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| Author | : N. Alan Clark |
| Publisher | : |
| Total Pages | : 316 |
| Release | : 2015-12-21 |
| Genre | : Education |
| ISBN | : 9781940771335 |
Music moves through time; it is not static. In order to appreciate music wemust remember what sounds happened, and anticipate what sounds might comenext. This book takes you on a journey of music from past to present, from the Middle Ages to the Baroque Period to the 20th century and beyond!
| Author | : Francesco Barsanti |
| Publisher | : A-R Editions, Inc. |
| Total Pages | : 101 |
| Release | : 2018-01-01 |
| Genre | : Glees, catches, rounds, etc |
| ISBN | : 0895798670 |
A latecomer to music and not particularly gifted as an executant on any instrument (a great handicap for any musician in an age when music appreciation was performer-centered rather than composer-centered), the Italian expatriate Francesco Barsanti (ca. 16901775) would seem doomed to failure, especially given his reportedly unassertive, even timid, personality; but his versatility, industry, and ability to win and retain a surprisingly large support network kept him afloat until the end. His ability to survive from day to day by carrying out a multitude of humdrum tasks gave him sufficient time and freedom to engage in what he did best and seemingly valued most: composing music. The compact but by no means negligible corpus of music he produced in a wide variety of genres makes him one of the most original and interesting composers active in eighteenth-century Britain. His instrumental music has already won some recognition in modern times, but his equally impressive vocal music, all produced in Britain, is so far virtually unknown. The present volume, which contains all Barsantis secular vocal music known to survive, together with a complementary volume containing his complete sacred vocal music, aims to bring these attractive works before the musicological community and the public at large.
| Author | : Oxford |
| Publisher | : |
| Total Pages | : 0 |
| Release | : 2021-10-07 |
| Genre | : Recorded accompaniments (Low voice) |
| ISBN | : 9780193556812 |
| Author | : Virinder S. Kalra |
| Publisher | : Bloomsbury Publishing |
| Total Pages | : 251 |
| Release | : 2014-11-20 |
| Genre | : Religion |
| ISBN | : 1441108661 |
How does the sacred/secular opposition explain itself in the context of musical production? This volume traces this binary as it frames Western Classical music and Indian Classical music in the 18th and 19th centuries, laying the ground for a contemporary exploration of what is ostensibly sacred music in South Asia. Offering a potent critique of musicological knowledge-making, Virinder S. Kalra explores examples of South Asian musics in various domains and traverses a new cartography of music in which the sacred and the secular overlap. Drawing on examples which include Qawwali, kirtan and popular devotional genres, Sacred and Secular Musics offers new empirical material, as well as new insights into conceptualising religion and music, and the ways in which music performs sacredness and secularity across the contested India-Pakistan border in the region of Punjab. Through its deconstruction of the sacred/secular opposition, Sacred and Secular Musics explores the relationship of religion and music to wider questions of religion and politics. Its postcolonial approach brings Asia into the Western sacred/secular opposition, and provides a set of analytical tools - a language and range of theories - to allow further exploration of non-western religious music.
| Author | : Dr Jonathan Arnold |
| Publisher | : Ashgate Publishing, Ltd. |
| Total Pages | : 193 |
| Release | : 2014-03-28 |
| Genre | : Music |
| ISBN | : 1472406737 |
Sacred Music in Secular Society is a new and challenging work asking why Christian sacred music is now appealing afresh to a wide and varied audience, both religious and secular. Blending scholarship, theological reflection and interviews with some of the greatest musicians and spiritual leaders of our day, Arnold suggests that the intrinsically theological and spiritual nature of sacred music remains an immense attraction particularly in secular society. This book will appeal to readers interested in contemporary spirituality, Christianity, music, worship, faith and society, whether believers or not, including theologians, musicians and sociologists.
| Author | : Eric Whitacre |
| Publisher | : Chester Music |
| Total Pages | : 11 |
| Release | : 2008-08-19 |
| Genre | : Music |
| ISBN | : 178323122X |
The Seal Lullaby by Eric Whitacre is a delightful, deceptively simple setting in the form of a lullaby for mixed choir and accompaniment of Rudyard Kipling's poem 'The White Seal'. This full SATB (Soprano, Alto, Tenor, Bass) choral arrangement with Piano accompaniment is accurately transcribed and appears in great quality print, with easy part writing throughout, so that singing this emotive song is as easy as possible. When Eric Whitacre was commissioned to write music for an animated feature, he was so struck by the words of Kipling's lovely poem that he immediately sat down to write a calm and subtle yet musically interesting piece. Unfortunately, the song was not used, but was later commissioned by the Towne Singers, and we are pleased to offer you this Seal Lullaby sheet music.
