Serializing Fiction In The Victorian Press
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| Author | : G. Law |
| Publisher | : Springer |
| Total Pages | : 320 |
| Release | : 2000-10-23 |
| Genre | : Fiction |
| ISBN | : 0230286747 |
Drawing on extensive archival research in both Britain and the United States, Serializing Fiction in the Victorian Press represents the first comprehensive study of the publication of instalment fiction in Victorian newspapers. Often overlooked, this phenomenon is shown to have exerted a crucial influence on the development of the fiction market in the last decades of the nineteenth century. A detailed description of the practice of syndication is followed by a wide-ranging discussion of its implications for readership, authorship, and fictional form.
| Author | : Carol A. Martin |
| Publisher | : |
| Total Pages | : 378 |
| Release | : 1994 |
| Genre | : Literary Criticism |
| ISBN | : |
She also originally planned to serialize Adam Bede and The Mill on the Floss, but John Blackwood's reaction as he received individually the installments of "Mr Gilfil's Love-Story, " "Janet's Repentance," and the early parts of Adam Bede, along with fear of the impact of public response on her personal life, caused Eliot to change her mind. Nonetheless, like Dickens and many others, Eliot was an effective serial writer who paid close attention to the special requirements of installment structure and endings and who occasionally altered her plan for an installment in the light of public response. Carol A.
| Author | : Catherine Delafield |
| Publisher | : Routledge |
| Total Pages | : 252 |
| Release | : 2016-03-03 |
| Genre | : Literary Criticism |
| ISBN | : 1317057007 |
Examining the Victorian serial as a text in its own right, Catherine Delafield re-reads five novels by Elizabeth Gaskell, Anthony Trollope, Dinah Craik and Wilkie Collins by situating them in the context of periodical publication. She traces the roles of the author and editor in the creation and dissemination of the texts and considers how first publication affected the consumption and reception of the novel through the periodical medium. Delafield contends that a novel in volume form has been separated from its original context, that is, from the pattern of consumption and reception presented by the serial. The novel's later re-publication still bears the imprint of this serialized original, and this book’s investigation into nineteenth-century periodicals both generates new readings of the texts and reinstates those which have been lost in the reprinting process. Delafield's case studies provide evidence of the ways in which Household Words, Cornhill Magazine, Good Words, All the Year Round and Cassell's Magazine were designed for new audiences of novel readers. Serialization and the Novel in Mid-Victorian Magazines addresses the material conditions of production, illustrates the collective and collaborative creation of the serialized novel, and contextualizes a range of texts in the nineteenth-century experience of print.
| Author | : Lillian Nayder |
| Publisher | : Cornell University Press |
| Total Pages | : 377 |
| Release | : 2012-04-01 |
| Genre | : Biography & Autobiography |
| ISBN | : 0801465141 |
Catherine Hogarth, who came from a cultured Scots family, married Charles Dickens in 1836, the same year he began serializing his first novel. Together they traveled widely, entertained frequently, and raised ten children. In 1858, the celebrated writer pressured Catherine to leave their home, unjustly alleging that she was mentally disordered-unfit and unloved as wife and mother. Constructing a plotline nearly as powerful as his stories of Scrooge and Little Nell, Dickens created the image of his wife as a depressed and uninteresting figure, using two of her three sisters against her, by measuring her presumed weaknesses against their strengths. This self-serving fiction is still widely accepted. In the first comprehensive biography of Catherine Dickens, Lillian Nayder debunks this tale in retelling it, wresting away from the famous novelist the power to shape his wife's story. Nayder demonstrates that the Dickenses' marriage was long a happy one; more important, she shows that the figure we know only as "Mrs. Charles Dickens" was also a daughter, sister, and friend, a loving mother and grandmother, a capable household manager, and an intelligent person whose company was valued and sought by a wide circle of women and men. Making use of the Dickenses' banking records and legal papers as well as their correspondence with friends and family members, Nayder challenges the long-standing view of Catherine Dickens and offers unparalleled insights into the relations among the four Hogarth sisters, reclaiming those cherished by the famous novelist as Catherine's own and illuminating her special bond with her youngest sister, Helen, her staunchest ally during the marital breakdown. Drawing on little-known, unpublished material and forcing Catherine's husband from center stage, The Other Dickens revolutionizes our perception of the Dickens family dynamic, illuminates the legal and emotional ambiguities of Catherine's position as a "single" wife, and deepens our understanding of what it meant to be a woman in the Victorian age.
