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| Author | : B. J. Sokol |
| Publisher | : Cambridge University Press |
| Total Pages | : 261 |
| Release | : 2008-12-18 |
| Genre | : Drama |
| ISBN | : 0521879124 |
This book analyses early modern attitudes to tolerance, including religion, race, humour and sexuality, as they occur in Shakespeare's poems and plays.
| Author | : Maurice Hunt |
| Publisher | : Routledge |
| Total Pages | : 263 |
| Release | : 2019-10-28 |
| Genre | : Literary Criticism |
| ISBN | : 1351149229 |
Shakespeare's Religious Allusiveness complicates debates about whether Shakespeare's plays are fundamentally Protestant or Catholic in sympathy, challenging analyses that either find Protestant elements consistently undercutting Catholic motifs or, less often, discover evidence of the playwright's endorsement of Catholic doctrine and customs. Rather, Maurice Hunt argues that Shakespeare's syncretistic method of incorporating both Protestant and Catholic elements into his plays was singular among early modern English playwrights at a time when governmental and social tolerance of Protestantism in the theatre was high and criticism of stereotyped Catholicism was correspondingly rampant in drama. In-depth discussions of The Two Gentlemen of Verona, the Second Henriad, All's Well That Ends Well, Twelfth Night, and Othello reveal how Shakespeare allusively integrates Reformation Protestant and Roman Catholic motifs and systems of thought. This book sheds new light on the playwright's knowledge of and interest in Elizabethan and Jacobean religious debates over the nature of spiritual reformation, the efficacy of merit for redemption, and the operation of Providence. It will appeal not only to Shakespeare scholars but to those interested in the cultural history of the Reformation.
| Author | : James Shapiro |
| Publisher | : Penguin |
| Total Pages | : 322 |
| Release | : 2020-03-10 |
| Genre | : History |
| ISBN | : 0525522298 |
One of the New York Times Ten Best Books of the Year • A National Book Critics Circle Award Finalist • A New York Times Notable Book A timely exploration of what Shakespeare’s plays reveal about our divided land. “In this sprightly and enthralling book . . . Shapiro amply demonstrates [that] for Americans the politics of Shakespeare are not confined to the public realm, but have enormous relevance in the sphere of private life.” —The Guardian (London) The plays of William Shakespeare are rare common ground in the United States. For well over two centuries, Americans of all stripes—presidents and activists, soldiers and writers, conservatives and liberals alike—have turned to Shakespeare’s works to explore the nation’s fault lines. In a narrative arching from Revolutionary times to the present day, leading scholar James Shapiro traces the unparalleled role of Shakespeare’s four-hundred-year-old tragedies and comedies in illuminating the many concerns on which American identity has turned. From Abraham Lincoln’s and his assassin, John Wilkes Booth’s, competing Shakespeare obsessions to the 2017 controversy over the staging of Julius Caesar in Central Park, in which a Trump-like leader is assassinated, Shakespeare in a Divided America reveals how no writer has been more embraced, more weaponized, or has shed more light on the hot-button issues in our history.
| Author | : Clare Asquith |
| Publisher | : PublicAffairs |
| Total Pages | : 253 |
| Release | : 2018-08-21 |
| Genre | : History |
| ISBN | : 1568588119 |
Shakespeare's largely misunderstood narrative poems contain within them an explosive commentary on the political storms convulsing his country The 1590s were bleak years for England. The queen was old, the succession unclear, and the treasury empty after decades of war. Amid the rising tension, William Shakespeare published a pair of poems dedicated to the young Earl of Southampton: Venus and Adonis in 1593 and The Rape of Lucrece a year later. Although wildly popular during Shakespeare's lifetime, to modern readers both works are almost impenetrable. But in her enthralling new book, the Shakespearean scholar Clare Asquith reveals their hidden contents: two politically charged allegories of Tudor tyranny that justified-and even urged-direct action against an unpopular regime. The poems were Shakespeare's bestselling works in his lifetime, evidence that they spoke clearly to England's wounded populace and disaffected nobility, and especially to their champion, the Earl of Essex. Shakespeare and the Resistance unearths Shakespeare's own analysis of a political and religious crisis which would shortly erupt in armed rebellion on the streets of London. Using the latest historical research, it resurrects the story of a bold bid for freedom of conscience and an end to corruption that was erased from history by the men who suppressed it. This compelling reading situates Shakespeare at the heart of the resistance movement.
