Seven Touches Of Music
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| Author | : Zoran Zivkovic |
| Publisher | : |
| Total Pages | : 118 |
| Release | : 2018-12-20 |
| Genre | : Fiction |
| ISBN | : 9784908793134 |
Seven stories about moments of divine revelation through music, which leave no mark beyond the ephemeral instant of their perception: a teacher whose autistic ward inexplicably writes down one of the fundamental values of theoretical physics; a librarian whose dream of the Great Library is reenacted upon her computer screen; a man who buys a music box that when played provides a glimpse into his alternative life; an elderly woman that, hearing a hand organ in a train station, begins to have visions of the death of everyone she encounters; a retired SETI scientist who, despite having no real interest in art, suddenly begins to paint a strange first contact signal; a dying professor who finally has a chance to hear in the form of music the answers to the ultimate questions; and a violin-maker's apprentice who knows the truth behind his master's mysterious suicide.
| Author | : Zoran Živković |
| Publisher | : Dalkey Archive Press |
| Total Pages | : 230 |
| Release | : 2005 |
| Genre | : Fiction |
| ISBN | : 9781564784124 |
"An undertaker finds an invitation to a private showing of a movie stuck in his apartment door. Upon arrival at the theater, he discovers that there's only one other person in the audience, and when the "movie" turns out to be footage of him sitting in a park calmly eating his lunch, he becomes convinced that he's an unwitting participant in a sinister reality show, whose unseen cameras are determined to humiliate him in front of thousands of people. Certain that he's being filmed at every moment, he begins a bizarre odyssey through the dark and empty streets of his city, encountering increasingly absurd situations, becoming ever more paranoid and distrustful, and waiting for the opportunity to stage a rebellion against his hidden tormentors."--BOOK JACKET.
| Author | : Karen Laura Thornber |
| Publisher | : BRILL |
| Total Pages | : 709 |
| Release | : 2020-03-02 |
| Genre | : Literary Criticism |
| ISBN | : 9004420185 |
Read an interview with Karen Thornber. In Global Healing: Literature, Advocacy, Care, Karen Laura Thornber analyzes how narratives from diverse communities globally engage with a broad variety of diseases and other serious health conditions and advocate for empathic, compassionate, and respectful care that facilitates healing and enables wellbeing. The three parts of this book discuss writings from Africa, the Americas, Asia, Europe, the Middle East, and Oceania that implore societies to shatter the devastating social stigmas which prevent billions from accessing effective care; to increase the availability of quality person-focused healthcare; and to prioritize partnerships that facilitate healing and enable wellbeing for both patients and loved ones. Thornber’s Global Healing remaps the contours of comparative literature, world literature, the medical humanities, and the health humanities. Watch a video interview with Thornber by the Mahindra Humanities Center, part of their conversations on Covid-19. Read an interview with Thornber on Brill's Humanities Matter blog.
| Author | : Brian Stableford |
| Publisher | : Scarecrow Press |
| Total Pages | : 568 |
| Release | : 2009-08-13 |
| Genre | : Literary Criticism |
| ISBN | : 0810863456 |
Once upon a time all literature was fantasy, set in a mythical past when magic existed, animals talked, and the gods took an active hand in earthly affairs. As the mythical past was displaced in Western estimation by the historical past and novelists became increasingly preoccupied with the present, fantasy was temporarily marginalized until the late 20th century, when it enjoyed a spectacular resurgence in every stratum of the literary marketplace. Stableford provides an invaluable guide to this sequence of events and to the current state of the field. The chronology tracks the evolution of fantasy from the origins of literature to the 21st century. The introduction explains the nature of the impulses creating and shaping fantasy literature, the problems of its definition and the reasons for its changing historical fortunes. The dictionary includes cross-referenced entries on more than 700 authors, ranging across the entire historical spectrum, while more than 200 other entries describe the fantasy subgenres, key images in fantasy literature, technical terms used in fantasy criticism, and the intimately convoluted relationship between literary fantasies, scholarly fantasies, and lifestyle fantasies. The book concludes with an extensive bibliography that ranges from general textbooks and specialized accounts of the history and scholarship of fantasy literature, through bibliographies and accounts of the fantasy literature of different nations, to individual author studies and useful websites.
