Selections From The Canzoniere And Other Works Illustrated
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Author | : Francesco Petrarca |
Publisher | : Oxford University Press, USA |
Total Pages | : 132 |
Release | : 1999 |
Genre | : |
ISBN | : 9780192839510 |
This entirely new translation includes Petrarch's short autobiographical prose works, The Letter to Posterity and The Ascent of Mount Ventoux, and a selection of twenty-seven poems from the Canzoniere, Petrarch's best-known work in Italian.
Author | : Francesco Petrarca |
Publisher | : Harvard University Press |
Total Pages | : 682 |
Release | : 1976 |
Genre | : Education |
ISBN | : 9780674663480 |
Durling's edition of Petrarch's poems has become the standard. Readers have praised the translation of the authoritative text as graceful and accurate, conveying a real understanding of what this difficult poet is saying. The literalness of the prose translation makes this book especially useful to students who lack a full command of Italian.
Author | : Francesco Petrarca |
Publisher | : Troubador Publishing Ltd |
Total Pages | : 302 |
Release | : 2000-11 |
Genre | : History |
ISBN | : 9781899293124 |
Francesco Petrarca (1304-74) has been described as the 'first modern man of letters' and his influence on the European lyric tradition has been widespread. The poems of his Canzoniere, closely associated as they are with the enigmatic figure of Laura, were soon to become the models for love-poetry in nearly all major European literatures in the Renaissance. The new translations here use the same rhyme schemes and broadly the same metres as those used by Petrarch himself. The facing English texts are thus not intended to be absolutely literal, but to reflect the inner meanings and moods of the originals, with some further literal translations of difficult passages added in the notes. The notes to the poems also cover their likely dates, mythological allusions, certain background settings, and a number of other calendrical and structural features which appear to emerge from the actual sequencing of the collection itself. There is also a section on old Italian syntax. and other linguistic aids. The new translation of Petrarch's Rerum Vulgarian Fragmenta is in two separate volumes.
Author | : Christopher S. Celenza |
Publisher | : Reaktion Books |
Total Pages | : 264 |
Release | : 2022-08-22 |
Genre | : Biography & Autobiography |
ISBN | : 1780238770 |
An enlightening study of the contradictory character of this canonical fourteenth-century Italian poet. Born in Tuscany in 1304, Italian poet Francesco Petrarca is widely considered one of the fathers of the modern Italian language. Though his writings inspired the humanist movement and subsequently the Renaissance, Petrarch remains misunderstood. He was a man of contradictions—a Roman pagan devotee and a devout Christian, a lover of friendship and sociability, yet intensely private. In this biography, Christopher S. Celenza revisits Petrarch’s life and work for the first time in decades, considering how the scholar’s reputation and identity have changed since his death in 1374. He brings to light Petrarch’s unrequited love for his poetic muse, the anti-institutional attitude he developed as he sought a path to modernity by looking backward to antiquity, and his endless focus on himself. Drawing on both Petrarch’s Italian and Latin writings, this is a revealing portrait of a figure of paradoxes: a man of mystique, historical importance, and endless fascination. It is the only book on Petrarch suitable for students, general readers, and scholars alike.
Author | : Francesco Petrarca |
Publisher | : London : H. G. Bohn |
Total Pages | : 790 |
Release | : 1859 |
Genre | : |
ISBN | : |
Author | : Petrarch |
Publisher | : Farrar, Straus and Giroux |
Total Pages | : 324 |
Release | : 2014-06-03 |
Genre | : Poetry |
ISBN | : 1466872896 |
Ineffable sweetness, bold, uncanny sweetness that came to my eyes from her lovely face; from that day on I'd willingly have closed them, never to gaze again at lesser beauties. --from Sonnet 116 Petrarch was born in Tuscany and grew up in the south of France. He lived his life in the service of the church, traveled widely, and during his lifetime was a revered, model man of letters. Petrarch's greatest gift to posterity was his Rime in vita e morta di Madonna Laura, the cycle of poems popularly known as his songbook. By turns full of wit, languor, and fawning, endlessly inventive, in a tightly composed yet ornate form they record their speaker's unrequited obsession with the woman named Laura. In the centuries after it was designed, the "Petrarchan sonnet," as it would be known, inspired the greatest love poets of the English language--from the times of Spenser and Shakespeare to our own. David Young's fresh, idiomatic version of Petrarch's poetry is the most readable and approachable that we have. In his skillful hands, Petrarch almost sounds like a poet out of our own tradition bringing the wheel of influence full circle.
