Section: Rock-drill

Section: Rock-drill
Author: Ezra Pound
Publisher:
Total Pages: 120
Release: 1956
Genre: American poetry
ISBN:

The most recent portion of the long poem which has occupied him for the last twenty years.

Ezra Pound and Neoplatonism

Ezra Pound and Neoplatonism
Author: P. Th. M. G. Liebregts
Publisher: Fairleigh Dickinson Univ Press
Total Pages: 470
Release: 2004
Genre: Literary Criticism
ISBN: 9780838640111

This book is a detailed study of Ezra Pound's explicit and implicit use of elements of the Neoplatonic tradition in his prose and poetry, and of the way it informed his poetics as well as his political and social-economic views. The book not only discusses the ideas of those Pound considered to be leading figures in the development of Neoplatonism (such as Plotinus, Dionysus the Areopagite, Eriugena, Dante, Gernisthus Plethon, and Thomas Taylor), but, more importantly, it shows how and why Pound adapted and appropriated their notions to develop his interpretation of what he saw as an ongoing Neoplatonic tradition. Through this adaptation of Neoplatonism, Pound's work may be seen as an insightful commentary upon this religio-philosophical tradition as well as a contribution to it.

Armor

Armor
Author:
Publisher:
Total Pages: 56
Release: 1995
Genre: Armored vehicles, Military
ISBN:

The magazine of mobile warfare.

Astern in the Dinghy: Commentaries on Ezra’s Pound’s Thrones de los Cantares XCVI—CIX

Astern in the Dinghy: Commentaries on Ezra’s Pound’s Thrones de los Cantares XCVI—CIX
Author: Alexander Howard
Publisher: Glossator
Total Pages: 394
Release: 2018-04-27
Genre: Literary Criticism
ISBN: 171754018X

GLOSSATOR 10 (2018) Astern in the Dinghy: Commentaries on Ezra’s Pound’s Thrones de los Cantares 96-109 Edited by Alexander Howard You in the dinghy (piccioletta) astern there! (CIX/788) Mr. Pound Goes to Washington Alexander Howard (University of Sydney) Some Contexts for Canto XCVI Richard Parker (University of Surrey) Gold and/or Humaneness: Pound’s Vision of Civilization in Canto XCVII Roxana Preda (University of Edinburgh) Hilarious Commentary: Ezra Pound’s Canto XCVIII Peter Nicholls (New York University) “Tinkle, tinkle, two tongues”: Sound, Sign, Canto XCIX Michael Kindellan (University of Sheffield) “In the intellect possible”: Revisionism and Aesopian Language in Canto C Alex Pestell (Independent Scholar) Deep Rustication in Canto CI Mark Byron (University of Sydney) Shipwrecks and Mountaintops: Notes on Canto CII Mark Steven (University of Exeter) Revised Intentions: James Buchanan and the Antebellum White House in Canto CIII James Dowthwaite (University of Göttingen) Exploring Permanent Values: Canto CIV Archie Henderson (Independent Scholar) Canto CV: A Divagation? Alec Marsh (Muhlenberg College) So Slow: Canto CVI Sean Pryor (University of New South Wales) ‘The clearest mind ever in England’: Pound’s Late Paradisal in Canto CVII Miranda Hickman (McGill University) Three Ways of Looking at a Canto: Navigating Canto CVIII Kristin Grogan (Exeter College, University of Oxford) ‘To the king onely to put value’: Monarchy and Commons in Pound’s Canto CIX Alex Niven (University of Newcastle)