| Author | : Professor Graham Bradshaw |
| Publisher | : Ashgate Publishing, Ltd. |
| Total Pages | : 419 |
| Release | : 2013-04-28 |
| Genre | : Literary Criticism |
| ISBN | : 140948954X |
In this issue of The Shakespearean International Yearbook, the special section surveys various means of 'Updating Shakespeare'. The section treats a variety of attempts and strategies, including by artists in Japan, China and Brazil, to adapt Shakespeare's works into local and present circumstances. The guest editor for the section is Tetsuo Kishi, Professor Emeritus in English at the University of Kyoto, co-author of Shakespeare in Japan (2006). The Shakespearean International Yearbook continues to provide an annual survey of important issues and developments in contemporary Shakespeare studies. Contributors to this issue come from the US and the UK, Poland, Japan and Brazil. In addition to the section on 'Updating', essays in this volume treat Shakespeare's poems, his narrative strategies, his relation to ideas such as tolerance and representation, and the afterlives of his work in writers such as Gay, Slowacki and Becket, and in theatrical relics.
| Author | : Joseph Sterrett |
| Publisher | : BRILL |
| Total Pages | : 223 |
| Release | : 2012-07-26 |
| Genre | : Religion |
| ISBN | : 9004230068 |
Repeatedly Shakespeare dramatizes one who prays when no one is listening, interested, or even there. This study reads the scenario parallel to early modern anxieties surrounding prayer itself, suggesting a vision of religious syncretism Shakespeare imagines for his world.
| Author | : Madeleine E. Robins |
| Publisher | : Macmillan + ORM |
| Total Pages | : 373 |
| Release | : 2005-05-01 |
| Genre | : Fiction |
| ISBN | : 1466805188 |
A fallen noblewoman’s first case as a private investigator sends her on a wild adventure on the streets of Regency London in this mystery series debut. In a Regency London that isn’t quite the one we know, young women of family whose reputations have been ruined are known as the Fallen. Young Sarah Tolerance is one such: a daughter of the nobility who ran away with her brother’s fencing-master. Now that the fencing-master has died, everyone expects her to earn her living as a whore. But Sarah is unwilling. Instead, she invents a new role for herself, and a new vocation: “investigative agent.” For Sarah, with her equivocal position in society, is able to float between social layers, unearth secrets, find things that were lost, and lose things too dangerous to be kept. Her stock in trade is her wits, her discretion, and her expertise with the smallsword—for her fencing-master taught her that as well. She will need all her skills soon, when she is approached by an agent of the Count Verseillon, for a task that seems routine: reclaim an antique fan he once gave to “a lady with brown eyes.” The fan, he tells her, is an heirloom; the lady, his first love. But as Sarah Tolerance unravels the mystery that surrounds the fan, she discovers that she—and the Count—are not the only ones seeking it, and that nothing about this task is what it seems. Praise for Point of Honour “Sarah is a fascinating heroine, and Robins surrounds her with equally intriguing secondary characters. Politics, deception, danger, and a bit of romance all come together beautifully in this superb debut.” —Booklist “An action-packed, suspense-filled read, complete with a 19th-century heroine reminiscent of the present day Buffy the Vampire Slayer.” —Romantic Times
| Author | : Emma Smith |
| Publisher | : Vintage |
| Total Pages | : 263 |
| Release | : 2020-03-31 |
| Genre | : Literary Criticism |
| ISBN | : 1524748552 |
An electrifying new study that investigates the challenges of the Bard’s inconsistencies and flaws, and focuses on revealing—not resolving—the ambiguities of the plays and their changing topicality A genius and prophet whose timeless works encapsulate the human condition like no other. A writer who surpassed his contemporaries in vision, originality, and literary mastery. A man who wrote like an angel, putting it all so much better than anyone else. Is this Shakespeare? Well, sort of. But it doesn’t tell us the whole truth. So much of what we say about Shakespeare is either not true, or just not relevant. In This Is Shakespeare, Emma Smith—an intellectually, theatrically, and ethically exciting writer—takes us into a world of politicking and copycatting, as we watch Shakespeare emulating the blockbusters of Christopher Marlowe and Thomas Kyd (the Spielberg and Tarantino of their day), flirting with and skirting around the cutthroat issues of succession politics, religious upheaval, and technological change. Smith writes in strikingly modern ways about individual agency, privacy, politics, celebrity, and sex. Instead of offering the answers, the Shakespeare she reveals poses awkward questions, always inviting the reader to ponder ambiguities.