| Author | : Kelefa Sanneh |
| Publisher | : Penguin |
| Total Pages | : 497 |
| Release | : 2021-10-05 |
| Genre | : Music |
| ISBN | : 0525559604 |
One of Oprah Daily's 20 Favorite Books of 2021 • Selected as one of Pitchfork's Best Music Books of the Year “One of the best books of its kind in decades.” —The Wall Street Journal An epic achievement and a huge delight, the entire history of popular music over the past fifty years refracted through the big genres that have defined and dominated it: rock, R&B, country, punk, hip-hop, dance music, and pop Kelefa Sanneh, one of the essential voices of our time on music and culture, has made a deep study of how popular music unites and divides us, charting the way genres become communities. In Major Labels, Sanneh distills a career’s worth of knowledge about music and musicians into a brilliant and omnivorous reckoning with popular music—as an art form (actually, a bunch of art forms), as a cultural and economic force, and as a tool that we use to build our identities. He explains the history of slow jams, the genius of Shania Twain, and why rappers are always getting in trouble. Sanneh shows how these genres have been defined by the tension between mainstream and outsider, between authenticity and phoniness, between good and bad, right and wrong. Throughout, race is a powerful touchstone: just as there have always been Black audiences and white audiences, with more or less overlap depending on the moment, there has been Black music and white music, constantly mixing and separating. Sanneh debunks cherished myths, reappraises beloved heroes, and upends familiar ideas of musical greatness, arguing that sometimes, the best popular music isn’t transcendent. Songs express our grudges as well as our hopes, and they are motivated by greed as well as idealism; music is a powerful tool for human connection, but also for human antagonism. This is a book about the music everyone loves, the music everyone hates, and the decades-long argument over which is which. The opposite of a modest proposal, Major Labels pays in full.
| Author | : K.J. Bishop |
| Publisher | : Spectra |
| Total Pages | : 402 |
| Release | : 2004-11-23 |
| Genre | : Fiction |
| ISBN | : 0553900838 |
“Combine equal parts of Stephen King’s Dark Tower series and Chine Miéville’s Perdido Street Station, throw in a dash of Aubrey BeardsleyandJ.K. Huysmans, and you’ll get some idea of this disturbing, decadent first novel.”—Publishers Weekly Gwynn and Raule are rebels on the run, with little in common except being on the losing side of a hard-fought war. Gwynn is a gunslinger from the north, a loner, a survivor . . . a killer. Raule is a wandering surgeon, a healer who still believes in just—and lost—causes. Bound by a desire to escape the ghosts of the past, together they flee to the teeming city of Ashamoil, where Raule plies her trade among the desperate and destitute, and Gwynn becomes bodyguard and assassin for the household of a corrupt magnate. There, in the saving and taking of lives, they find themselves immersed in a world where art infects life, dream and waking fuse, and splendid and frightening miracles begin to bloom . . . “The plot, with its stories-within-stories and its offhand descriptions of wonders and prodigies, brings to mind the works of Italo Calvino and Jorge Luis Borges.”—Locus
| Author | : Zoran Živković |
| Publisher | : Springer |
| Total Pages | : 141 |
| Release | : 2019-06-26 |
| Genre | : Language Arts & Disciplines |
| ISBN | : 3030197530 |
This concise book by the well-known Serbian writer and literary researcher summarizes his decade-long experience of teaching creative writing at the Faculty of Philology, University of Belgrade. Always offering attendees four good reasons for not attending his course, or, in a broader perspective, discouraging them from professional writing altogether, the author reflects ultimately on what it really takes to become a writer of literary fiction. This essay, which makes up the first part of this work, is complemented by a selection of witty short stories, forming the second part, and which have been used as templates in the teaching context.
| Author | : Scott Cutler Shershow |
| Publisher | : State University of New York Press |
| Total Pages | : 208 |
| Release | : 2017-02-21 |
| Genre | : Literary Criticism |
| ISBN | : 1438465122 |
Today, H. P. Lovecraft is both more popular and controversial than ever: the influence of his "Cthulhu mythos" is everywhere in popular culture, his cosmic pessimism has reemerged as a major theme in contemporary philosophy, and his racism continues to spark controversy in the media. The Love of Ruins takes a fresh look at a figure widely acknowledged as the father of modern horror or "weird" fiction. In these pages, Lovecraft emerges not as the atheist and nihilist he is often claimed to be, but as a kind of "psychonaut" and mystic whose stories, through their own imaginative rigor, expose the intellectual bankruptcy of their author's racism. The Love of Ruins is itself written in the form of letters, in order to do homage to Lovecraft's love of the form of the personal letter (he wrote more than 100,000), and to emulate Lovecraft's lifetime practice of thinking-as-corresponding.
