Seeing Through The Eighties
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| Author | : Jane Feuer |
| Publisher | : Duke University Press |
| Total Pages | : 184 |
| Release | : 1995-10-26 |
| Genre | : Business & Economics |
| ISBN | : 9780822316879 |
With a cast of characters including Michael, Hope, Elliot, Nancy, Melissa, and Gary; Alexis, Krystle, Blake, and all the other Carringtons; not to mention Maddie and David and even Crockett and Tubbs, Feuer smoothly blends close readings of well-known programs and analysis of television's commercial apparatus with a thorough-going theoretical perspective engaged with the work of Baudrillard, Fiske, and others. Her comparative look at Yuppie TV, Prime Time Soaps, and made-for-TV movie Trauma Dramas reveals the contradictions and tensions at work in much prime-time programming and in the frustrations of the American popular consciousness. Seeing Through the Eighties also addresses the increased commodification of both the producers and consumers of television as a result of technological innovations and the introduction of new marketing techniques.
| Author | : |
| Publisher | : |
| Total Pages | : |
| Release | : 2009 |
| Genre | : |
| ISBN | : |
DIVThe 1980s saw the rise of Ronald Reagan and the New Right in American politics, the popularity of programs such as thirtysomething and Dynasty on network television, and the increasingly widespread use of VCRs, cable TV, and remote control in American living rooms. In Seeing Through the Eighties, Jane Feuer critically examines this most aesthetically complex and politically significant period in the history of American television in the context of the prevailing conservative ideological climate. With wit, humor, and an undisguised appreciation of TV, she demonstrates the richness of this often-slighted medium as a source of significance for cultural criticism and delivers a compelling decade-defining analysis of our most recent past. With a cast of characters including Michael, Hope, Elliot, Nancy, Melissa, and Gary; Alexis, Krystle, Blake, and all the other Carringtons; not to mention Maddie and David; even Crockett and Tubbs, Feuer smoothly blends close readings of well-known programs and analysis of television & rsquo;s commercial apparatus with a thorough-going theoretical perspective engaged with the work of Baudrillard, Fiske, and others. Her comparative look at Yuppie TV, Prime Time Soaps, and made-for-TV-movie Trauma Dramas reveals the contradictions and tensions at work in much prime-time programming and in the frustrations of the American popular consciousness. Seeing Through the Eighties also addresses the increased commodification of both the producers and consumers of television as a result of technological innovations and the introduction of new marketing techniques. Claiming a close relationship between television and the cultures that create and view it, Jane Feuer sees the eighties through television while seeing through television in every sense of the word. /div
| Author | : David Sirota |
| Publisher | : Ballantine Books |
| Total Pages | : 305 |
| Release | : 2011-03-15 |
| Genre | : History |
| ISBN | : 0345518802 |
Wall Street scandals. Fights over taxes. Racial resentments. A Lakers-Celtics championship. The Karate Kid topping the box-office charts. Bon Jovi touring the country. These words could describe our current moment—or the vaunted iconography of three decades past. In this wide-ranging and wickedly entertaining book, New York Times bestselling journalist David Sirota takes readers on a rollicking DeLorean ride back in time to reveal how so many of our present-day conflicts are rooted in the larger-than-life pop culture of the 1980s—from the “Greed is good” ethos of Gordon Gekko (and Bernie Madoff) to the “Make my day” foreign policy of Ronald Reagan (and George W. Bush) to the “transcendence” of Cliff Huxtable (and Barack Obama). Today’s mindless militarism and hypernarcissism, Sirota argues, first became the norm when an ’80s generation weaned on Rambo one-liners and “Just Do It” exhortations embraced a new religion—with comic books, cartoons, sneaker commercials, videogames, and even children’s toys serving as the key instruments of cultural indoctrination. Meanwhile, in productions such as Back to the Future, Family Ties, and The Big Chill, a campaign was launched to reimagine the 1950s as America’s lost golden age and vilify the 1960s as the source of all our troubles. That 1980s revisionism, Sirota shows, still rages today, with Barack Obama cast as the 60s hippie being assailed by Alex P. Keaton–esque Republicans who long for a return to Eisenhower-era conservatism. “The past is never dead,” William Faulkner wrote. “It’s not even past.” The 1980s—even more so. With the native dexterity only a child of the Atari Age could possess, David Sirota twists and turns this multicolored Rubik’s Cube of a decade, exposing it as a warning for our own troubled present—and possible future.
| Author | : Beck Feiner |
| Publisher | : HarperCollins Australia |
| Total Pages | : 0 |
| Release | : 2019 |
| Genre | : Juvenile Fiction |
| ISBN | : 1460710134 |
TRAVEL BACK IN TIME TO THE ERA NO-ONE HAS EVER FORGOTTEN - THE 80s - BECAUSE THOSE OUTFITS WERE SO RAD YOU HAD TO WEAR SHADES. Welcome to the 1980s. Mum and dad have described it to me, and it was totally whack. It was a time when crimped hair and perms were cool, kids listened to cassette tapes, thought dancing on your head was the ultimate, and synth pop ruled the school. It makes no sense to me of course, but it looked kinda fun, don't you think? My Folks Grew Up in the '80s is a stroll down memory lane for the kidz who grew up then, and a hilarious chance to share the decade's downright weirdness with a whole new generation.