Author | : Ezra Pound |
Publisher | : |
Total Pages | : 108 |
Release | : 1910 |
Genre | : |
ISBN | : |
Author | : Jonathan Jones |
Publisher | : Simon and Schuster |
Total Pages | : 516 |
Release | : 2013-05-23 |
Genre | : History |
ISBN | : 0857203215 |
A sweeping, epic history of the Renaissance artists, seen through the lens of something that perhaps occupied their thoughts and influenced their art the most…sex. Taking Donatello's provocative reinvention of the nude as his starting point, Jonathan shows how the story of the Renaissance is the story of a sexual revolution. The great artists of the 15th and 16th century were not just visionaries, but lovers. Jonathan argues that the famous nudes of Michelangelo and Titian are not abstract images of ideal beauty, but erotic expressions of love and desire; and that in order to understand the Renaissance, we have to understand the sex lives of the men and women who defined it - men like Raphael, who obsessively painted his lover La Fornarina in the nude, Michelangelo, who made beautiful drawings of naked male bodies to present to the young man he adored, and Rembrandt, whose bedroom portraits of Hendrickje Stoffels are the frankest expressions of love anywhere in art.Sweeping from its origins in Florence in the mid-15th century to its culmination in the work of Rubens and Rembrandt in the 17th, The Loves of the Artistsshows that the Renaissance invented eroticism as we know it, and that the new ways of thinking about sex it engendered are crucial to understanding not only art but European culture as a whole.
Author | : Albert Russell Ascoli |
Publisher | : Cambridge University Press |
Total Pages | : 294 |
Release | : 2015-11-24 |
Genre | : Literary Criticism |
ISBN | : 1316409287 |
Petrarch (Francesco Petrarca, 1304–74), best known for his influential collection of Italian lyric poetry dedicated to his beloved Laura, was also a remarkable classical scholar, a deeply religious thinker and a philosopher of secular ethics. In this wide-ranging study, chapters by leading scholars view Petrarch's life through his works, from the epic Africa to the Letter to Posterity, from the Canzoniere to the vernacular epic Triumphi. Petrarch is revealed as the heir to the converging influences of classical cultural and medieval Christianity, but also to his great vernacular precursor, Dante, and his friend, collaborator and sly critic, Boccaccio. Particular attention is given to Petrach's profound influence on the Humanist movement and on the courtly cult of vernacular love poetry, while raising important questions as to the validity of the distinction between medieval and modern and what is lost in attempting to classify this elusive figure.
Author | : Michael Haag |
Publisher | : Profile Books |
Total Pages | : 437 |
Release | : 2016-03-17 |
Genre | : History |
ISBN | : 1847659381 |
Mary Magdalene is a larger figure than any text, larger than the Bible or the Church; she has taken on a life of her own. She has been portrayed as a penitent whore, a wealthy woman, Christ's wife, an adulteress, a symbol of the frailty of women and an object of veneration. And, to this day, she remains a potent and mysterious figure. In the manner of a quest, this book follows Mary Magdalene through the centuries, explores how she has been reinterpreted for every age, and examines what she herself reveals about woman and man and the divine. It seeks the real Mary Magdalene in the New Testament and in the Gnostic gospels where she is extolled as the chief disciple of Christ. It investigates how and why the Church recast her as a fallen woman, it traces her story through the Renaissance when she became a goddess of beauty and love, and it looks at Mary Magdalene as the feminist icon she has become today.