| Author | : Allen Stroud |
| Publisher | : Rowman & Littlefield |
| Total Pages | : 579 |
| Release | : 2023-06-12 |
| Genre | : Literary Collections |
| ISBN | : 1538166070 |
Fantasy is a genre in motion, gradually expanding its reach and historical sources to embrace a global identity Historical Dictionary of Fantasy Literature, Second Edition is a snapshot of the genre in this moment, identifying new themes and sources that are emerging to inspire, enhance and invigorate the published works of fantasy writers.
| Author | : Lavie Tidhar |
| Publisher | : Apex Publications |
| Total Pages | : 302 |
| Release | : 2010-03-14 |
| Genre | : Fiction |
| ISBN | : |
The Apex Book of World SF, edited by Lavie Tidhar, features award-winning science fiction and fantasy short stories from Asia, Eastern Europe and around the world. The world of speculative fiction is expansive; it covers more than one country, one continent, one culture. Collected here are sixteen stories penned by authors from Thailand, the Philippines, China, Israel, Pakistan, Serbia, Croatia, Malaysia, and other countries across the globe. Each one tells a tale breathtakingly vast and varied, whether caught in the ghosts of the past or entangled in a postmodern age. Among the spirits, technology, and deep recesses of the human mind, stories abound. Kites sail to the stars, technology transcends physics, and wheels cry out in the night. Memories come and go like fading echoes and a train carries its passengers through more than simple space and time. Dark and bright, beautiful and haunting, the stories herein represent speculative fiction from a sampling of the finest authors from around the world. Table of Contents: S.P. Somtow (Thailand) — “The Bird Catcher” Jetse de Vries (Netherlands) — “Transcendence Express” Guy Hasson (Israel) — “The Levantine Experiments” Han Song (China) — “The Wheel of Samsara” Kaaron Warren (Australia/Fiji) — “Ghost Jail” Yang Ping (China) — “Wizard World” Dean Francis Alfar (Philippines) — “L’Aquilone du Estrellas (The Kite of Stars)” Nir Yaniv (Israel) — “Cinderers” Jamil Nasir (Palestine) — “The Allah Stairs” Tunku Halim (Malaysia) — “Biggest Baddest Bomoh” Aliette de Bodard (France) — “The Lost Xuyan Bride” Kristin Mandigma (Philippines) — “Excerpt from a Letter by a Social-realist Aswang” Aleksandar Žiljak (Croatia) — “An Evening in the City Coffehouse, With Lydia on My Mind” Anil Menon (India) — “Into the Night” Mélanie Fazi (France, translated by Christopher Priest) — “Elegy” Zoran Živković (Serbia, translated by Alice Copple-Tošić) — “Compartments” Cover art and design by Sarah Anne Langton. Reviews: “From S.P. Somtow’s World Fantasy Award-winning “The Bird Catcher,” a restrained horror tale of a young boy’s friendship with Thailand’s most infamous human “monster,” to “Wizard World,” Galaxy Award winner Yang Ping’s story of high-tech gamers, this extraordinary anthology of 16 tales introduces English-speaking readers to some of the world’s best writers of sf, horror, fantasy, and metafiction. Contributors include Jamil Nasir (Palestine), Aleksandar Ziljak (Croatia), Guy Hasson (Israel), Kaaron Warren (Australia/Fiji), and Jetse de Vries (Netherlands). VERDICT This literary window into the international world of imaginative fiction, the first in a new series, is sure to appeal to adventurous sf fans and readers of fiction in translation." —Library Journal “The great thing about Tidhar’s collection is that it is full of such masterpieces. You do have to get used to having your mind warped as if by some powerful psychedelic. You’ll definitely feel that way after Zoran Zivkovic and his Godot-like explorations. Or after Guy Hassan’s thought experiment about the nature of mind and thought. But once you get used to the idea, you can settle in and enjoy the ride.” —42SciFi-Fantasy.com, Randy Lazarus "These stories deserve to be heard!" —Frederik Pohl