| Author | : William J. Palmer |
| Publisher | : SIU Press |
| Total Pages | : 358 |
| Release | : 1995 |
| Genre | : Performing Arts |
| ISBN | : 9780809320295 |
In this remarkable sequel to his Films of the Seventies: A Social History, William J. Palmer examines more than three hundred films as texts that represent, revise, parody, comment upon, and generate discussion about major events, issues, and social trends of the eighties. Palmer defines the dialectic between film art and social history, taking as his theoretical model the "holograph of history" that originated from the New Historicist theories of Hayden White and Dominick LaCapra. Combining the interests and methodologies of social history and film criticism, Palmer contends that film is a socially conscious interpreter and commentator upon the issues of contemporary social history. In the eighties, such issues included the war in Vietnam, the preservation of the American farm, terrorism, nuclear holocaust, changes in Soviet-American relations, neoconservative feminism, and yuppies. Among the films Palmer examines are Platoon, The Killing Fields, The River, Out of Africa, Little Drummer Girl, Kiss of the Spiderwoman, Silkwood, The Day After, Red Dawn, Moscow on the Hudson, Troop Beverly Hills, and Fatal Attraction. Utilizing the principles of New Historicism, Palmer demonstrates that film can analyze and critique history as well as present it.
| Author | : Gil Troy |
| Publisher | : Oxford University Press |
| Total Pages | : 229 |
| Release | : 2009-10-22 |
| Genre | : History |
| ISBN | : 019972010X |
Some see the 1980s as a Golden Age, a "Morning in America" when Ronald Reagan revived America's economy, reoriented American politics, and restored Americans' faith in their country and in themselves. Others see the 1980s as a new "Gilded Age," an era that was selfish, superficial, glitzy, greedy, divisive, and destructive. This multifaceted exploration of the 1980s brings together a variety of voices from different political persuasions, generations, and vantage points. The volume features work by Reagan critics and Reagan fans (including one of President Reagan's closest aides, Ed Meese), by historians who think the 1980s were a disastrous time, those who think it was a glorious time, and those who see both the blessings and the curses of the decade. Their essays examine everything from multiculturalism, Southern conservatism, and Reaganomics, to music culture, religion, crime, AIDS, and the city. A complex, thoughtful account of a watershed in our recent history, this volume will engage anyone interested in this pivotal decade.
| Author | : Natalia Rachel Singer |
| Publisher | : U of Nebraska Press |
| Total Pages | : 250 |
| Release | : 2004-01-01 |
| Genre | : Biography & Autobiography |
| ISBN | : 9780803243095 |
The author describes how her rejection of the materialism of her generation and her low-budget search for creative fulfillment led her to a duplex in Seattle, a beach hut in Mexico, and a Left Bank convent, but never freed her from her obligations as an American.
| Author | : |
| Publisher | : Carpet Bombing Culture |
| Total Pages | : 160 |
| Release | : 2017-10-01 |
| Genre | : History |
| ISBN | : 9781908211569 |
'It was the best of times it was the worst of times.' Maligned, misunderstood and fetishized the 1980's stands as the decade when post-modern life began in the west, and London was at the epicenter of this shift. An explosion of creativity took place against a backdrop of radical social change. London became a city of tribes. The vast youth culture categories of the preceding decades shattered into shards. It was the decade that sub-culture as a way of life reached it's zenith before giving way to it's inevitable scene surfing conclusion. Ridgers documented this cultural moment obsessively. Punks, post-punks, cyber-punks, gothic punks, mods, hard mods, Trojan skins, racist skins, ska, reggae, dub, early electronica, synth pop, acid house, happy hardcore, Blitz Kids, New Romantics, Hip-Hop, Rap, Electro, Break Beat, Techno, Rave - these were all sub-cultural spaces with scenes attached in London in the 1980's. Unlike now, subcultures in the 1980's were not casual playthings - they were a way of life for their participants. They inspired profound loyalty. They were a beautiful a doomed flowering of the hope for a better world. Derek Ridger's exquisite street portrait photography has captured this creative decade beautifully.
| Author | : John Ehrman |
| Publisher | : Yale University Press |
| Total Pages | : 304 |
| Release | : 2005-01-01 |
| Genre | : History |
| ISBN | : 0300115822 |
John Ehrman offers analysis of the transformation in American politics & society that marked the years of the Reagan presidency during the 1980s. He considers the fundamental shifts in American attitudes & examines the way Reagan built a right wing consensus around key policies.
| Author | : Hadley Freeman |
| Publisher | : Simon and Schuster |
| Total Pages | : 352 |
| Release | : 2016-06-14 |
| Genre | : Biography & Autobiography |
| ISBN | : 1501130455 |
"An earlier edition of this work was published in Great Britain in 2015."--Title page verso.
