Serurubele Poetries
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Author | : Kano Shoro |
Publisher | : African Books Collective |
Total Pages | : 148 |
Release | : 2015-09-23 |
Genre | : Poetry |
ISBN | : 9956762326 |
Serurubele Poetries is a collection of poetry written from the perspective of a young (South) African female. The poems range from prose poetry to one-liner musings. With the life cycle of a butterfly as its basis, the collection asks the reader to go through the metamorphosis. The poems seek to playfully, seriously, honestly, fictitiously live and breathe beyond just the writers imagination because that is where many of them were formed and remain. The poems never stop seeking to reflect the intersections between particularities and universalisms, multiple voices and realities, as well as the nuances embedded in any given experience.
Author | : Shoro, Katleho Kano |
Publisher | : Modjaji Books |
Total Pages | : 54 |
Release | : 2017-08-16 |
Genre | : Poetry |
ISBN | : 1928215289 |
Serurubele means ‘butterfly’ in Sesotho. It is the art of metamorphosis, a mind in flight and the beat of poetic expression. I offer you my perspectives, my many mothers’ teachings. I present both hopelessness and moments that excite, the taxi mgosi that makes me write. Johannesburg performance-poet Katleho Kano Shoro puts her stage presence into print with this metapoetic debut collection that captures the cadences of her fearless voice, her unassuming sense of humour, and her enthusiasm for an Afrocentric literary culture. Katleho reflects on creativity, on the writing, reading and performance of poetry, exploring the language that structures it, the forces that inspire it and the transformation that follows our experience of it. From there her words wander through personal relationships and politics, articulating ideas about masculinity, sexuality, blackness, colonialism and our connections to those we love. Crafted with both the spoken and written word in mind, Serurubele invites you not only to read poetry but to voice it, to taste the language as it flows from your tongue, to feel its rhythms and to hear its rhyme. Katleho has performed in Johannesburg, Cape Town, Grahamstown, Swaziland and London, and has been involved in myriad African literary initiatives. Recordings of her readings can be found online.
Author | : Kano Shoro |
Publisher | : African Books Collective |
Total Pages | : 54 |
Release | : 2017-08-16 |
Genre | : Poetry |
ISBN | : 1928215513 |
Johannesburg performance-poet Katleho Kano Shoro puts her stage presence into print with this metapoetic debut collection that captures the cadences of her fearless voice, her unassuming sense of humour, and her enthusiasm for an Afrocentric literary culture. Katleho reflects on creativity, on the writing, reading and performance of poetry, exploring the language that structures it, the forces that inspire it and the transformation that follows our experience of it. From there her words wander through personal relationships and politics, articulating ideas about masculinity, sexuality, blackness, colonialism and our connections to those we love. Crafted with both the spoken and written word in mind, Serurubele invites you not only to read poetry but to voice it, to taste the language as it flows from your tongue, to feel its rhythms and to hear its rhyme. Katleho has performed in Johannesburg, Cape Town, Grahamstown, Swaziland and London, and has been involved in myriad African literary initiatives. Recordings of her readings can be found online.
Author | : Marike Beyers |
Publisher | : African Books Collective |
Total Pages | : 304 |
Release | : 2020-06-23 |
Genre | : Poetry |
ISBN | : 1928215890 |
The Only Magic We Know is a celebration of all the poets Modjaji has published. This anthology offers a taste of the range and diversity of the poems that have appeared in the individual poets collections.