| Author | : Troy J. Bassett |
| Publisher | : Springer Nature |
| Total Pages | : 270 |
| Release | : 2020-02-07 |
| Genre | : Literary Criticism |
| ISBN | : 3030319261 |
Utilizing recent developments in book history and digital humanities, this book offers a cultural, economic, and literary history of the Victorian three-volume novel, the prestige format for the British novel during much of the nineteenth century. With the publication of Walter Scott’s popular novels in the 1820s, the three-volume novel became the standard format for new fiction aimed at middle-class audiences through the support of circulating libraries. Following a quantitative analysis examining who wrote and published these novels, the book investigates the success of publisher Richard Bentley in producing three-volume novels, the experiences of the W. H. Smith circulating library in distributing them, the difficulties of authors such as Robert Louis Stevenson and George Moore in writing them, and the resistance of new publishers such as Arrowsmith and Unwin to publishing them. Rather than faltering, the three-volume novel stubbornly endured until its abandonment in the 1890s.
| Author | : Adam Abraham |
| Publisher | : Cambridge University Press |
| Total Pages | : 301 |
| Release | : 2019-08-22 |
| Genre | : Literary Criticism |
| ISBN | : 1108493076 |
Views the Victorian novel through the prism of literary imitations that it inspired.
| Author | : Samantha Harvey |
| Publisher | : Atavist Books |
| Total Pages | : 309 |
| Release | : 2014-10-28 |
| Genre | : Fiction |
| ISBN | : 1937894452 |
“You were going to work your way into my marriage and you were going to call its new three-way shape holy,” writes the unnamed narrator of Dear Thief. The thief is Nina, or Butterfly, who disappeared eighteen years earlier and who is being summoned by this letter, this bomb, these recollections, revisions, accusations, and confessions. “Sometimes I imagine, out of sheer playfulness, that I am writing this as a kind of defence for having murdered and buried you under the patio.” Dear Thief is a letter to an old friend, a song, a jewel, and a continuously surprising triangular love story. Samantha Harvey writes with a dazzling blend of fury and beauty about the need for human connection and the brutal vulnerability that need exposes. “While I write my spare hand might be doing anything for all you know; it might be driving a pin into your voodoo stomach.” Here is a rare novel that traverses the human heart in original and indelible ways.
| Author | : George Eliot |
| Publisher | : Createspace Independent Publishing Platform |
| Total Pages | : 566 |
| Release | : 2018-06-24 |
| Genre | : |
| ISBN | : 9781721659500 |
Janet's Repentance George Eliot Mary Ann Evans (1819-1880), better known by her pen name George Eliot, was an English novelist. She was one of the leading writers of the Victorian era. Her novels, largely set in provincial England, are well known for their realism and psychological perspicacity. Her first major literary work was the translation of David Strauss' Life of Jesus (1846). In 1857 The Sad Fortunes of the Reverend Amos Barton, the first of the Scenes of Clerical Life, was published in Blackwood's Magazine and, along with the other Scenes, was well received. Her first complete novel, published in 1859, was Adam Bede and was an instant success. Eliot's most famous work, Middlemarch, was a turning point in the history of the novel. We are delighted to publish this classic book as part of our extensive Classic Library collection. Many of the books in our collection have been out of print for decades, and therefore have not been accessible to the general public. The aim of our publishing program is to facilitate rapid access to this vast reservoir of literature, and our view is that this is a significant literary work, which deserves to be brought back into print after many decades. The contents of the vast majority of titles in the Classic Library have been scanned from the original works. To ensure a high quality product, each title has been meticulously hand curated by our staff. Our philosophy has been guided by a desire to provide the reader with a book that is as close as possible to ownership of the original work. We hope that you will enjoy this wonderful classic work, and that for you it becomes an enriching experience.
| Author | : Linda K. Hughes |
| Publisher | : |
| Total Pages | : 0 |
| Release | : 1991 |
| Genre | : Books and reading |
| ISBN | : 9780813929385 |
Linda K. Hughes and Michael Lund provide a new approach to the study of installment literature by showing how it embodied a view of life intrinsic to Victorian culture. They examine how the serial format affected the ways Victorian audiences interpreted sixteen major works of poetry and fiction. Their findings show that Victorian interpretations were different from those of twentieth century single-volume readings. Hughes and Lund conclude that in order to understand Victorian literature, we must understand serialization, since it was the vehicle for the best literature of the age. Further, they assert we must understand serialization as a literary form attuned to the fundamental spirit of the age.
| Author | : L. Brake |
| Publisher | : Springer |
| Total Pages | : 277 |
| Release | : 2004-11-30 |
| Genre | : Literary Criticism |
| ISBN | : 0230522564 |
Encounters in the Victorian Periodical Press focuses on the unique characteristic of the Victorian periodical press - its development of encounters between and among readers, editors, and authors. Encounters promoted dialogue among diverse publics, differing by class, gender, professional and political interests, and ethnicity. Through encounters, the press emerged to become a central public space for debates about society, politics, culture, public order, and foreign and imperial affairs. This book captures the richness of these interactions and a variety of voices and opinions.
