and The Winter's Tale - and analyses of criminal trial procedures, the book constructs a revisionist account of the nature of representation on the early modern stage.
| Author | : Francis Young |
| Publisher | : Routledge |
| Total Pages | : 321 |
| Release | : 2016-05-06 |
| Genre | : History |
| ISBN | : 1317143175 |
In spite of an upsurge in interest in the social history of the Catholic community and an ever-growing body of literature on early modern 'superstition' and popular religion, the English Catholic community's response to the invisible world of the preternatural and supernatural has remained largely neglected. Addressing this oversight, this book explores Catholic responses to the supernatural world, setting the English Catholic community in the contexts of the wider Counter-Reformation and the confessional culture of early modern England. In so doing, it fulfils the need for a study of how English Catholics related to manifestations of the devil (witchcraft and possession) and the dead (ghosts) in the context of Catholic attitudes to the supernatural world as a whole (including debates on miracles). The study further provides a comprehensive examination of the ways in which English Catholics deployed exorcism, the church's ultimate response to the devil. Whilst some aspects of the Catholic response have been touched on in the course of broader studies, few scholars have gone beyond the evidence contained within anti-Catholic polemical literature to examine in detail what Catholics themselves said and thought. Given that Catholics were consistently portrayed as 'superstitious' in Protestant literature, the historian must attend to Catholic voices on the supernatural in order to avoid a disastrously unbalanced view of Catholic attitudes. This book provides the first analysis of the Catholic response to the supernatural and witchcraft and how it related to a characteristic Counter-Reformation preoccupation, the phenomenon of exorcism.
| Author | : Jan Frans van Dijkhuizen |
| Publisher | : DS Brewer |
| Total Pages | : 238 |
| Release | : 2007 |
| Genre | : Literary Criticism |
| ISBN | : 9781843841142 |
The so-called "Devil Theatre" is here set against its context of non-dramatic texts on possession and exorcism, providing many new insights. Representations of demonic possession and exorcism rituals abound in English Renaissance drama, an area which this book seeks to illuminate by comparison with non-dramatic works. The author investigates stage images of possessionin relation to a range of early modern demonological, theological and medical prose texts on the subject, looking specifically at how the theatre responded to these texts. He argues that the stage appropriated debates over demonicpossession to explore the competing roles of the inner life and the body in early modern definitions of selfhood. The theatre also employed the contemporary controversy over possession and exorcism to investigate the politics ofreligion, and to consider the nature of monarchic power. Moreover, because demonic possession cases and exorcism rituals were frequently dismissed by conformist writers as a piece of theatre, they offered an opportunity to reflecton the nature of drama and role-playing. JAN FRANS VAN DIJKHUIZEN is lecturer and research fellow at the University of Leiden.
| Author | : Michael Dobson |
| Publisher | : Oxford University Press |
| Total Pages | : 1630 |
| Release | : 2015-10-15 |
| Genre | : Literary Criticism |
| ISBN | : 0191058157 |
The Oxford Companion to Shakespeare is the most comprehensive reference work available on Shakespeare's life, times, works, and his 400-year global legacy. In addition to the authoritative A-Z entries, it includes nearly 100 illustrations, a chronology, a guide to further reading, a thematic contents list, and special feature entries on each of Shakespeare's works. Tying in with the 400th anniversary of Shakespeare's death, this much-loved Companion has been revised and updated, reflecting developments and discoveries made in recent years and to cover the performance, interpretation, and the influence of Shakespeare's works up to the present day. First published in 2001, the online edition was revised in 2011, with updates to over 200 entries plus 16 new entries. These online updates appear in print for the first time in this second edition, along with a further 35,000 new and revised words. These include more than 80 new entries, ranging from important performers, directors, and scholars (such as Lucy Bailey, Samuel West, and Alfredo Michel Modenessi), to topics as diverse as Shakespeare in the digital age and the ubiquity of plants in Shakespeare's works, to the interpretation of Shakespeare globally, from Finland to Iraq. To make information on Shakespeare's major works easier to find, the feature entries have been grouped and placed in a centre section (fully cross-referenced from the A-Z). The thematic listing of entries - described in the press as 'an invaluable panorama of the contents' - has been updated to include all of the new entries. This edition contains a preface written by much-lauded Shakespearian actor Simon Russell Beale. Full of both entertaining trivia and scholarly detail, this authoritative Companion will delight the browser and reward students, academics, as well as anyone wanting to know more about Shakespeare.