Author | : Evan Mwangi |
Publisher | : University of Michigan Press |
Total Pages | : 287 |
Release | : 2019-09-06 |
Genre | : Literary Criticism |
ISBN | : 0472054198 |
Despite the central role that animals play in African writing and daily life, African literature and African thinkers remain conspicuously absent from the field of animal studies. The Postcolonial Animal: African Literature and Posthuman Ethics demonstrates the importance of African writing to animal studies by analyzing how postcolonial African writing—including folktales, religion, philosophy, and anticolonial movements—has been mobilized to call for humane treatment of nonhuman others. Mwangi illustrates how African authors grapple with the possibility of an alternative to eating meat, and how they present postcolonial animal-consuming cultures as shifting toward an embrace of cultural and political practices that avoid the use of animals and minimize animal suffering. The Postcolonial Animal analyzes texts that imagine a world where animals are not abused or used as a source of food, clothing, or labor, and that offer instruction in how we might act responsibly and how we should relate to others—both human and nonhuman—in order to ensure a world free of oppression. The result is an equitable world where even those who are utterly foreign to us are accorded respect and where we recognize the rights of all marginalized groups.
Author | : Efua Prah |
Publisher | : African Sun Media |
Total Pages | : 271 |
Release | : 2021-12-01 |
Genre | : Social Science |
ISBN | : 199120132X |
Spanning the countries of South Africa, Swaziland, and Ghana, this collection of work brings into focus child and youth experience together as a collage of anthropology, creative writing, poetry, and the fine arts. Woven together by questions related to the political economy of child and youth well-being, identity formation, and the multiple layers through which children articulate their health-narrative, ‘ Bodies of Knowledge’ considers living in and coping with chronic illness, spirit-possession, and death. The growth in Critical Health Humanities and the Arts globally, suggests the desire for blended efforts to draw in a wider breadth of knowledge that cuts across the divided worlds of critical social science and the arts. This book, set in an African context, offers myriad possibilities for cross-disciplinary synergies as learning sites. It is a critical contribution to the field of children and childhood studies.
Author | : Ndoro, Tariro |
Publisher | : Modjaji Books |
Total Pages | : 83 |
Release | : 2019-04-22 |
Genre | : Poetry |
ISBN | : 1928215769 |
You wear silence sitting on the concrete floor of a library a shroud like speech Language does not belong to you… An honest exploration of dislocation and (un)belonging in its forms: exile from language, exile from country, and exile from sanity. In her debut collection of poetry, Ndoro divides and intermingles national and personal history in an attempt to reach herself. Within its fragmented prose and lyrical poems, Agringanda is not only a celebrated capture of language but also of its intriguing subversion as it navigates meetings of class, gender, nationality and race.
Author | : Galgut, Elisa |
Publisher | : Modjaji Books |
Total Pages | : 46 |
Release | : 2015-12-07 |
Genre | : Poetry |
ISBN | : 1928215025 |
These deeply felt poems are at once plain-speaking and alive with complexity; Galgut's elegant response to both pain and loveliness is inspiring. Elisa Galgut teaches in the Department of Philosophy at the University of Cape Town. She has a PhD in Philosophy from Rutgers University and a Masters in Creative Writing from the University of Cape Town. Her poetry has appeared in local literary journals and anthologies. She lives in Cape Town.
Author | : David Ambrose |
Publisher | : |
Total Pages | : 112 |
Release | : 2008 |
Genre | : Sotho poetry |
ISBN | : |
Author | : Bloke Modisane |
Publisher | : |
Total Pages | : 0 |
Release | : 1986 |
Genre | : Actors |
ISBN | : 9780868522524 |
"Feeling an exile in the country of his birth, the talented journalist and leading black intellectual Bloke Modisane left South Africa in 1959. It was shortly after the apartheid government had bulldozed Sophiatown, the township of his childhood. His biting indictment of apartheid, Blame Me on History, was published in 1963 – and banned shortly afterwards. Modisane offers a harrowing account of the degradation and oppression faced daily by black South Africans. His penetrating observations and insightful commentary paint a vivid picture of what it meant to be black in apartheid South Africa. At the same time, his evocative writing transports the reader back to a time when Sophiatown still teemed with life. This 60th-anniversary edition of Modisane’s autobiography serves as an example of passionate resistance to the scourge of racial discrimination in our country, and is a reminder not to forget our recent past."--