Shakespeare And Popular Music
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Author | : Adam Hansen |
Publisher | : Bloomsbury Publishing |
Total Pages | : 196 |
Release | : 2010-09-23 |
Genre | : Literary Criticism |
ISBN | : 1441134255 |
Exploring the interactions between Shakespeare and popular music, this book links these seeming polar opposites, showing how musicians have woven the Bard into their sounds.
Author | : Erik Didriksen |
Publisher | : Quirk Books |
Total Pages | : 129 |
Release | : 2015-10-06 |
Genre | : Poetry |
ISBN | : 1594748292 |
A Goodreads Choice Award nominee The Bard meets the Backstreet Boys in this collection of 100 classic pop songs reimagined as Shakespearean sonnets This hilarious book of poetry transforms disco staples, classic rock anthems, and recent chart-toppers into hilarious iambic pentameter! All your favorite songs are here, including hits by Jay-Z, Johnny Cash, Katy Perry, Michael Jackson, Talking Heads, and many others. An entertaining journey into the world of Elizabethan poetry, and based on the immensely popular Tumblr of the same name, Pop Sonnets is the perfect gift for Shakespeare fans and music lovers alike. “Ever wonder what Taylor Swift and Beyoncé would sound like in iambic pentameter? We hadn’t either, but now we can't get enough.” —TIME
Author | : Bill Barclay |
Publisher | : Cambridge University Press |
Total Pages | : 303 |
Release | : 2017-04-13 |
Genre | : Drama |
ISBN | : 1107139333 |
This volume traces the uses of music in Shakespearean performance from the first Globe and Blackfriars to contemporary, global productions.
Author | : Christopher R. Wilson |
Publisher | : Oxford University Press |
Total Pages | : 1289 |
Release | : 2022 |
Genre | : Drama |
ISBN | : 0190945141 |
"This compendium reflects the latest international research into the many and various uses of music in relation to Shakespeare's plays and poems, the contributors' lines of enquiry extending from the Bard's own time to the present day. The coverage is global in its scope, and includes studies of Shakespeare-related music in countries as diverse as China, the Czech Republic, France, Germany, India, Italy, Japan, Russia, South Africa, Sweden, and the Soviet Union, as well as the more familiar Anglophone musical and theatrical traditions of the UK and USA. The range of genres surveyed by the book's team of distinguished authors embraces music for theatre, opera, ballet, musicals, the concert hall, and film, in addition to Shakespeare's ongoing afterlives in folk music, jazz, and popular music. The authors take a range of diverse approaches: some investigate the evidence for performative practices in the Early Modern and later eras, while others offer detailed analyses of representative case studies, situating these firmly in their cultural contexts, or reflecting on the political and sociological ramifications of the music. As a whole, the volume provides a wide-ranging compendium of cutting-edge scholarship engaging with an extraordinarily rich body of music without parallel in the history of the global arts"--
Author | : Ross W. Duffin |
Publisher | : W. W. Norton & Company |
Total Pages | : 536 |
Release | : 2004 |
Genre | : Art |
ISBN | : 9780393058895 |
Eight years in the making, "Shakespeare's Songbook" is a meticulously researched collection of 160 songs--ballads and narratives, drinking songs, love songs, and rounds--that appear in, are quoted in, or alluded to in Shakespeare's plays.
Author | : Robert Shaughnessy |
Publisher | : Cambridge University Press |
Total Pages | : 267 |
Release | : 2007-06-28 |
Genre | : Literary Criticism |
ISBN | : 0521844290 |
This book offers a collection of essays on Shakespeare's life and works in popular forms and media.
Author | : Douglas Lanier |
Publisher | : Oxford University Press, USA |
Total Pages | : 187 |
Release | : 2002 |
Genre | : Literary Criticism |
ISBN | : 9780198187066 |
Shakespeare and Superman? Shakespeare and The Twilight Zone? Shakespeare and romance novels? What is Shakespeare doing in modern popular culture? In the first book-length study to consider the modern 'Shakespop' phenomenon broadly, Douglas Lanier examines how our conceptions of Shakespeare's works and his cultural status have been profoundly shapes by Shakespeare's diffuse presence in such popular forms as films, comic books, TV shows, mass-market fiction, children's books, kitsch, and advertising. Shakespeare and Modern Popular Culture offers an overview of issues raised in Shakespeare's appropriation in twentieth-century popular culture, amd argues that Shakespeare's appearances in these media can be seen as a form of cultural theorizing, a means by which popular culture thinks through its relationship to high culture. Through a series of case studies, the book examines how popular culture actively constructs, contests, uses, and perpetuates Shakespeare's cultural authority.
Author | : Irene G. Dash |
Publisher | : Indiana University Press |
Total Pages | : 249 |
Release | : 2010 |
Genre | : Music |
ISBN | : 0253354145 |
Author | : Suzanne Lord |
Publisher | : Bloomsbury Publishing USA |
Total Pages | : 264 |
Release | : 2003-09-30 |
Genre | : Music |
ISBN | : 0313052689 |
This book introduces every important aspect of the Elizabethan music world. In ten scrupulously researched yet accessible chapters, Lord examines the lives of composers, the evolution of musical instruments, the Elizabethan system of musical notation, and the many textures and traditions of Elizabethan music. Biographical entries introduce the most significant and prolific composers as well as the members of royal society who influenced Elizabethan musical culture. Both familiar and obscure instruments of the era are described with focus on their musical and social contexts. Various types of music are defined and illustrated, along with an explanation of the musical notation used during this era. Chapter bibliographies, glossaries, and an index provide additional tools for both the novice and the experienced student of music and music history. When Elizabeth ascended to the throne in 1558, England was undergoing tremendous upheaval. Power struggles between Protestants and Catholics shaped the English music world as musicians' livelihoods were directly linked to their religious allegiances. Music became a form of strategy within court politics, and secular music evolved through the musical and poetic influences of the Italian Renaissance. Events of the day were told and retold through music, class and social differences were sung with relish, and rituals of love and life were set to story and song. When England defeated the vaunted Spanish Armada in 1588, a victorious nation expressed its jubilance through music.
Author | : Margreta De Grazia |
Publisher | : Cambridge University Press |
Total Pages | : 381 |
Release | : 2010-03-25 |
Genre | : Drama |
ISBN | : 0521886325 |
Twenty-one essays provide lively and authoritative approaches to the literary, historical, cultural and performative aspects of Shakespeare works.