| Author | : Patrick Collinson |
| Publisher | : Cambridge University Press |
| Total Pages | : 251 |
| Release | : 2013-01-03 |
| Genre | : Biography & Autobiography |
| ISBN | : 1107023343 |
A major study of the Elizabethan Puritan movement, as seen through the eyes of its most determined opponent, Richard Bancroft.
| Author | : John D. Cox |
| Publisher | : Cambridge University Press |
| Total Pages | : 271 |
| Release | : 2000-10-17 |
| Genre | : Literary Criticism |
| ISBN | : 1139426958 |
John Cox tells the intriguing story of stage devils from their earliest appearance in English plays to the closing of the theatres by parliamentary order in 1642. The book represents a major revision of E. K. Chambers' ideas of stage devils in The Medieval Stage (1903), arguing that this is not a history of gradual secularization, as scholarship has maintained for the last century, but rather that stage devils were profoundly shaped from the outset by the assumptions of sacred drama and retained this shape virtually unchanged until the advent of permanent commercial theatres near London. The book spans both medieval and Renaissance drama including the medieval Mystery cycles on the one hand, through to plays by Greene, Marlowe, Shakespeare (1 and 2 Henry VI), Jonson, Middleton and Davenant. An appendix lists all known devil plays in English from the beginning to 1642.
| Author | : Christa Jansohn |
| Publisher | : University of Delaware Press |
| Total Pages | : 324 |
| Release | : 2006 |
| Genre | : Literary Criticism |
| ISBN | : 9780874139112 |
"This collection of fifteen essays offers a sample of German Shakespeare studies at the turn of the century. The articles are written by scholars in the old "Bundeslander" and deal with topics such as culture, memory and natural sciences in Shakespeare's work, Shakespearean spin-offs, and the reception of Venice and Shylock in Germany. Series: Shakespeare and His Contemporaries."--Publisher's website.
| Author | : Mike Rodman Jones |
| Publisher | : Boydell & Brewer |
| Total Pages | : 191 |
| Release | : 2024-11-05 |
| Genre | : Literary Criticism |
| ISBN | : 1843846594 |
Directs scholarly focus towards a deeper appreciation of medievalist trends in the Elizabethan literary landscape and challenges traditional narratives of 'modernity'. Themes and motifs from the Middle Ages are found across the drama, poetry, prose fiction, polemic, and satire of the later Elizabethan and early Jacobean period, but their impact and influence on this literary landscape have rarely been considered. This study offers a nuanced examination of this intricate interplay between pre-Reformation culture and its post-Reformation reception in England. Each chapter explores a particular genre or aspect of medievalism at play in this writing: civic medievalism; literary adaptation and satire in ecclesiastical polemic; multiple uses of temporality in post-Marprelatian prose fiction; the poetics of memorialisation and voice in medievalist complaint poetry; and the construction of Reformation history and confessional difference on the stage in the early Jacobean period. Moving beyond canonical writers such as Shakespeare and Spenser, the book deals in detail with the drama of Thomas Heywood and Thomas Dekker (alongside unattributed plays); the prose fiction of Robert Greene, Thomas Deloney, Henry Chettle and anonymous others; the historical verse of Samuel Daniel and Michael Drayton, and the polemical writing of Samuel Harsnett, Job Throckmorton and Matthew Sutcliffe. Through a meticulous analysis of these writers and their works, it shows how medieval texts were creatively deployed and adapted in new literary forms, fashioning the emergence of early forms of medievalism, and challenging conventional notions of temporal and cultural divides.
