Imagining Ireland's Independence

Imagining Ireland's Independence
Author: Jason K. Knirck
Publisher: Rowman & Littlefield
Total Pages: 220
Release: 2006
Genre: History
ISBN: 9780742541481

The key turning point in modern Ireland's history, the Anglo-Irish Treaty of 1921 has shadowed Ireland's political life for decades. In this first book-length assessment of the treaty in over seventy years, Jason Knirck recounts the compelling story of the nationalist politics that produced the Irish Revolution, the tortuous treaty negotiations, and the deep divisions within Sinn Féin that led to the slow unraveling of fragile party cohesion. Focusing on broad ideological and political disputes, as well as on the powerful personalities involved, the author considers the major issues that divided the pro- and anti-treaty forces, why these issues mattered, and the later judgments of historians. He concludes that the treaty debates were in part the result of the immaturity of Irish nationalist politics, as well as the overriding emphasis given to revolutionary unity. A fascinating story in their own right, the treaty debates also open a wider window onto questions of European nationalism, colonialism, state-building, and competing visions of Irish national independence. Treaty Documents

The Critic

The Critic
Author: Jeannette Leonard Gilder
Publisher:
Total Pages: 618
Release: 1893
Genre:
ISBN:

Charles Villiers Stanford

Charles Villiers Stanford
Author: Jeremy Dibble
Publisher: Oxford University Press, USA
Total Pages: 584
Release: 2002
Genre: Biography & Autobiography
ISBN: 9780198163831

'Jeremy Dibble has written a book which adds substantially to Stanford's reputation and which greatly enriches both British and Irish musical scholarship. It is brilliantly done.' -Irish TimesJeremy Dibble presents the first authoritative, comprehensive study of the life and works of Charles Villiers Stanford (1852-1924), one of the most gifted and influential composers. Dibble reveals how, although perhaps best known for his church music, Stanford was also an eminent symphonist, songwriter, and author of many fine choral works. Cosmopolitan, ambitious, and pragmatic, he was untiring in his efforts to advance the cause of British music during its renaissance at the end of the nineteenth century, promoting the music of his contemporaries, and the many pupils he taught at Cambridge and the Royal College of Music, including Vaughan Williams, Ireland, Howells, Bliss, Holst, and Gurney.