Semantics Of Aesthetic Judgements
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| Author | : James O. Young |
| Publisher | : Oxford University Press |
| Total Pages | : 227 |
| Release | : 2017 |
| Genre | : Art |
| ISBN | : 0198714599 |
Philosophers and art critics have often found themselves pulled in two directions when they reflect on judgements about aesthetic properties and aesthetic value. On the one hand, every aesthetic judgement seems as good as any other. If, say, you like Justin Bieber, who is to say that your judgement that Bieber's music is great is wrong? On the other hand, the judgement that Bieber's oeuvre is greater than that of J.S. Bach seems to be clearly mistaken. This volumebrings together some of the leading contemporary philosophers of art and philosophers of language to debate the status of aesthetic judgements. Are they simply expressions of personal preference? Isthere more basis for saying that a painting is beautiful or serene than there is for saying that a cake is tasty? Is disagreement about aesthetic judgements faultless or can someone be mistaken about the aesthetic value of an artwork?
| Author | : James O. Young |
| Publisher | : Oxford University Press |
| Total Pages | : 240 |
| Release | : 2017-01-19 |
| Genre | : Philosophy |
| ISBN | : 0191023981 |
The question of whether aesthetic judgements are simply statements about subjective preferences or whether they have some non-subjective basis is one of the most important questions of aesthetics, and, indeed, of philosophy. In recent years, philosophers of language have discussed aesthetic judgements, but have assumed that aesthetic judgements are similar to judgements that employ predicates of personal taste such as 'tasty' and 'delicious.' A speaker's judgement that an item of food is tasty is a report about the speaker's subjective response to that item of food. If aesthetic judgements are like judgements that employ predicates of personal taste, to judge that the St. Matthew Passion is glorious is also a report about what some listener likes. If two people disagree about whether the St. Matthew Passion is glorious, neither has made a mistake. Philosophers of art have tended to disagree with this view. They have distinguished aesthetic predicates such as 'serene,' 'balanced,' and 'glorious' from predicates such as 'tasty.' On this view, the judgement that some artwork is serene or even that it is beautiful is a report about the work, not a report about how a person responds to the work. Aesthetic judgements are not just statements about personal preferences. This volume brings together some of the leading contemporary philosophers of art and philosophers of language to debate the status of aesthetic judgements. Are they simply expressions of personal preference? Is there more basis for saying that a painting is beautiful or serene than there is for saying that a cake is tasty? Is disagreement about aesthetic judgements faultless or can someone be mistaken about the aesthetic value of an artwork?
| Author | : Benjamin Tilghman |
| Publisher | : Routledge |
| Total Pages | : 289 |
| Release | : 2017-11-28 |
| Genre | : Philosophy |
| ISBN | : 1351150588 |
Benjamin Tilghman has been a leading commentator on analytic philosophy for many years. This book brings together his most significant and influential work on aesthetics. Spanning a period of thirty years and covering topics in aesthetics from literature to painting, the collection traces the development of Tilghman's two principal themes; a rejection of philosophical theory as a way of resolving problems about our understanding and appreciation of art and the importance of the representation and presentation of the human and human concerns in art. Tilghman is profoundly influenced by the philosophy of Ludwig Wittgenstein and his work is informed throughout by his conception and practice of philosophy. Written with exceptional clarity and with many references to original work in both painting and literature, this collection will be an invaluable resource not only for professional philosophers but for those working in the arts generally, art historians, critics and literary theorists.
| Author | : David Wight Prall |
| Publisher | : |
| Total Pages | : 420 |
| Release | : 1967 |
| Genre | : Aesthetics |
| ISBN | : |
| Author | : Rekha Jhanji |
| Publisher | : |
| Total Pages | : 212 |
| Release | : 1980 |
| Genre | : Aesthetics |
| ISBN | : |
| Author | : Jonathan Robson |
| Publisher | : Oxford University Press |
| Total Pages | : 177 |
| Release | : 2023-02-07 |
| Genre | : Philosophy |
| ISBN | : 0192862952 |
Aesthetic judgements that are formed on the basis of testimony are commonly held to be defective, illegitimate, or otherwise problematic. This book assesses the debate surrounding aesthetic testimony and argues for the surprising conclusion that this widespread view is mistaken. Aesthetic testimony is in no way inferior as a source of judgement when compared to either first-hand aesthetic judgement or testimony concerning non-aesthetic matters. Alongside establishing this position (an extreme form of 'optimism' concerning aesthetic testimony), Jon Robson also responds to the most prominent arguments for the opposing view ('pessimism' concerning aesthetic testimony). Along the way, it also re-examines our understanding of the norms which govern both judgement and assertion in aesthetics.