| Author | : Tom Beaudoin |
| Publisher | : Liturgical Press |
| Total Pages | : 201 |
| Release | : 2013-05-01 |
| Genre | : Religion |
| ISBN | : 0814680259 |
When the basic conceptions of the world held by whole generations in the West are formed by popular culture, and in particular by the music that serves as its soundtrack, can theology remain unchanged? The authors of the essays in this important volume insist that the answer is no. These gifted theologians help readers make sense of what happens to religious experience in a world heavily influenced by popular media culture, a world in which songs, musicians, and celebrities influence our individual and collective imaginations about how we might live. Readers will consider the theological relationship between music and the creative process, investigate ways that music helps create communities of heightened moral consciousness, and explore the theological significance of songs. Contributors to this fascinating collection include: David Dalt Maeve Heaney Daniel White Hodge Michael J. Iafrate Jeffrey F. Keuss Mary McDonough Gina Messina-Dysert Christian Scharen Myles Werntz Tom Beaudoin is associate professor of theology at Fordham University, specializing inpractical theology. His books include Witness to Dispossession: The Vocation of a Postmodern Theologian; Consuming Faith: Integrating Who We Are with What We Buy; and Virtual Faith: The Irreverent Spiritual Faith of Generation X. He has given nearly 200 papers, lectures, or presentations on religion and culture over the last thirteen years. He has been playing bass in rock bands since 1986 and directs the Rock and Theology Project for Liturgical Press (www.rockandtheology.com). "
| Author | : Mark Everist |
| Publisher | : Cambridge University Press |
| Total Pages | : |
| Release | : 2018-08-09 |
| Genre | : Music |
| ISBN | : 1108577075 |
Spanning a millennium of musical history, this monumental volume brings together nearly forty leading authorities to survey the music of Western Europe in the Middle Ages. All of the major aspects of medieval music are considered, making use of the latest research and thinking to discuss everything from the earliest genres of chant, through the music of the liturgy, to the riches of the vernacular song of the trouvères and troubadours. Alongside this account of the core repertory of monophony, The Cambridge History of Medieval Music tells the story of the birth of polyphonic music, and studies the genres of organum, conductus, motet and polyphonic song. Key composers of the period are introduced, such as Leoninus, Perotinus, Adam de la Halle, Philippe de Vitry and Guillaume de Machaut, and other chapters examine topics ranging from musical theory and performance to institutions, culture and collections.
| Author | : Wye Jamison Allanbrook |
| Publisher | : Univ of California Press |
| Total Pages | : 253 |
| Release | : 2014-06-07 |
| Genre | : Music |
| ISBN | : 052095887X |
Wye Jamison Allanbrook’s The Secular Commedia is a stimulating and original rethinking of the music of the late eighteenth century. Hearing the symphonies and concertos of Haydn and Mozart with an ear tuned to operatic style, as their earliest listeners did, Allanbrook shows that this familiar music is built on a set of mimetic associations drawn from conventional modes of depicting character and emotion in opera buffa. Allanbrook mines a rich trove of writings by eighteenth-century philosophers and music theorists to show that vocal music was considered aesthetically superior to instrumental music and that listeners easily perceived the theatrical tropes that underpinned the style. Tracing Enlightenment notions of character and expression back to Greek and Latin writings about comedy and drama, she strips away preoccupations with symphonic form and teleology to reveal anew the kaleidoscopic variety and gestural vitality of the musical surface. In prose as graceful and nimble as the music she discusses, Allanbrook elucidates the idiom of this period for contemporary readers. With notes, musical examples, and a foreword by editors Mary Ann Smart and Richard Taruskin.
| Author | : Denis Stevens |
| Publisher | : |
| Total Pages | : 154 |
| Release | : 1978 |
| Genre | : Music |
| ISBN | : |
Monteverdi was born at Cremona in 1567 and died in Venice in 1643. The innovative nature of much of his music has generated considerable artistic and literary comment from the year 1600 onward. In this critical study, the author provides a practically oriented and concise book for both the musician and the researcher. He has avoided the tyranny of a chronological ordering of the compositions by considering them in the broad categories of sacred, secular, and occasional music, and has included fifty musical examples by way of illustration. The first category, dealing with secular vocal music, begins with the pieces written for Guarini's Il pastor fido. There is a special discussion of dialogues, followed by a survey of madrigals with and without continuo. Then come the canzonette, trios, duets, and solos. The section on religious music discusses settings of the Mass and Vespers.
