Sense And Syntax In Vedic
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Author | : Joel Peter Brereton |
Publisher | : BRILL |
Total Pages | : 196 |
Release | : 1991-01-01 |
Genre | : Foreign Language Study |
ISBN | : 9789004093560 |
All volumes of the print edition will become available in individual e-books: 9789004539303 (volume 1) - 9789004539341 (volume 2).
Author | : Madhav M Deshpande |
Publisher | : BRILL |
Total Pages | : 112 |
Release | : 2023-06 |
Genre | : Language Arts & Disciplines |
ISBN | : 9004539301 |
The print edition is available as a set of two volumes (9789004093560).
Author | : Madhav Deshpande |
Publisher | : |
Total Pages | : 200 |
Release | : 1991 |
Genre | : Gaṇapāṭha |
ISBN | : |
Author | : Arthur Anthony Macdonell |
Publisher | : |
Total Pages | : 552 |
Release | : 1916 |
Genre | : Vedic language |
ISBN | : |
Author | : Arthur Anthony Macdonell |
Publisher | : |
Total Pages | : 468 |
Release | : 1910 |
Genre | : Vedic Sanskrit |
ISBN | : |
Author | : Arthur Anthony Macdonell |
Publisher | : Motilal Banarsidass Publ. |
Total Pages | : 538 |
Release | : 1993 |
Genre | : Foreign Language Study |
ISBN | : 9788120810525 |
The present work is to a great extent based on the author's large Vedic Grammar. It is however, by no means simply and abridgement of that work. For besides being differently arranged so as to agree with the scheme of his other work Sanskrit Grammar it contains much matter excluded from the Vedic Grammar. It adds a full treatment of Vedic Syntax and an account of the Vedic meters. Thus it constitutes a supplement to the Vedic Grammar. (Reprinted)
Author | : Hans Henrich Hock |
Publisher | : Motilal Banarsidass Publ. |
Total Pages | : 260 |
Release | : 1991-12-31 |
Genre | : |
ISBN | : 9788120808690 |
Author | : Arthur Anthony Macdonell |
Publisher | : |
Total Pages | : 312 |
Release | : 1928 |
Genre | : Vedic language |
ISBN | : |
Author | : John J. Lowe |
Publisher | : OUP Oxford |
Total Pages | : 433 |
Release | : 2015-04-23 |
Genre | : Language Arts & Disciplines |
ISBN | : 0191005053 |
This book examines several thousand examples of tense-aspect stem participles in the Rigveda, and the passages in which they appear, in terms of both their syntax and semantics. The Rigveda is an ancient collection of sacred Indian hymns, written in Vedic Sanskrit, and is one of the oldest extant texts in any Indo-European language. It is also a poetic text in which deliberate obscurity is the governing aesthetic and in which the rules of language are pushed to their limits in order to produce the ideal poetic expression. Many Vedic sentences are of controversial, disputed meaning, and Vedic scholarship is thus fraught with controversy. John J. Lowe applies formal linguistic analysis to the data and produces a comprehensive formal model of how participles are used. The author uses his findings to recategorize the data, by defining certain stems and stem-types as outside the synchronic category of participle on the basis of their syntactic and semantic properties. He suggests alternative sources for these forms and considers the linguistic processes that transformed old participles into non-participial entities. In his conclusion he reassesses the category of participles within the verbal and nominal systems, looks at their prehistory in Proto-Indo-European, and describes their universal, typological characteristics. Among his conclusions are that tense-aspect-stem participles have the technical properties of adjectival verbs, not verbal adjectives, and that such participles are not fully dependent on corresponding finite verbal forms. That is, a perfect participle, for example, need not share all the semantic and functional features of the finite perfect forms built to the same stem. These and many other conclusions drawn either directly challenge or radically revise received opinion and recent work.
Author | : Tat?i?a?na I?A?kovlevna Elizarenkova |
Publisher | : SUNY Press |
Total Pages | : 348 |
Release | : 1995-01-01 |
Genre | : Foreign Language Study |
ISBN | : 9780791416686 |
Elizarenkova, perhaps the greatest living scholar of the Rgveda and certainly its greatest linguist, explains here the relationships between a very complicated grammatical system and the peculiarities of style of the archaic religious poetry. The laudatory hymn is treated as an act of verbal communication between the poet Rsi and the deity, with the hymn itself transmitting certain information from man to god. From this viewpoint, the hymn is used as a means to maintain a circular exchange of gifts between the Rsis and their gods. Many peculiarities of the functioning of the grammatical system of the Rgveda are interpreted in connection with the model of the universe of the Vedic Aryan. For example, the concept of time as a circular process bears closely on the use of the verbal grammatical categories of tense and mood; the personification of some abstract forces can explain some irregularities in the functioning of the nominal category of gender; and the idea of magical power attributed to the Sacred Speech in general, and to the name of a god in particular, underlies the magical grammar of this religious poetry.