| Author | : T. Pawlowski |
| Publisher | : Springer Science & Business Media |
| Total Pages | : 144 |
| Release | : 2012-12-06 |
| Genre | : Philosophy |
| ISBN | : 9400924526 |
What is aesthetic value? A property in an object? An experience of a perceiving person? An ideal object existing in a mysterious sphere, inaccessible to normal cognition? Does it appear in one form only, or in many forms, perhaps infinitely many? Is it something constant, immutable, or rather something susceptible to change, depending on the individual, the cultural milieu, or the epoch? Is a rational defence of aesthetic value judgements possible, or is any discussion of this topic meaningless? The above questions arise out of the most complicated philosophic problems. Volumes have been written on each of them. The discussions which continue over the centuries, the plurality of views and suggested solutions, indicate that all issues are controversial and contestable. Each view can adduce some arguments supporting it; each has some weaknesses. Another source of difficulty is the vagueness and ambiguity of the language in which the problems are discussed. This makes it hard to understand the ideas of particular thinkers and sometimes makes it impossible to decide whether different formulations express the actual divergence of views or only the verbal preferences of their authors. Let us add that this imperfection does not simply spring from inaccuracy on the part of scholars, but also results from the complexity of the problems themselves. The matter is further complicated by important factors of a social character.
| Author | : D. W. Prall |
| Publisher | : |
| Total Pages | : 378 |
| Release | : 1967 |
| Genre | : |
| ISBN | : |
| Author | : Ole Martin Skilleås |
| Publisher | : Rowman & Littlefield |
| Total Pages | : 141 |
| Release | : 2024-10-02 |
| Genre | : Philosophy |
| ISBN | : 1498590500 |
In this first ever book-length study of aesthetic expertise, Ole Martin Skilleås outlines the nature and purpose of aesthetic expertise, with particular emphasis on the direction of attention, and examines how aesthetic expertise manifests across diverse roles within aesthetic practices. He discusses the foundations of aesthetic trust via the concept of calibration, thereby developing an outline of social aesthetics using the concept of embedded expertise. Skilleås distinguishes between practitioners—those who create and perform aesthetically engaging works—and advisors, who educate, enlighten, and make recommendations. Considering the latter roles, Aesthetic Expertise: An Exploration and Defense argues that aesthetics ought to move away from a paradigm centered on critics and reviewers and the idea of a standard of taste, and over to an approach anchored in instruction and the triangulation between instructor, artwork, and learner. This educational interaction is pivotal since not only does it foster a shared language but it tightly links critical reasoning with aesthetic appreciation, guided by perceptual guidance and training. In doing so, it clarifies how meaningful consensus and dissent in aesthetic discourse are possible, underpinning our discussions and critiques of artistic works and their interpretations.
| Author | : Inês Morais |
| Publisher | : Springer |
| Total Pages | : 149 |
| Release | : 2019-05-13 |
| Genre | : Philosophy |
| ISBN | : 3030201279 |
This compelling book defends realism concerning the aesthetic—in particular, concerning the aesthetic properties of works of art (including works of literature). Morais lucidly argues that art criticism, when referring to aesthetic properties, is referring not ultimately to the critic’s subjective reactions, but to genuine properties of the works. With a focus on contemporary discussion conducted in the analytic tradition, as well as on arguments by Hume and Kant, this book characterizes the debate in aesthetics and the philosophy of art concerning aesthetic realism, examining attacks on the objectivity of values, the ‘autonomy thesis’, and Hume’s sentimentalism. Considering and defusing scepticism concerning the significance of the ontological debate about aesthetic realism, Morais discusses two powerful attacks on aesthetic realism before defending the doctrine against them and providing a positive realist account of aesthetic properties.
