Search Sweet Country
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| Author | : Kojo Laing |
| Publisher | : Penguin UK |
| Total Pages | : 206 |
| Release | : 2019-08-01 |
| Genre | : Fiction |
| ISBN | : 0241370108 |
Accra, Ghana, the 1970s. In the streets, marketplaces and crowded houses of this sprawling city, an unforgettable cast of characters live, love and try to get by: an idealistic professor, a beautiful young witch, a wide-eyed student, a corrupt politician, a healer and a man intent on founding his own village. Through their stories, and those of the living, breathing city itself, Kojo Laing's dazzling novel creates a portrait of a place caught between colonialism and freedom, eternity and the present. 'The finest novel written in English ever to come out of the African continent' Binyavanga Wainaina
| Author | : Qian Julie Wang |
| Publisher | : Vintage |
| Total Pages | : 321 |
| Release | : 2022-09-27 |
| Genre | : Biography & Autobiography |
| ISBN | : 0593313003 |
A NEW YORK TIMES BEST SELLER • The moving story of an undocumented child living in poverty in the richest country in the world—an incandescent debut from an astonishing new talent • A TODAY SHOW #READWITHJENNA PICK In Chinese, the word for America, Mei Guo, translates directly to “beautiful country.” Yet when seven-year-old Qian arrives in New York City in 1994 full of curiosity, she is overwhelmed by crushing fear and scarcity. In China, Qian’s parents were professors; in America, her family is “illegal” and it will require all the determination and small joys they can muster to survive. In Chinatown, Qian’s parents labor in sweatshops. Instead of laughing at her jokes, they fight constantly, taking out the stress of their new life on one another. Shunned by her classmates and teachers for her limited English, Qian takes refuge in the library and masters the language through books, coming to think of The Berenstain Bears as her first American friends. And where there is delight to be found, Qian relishes it: her first bite of gloriously greasy pizza, weekly “shopping days,” when Qian finds small treasures in the trash lining Brooklyn’s streets, and a magical Christmas visit to Rockefeller Center—confirmation that the New York City she saw in movies does exist after all. But then Qian’s headstrong Ma Ma collapses, revealing an illness that she has kept secret for months for fear of the cost and scrutiny of a doctor’s visit. As Ba Ba retreats further inward, Qian has little to hold onto beyond his constant refrain: Whatever happens, say that you were born here, that you’ve always lived here. Inhabiting her childhood perspective with exquisite lyric clarity and unforgettable charm and strength, Qian Julie Wang has penned an essential American story about a family fracturing under the weight of invisibility, and a girl coming of age in the shadows, who never stops seeking the light.
| Author | : B. Kojo Laing |
| Publisher | : Heinemann International Incorporated |
| Total Pages | : 72 |
| Release | : 1989 |
| Genre | : Fiction |
| ISBN | : |
This collection of poetry, by one of Ghana's leading poets and novelists, looks at themes such as nature, love, death, politics and portraits of daily life.
| Author | : Celestine Sibley |
| Publisher | : Peachtree Publishers |
| Total Pages | : 244 |
| Release | : 1985 |
| Genre | : Cooking |
| ISBN | : 9780931948725 |
A Place Called Sweet Apple is your personal invitation to a cozy retreat in a very special spot. Sweet Apple-the very name evokes a rural charm. That's what Celestine Sibley discovered on her initial visit to the primitive log cabin built in 1844. And that's what she continued to find after many years living in the house, lovingly restores and filled with the memories of her own family's life there. "How an old abandoned house can take hold of a reasonably sane woman's heart, fill her mind, lap up her energy and change her life is still something of a mystery to me," Sibley muses. By the time you have savored her tale of restoring the old house, Sweet Apple's charm will no longer be a mystery. The dilapidated ruin into which Sibley invested her heart and energy became a community project and Sibley and her family grew to love the colorful and interesting lifestyle of their neighborhood. This is far more, however, than a story about breathing new life into an old house and moving from the city to the country. It is a story of personal discovery and fulfillment laced with wry humor and good common sense. Sibley's vision of living and loving is so clear, so pure, that no reader can put down this book without feeling enriched. The sampling of Southern recipes that she has collected here are also certain to delight.
| Author | : B. Kojo Laing |
| Publisher | : |
| Total Pages | : 388 |
| Release | : 2006 |
| Genre | : Fiction |
| ISBN | : |
A long-awaited novel from one of Africa's best regarded writers. He is a poet, but best known as a novelist, original and imaginative. His writing is described as fundamentally African, and specifically Ghanaian in source. Witty narrative and dark humour dominate this new novel in which an Anglican Bishop works scientifically and doctrinally with different types of sharks, an ecumenically minded Pope loves boxing over the telephone, and the Archbishop of Canterbury is powerless to stop genetic experiments which make the interaction between rich and poor countries almost impossible. Kojo Laing is the author of Search Sweet Country, Women of the Aeroplanes, and Major Gentl and the Achimota Wars.
| Author | : Tim Woods |
| Publisher | : Manchester University Press |
| Total Pages | : 304 |
| Release | : 2018-09-30 |
| Genre | : Literary Criticism |
| ISBN | : 1526130793 |
African pasts examines African literatures in English since the end of colonialism, investigating how they represents African history through the twin matrices of memory and trauma. Inextricably tied up with the historical conditions of Africa’s colonisation, charting the emergence of its independence, and scrutinising Africa’s contemporary neo-colonial and postcolonial states as a legacy of the colonial past, African literatures are continually preoccupied with exploring modes of representation to ‘work through’ their different traumatic colonial pasts. Among other issues, this book deals with literature in the era of apartheid, the post-apartheid aftermath, metafictional experiments in African fiction, gender representation in reaction to the trauma of colonialism and ‘imprisonment narratives’. African pasts covers a wide range of African literatures and a cross-section of genres – fiction, poetry, prison-narratives, postcolonial theory – and embraces such well-known writers as Soyinka, Coetzee, Ngugi and Achebe, and more recent writers such as Nuruddin Farah, Tsitsi Dangarembga, Achmat Dangor, Etienne van Heerden, Zakes Mda, Gillian Slovo and Calixthe Beyala.
| Author | : Pietro Deandrea |
| Publisher | : Rodopi |
| Total Pages | : 318 |
| Release | : 2002 |
| Genre | : Literary Criticism |
| ISBN | : 9789042014688 |
In retracing some of the routes followed by West African literature in English over the course of the last three decades, this book employs an original multidimensional approach whereby the three main genres - narrative, poetry and drama - are considered in the light of their intricate web of fecund rapport and mutual influence.Authors such as Tutuola, Armah, Aidoo and Awoonor translated the fluid structures of orality into written prose, and consequently infused their works with poetic and dramatic resonance, thereby challenging the canonical dominance of social realism and paving the way for the birth of West African magical realism in Laing, Okri and Cheney-Coker.Starting in the 1970s, poetry on stage has become a mainstream genre in Ghana, thanks to performances by Okai, Anyidoho and Acquah.Boundaries between literary theatre and other genres have undergone a similar dissolution in the affirmation of the concept of 'total art' from Efua Sutherland to ben Abdallah, Osofisan and others. Fertile Crossingsoffers a study of these topics from various viewpoints, blending in-depth textual analysis with reflections on the political import of the works in question within the context of the present state of African societies, all supported by interviews with most of the authors.
| Author | : Francis Ngaboh-Smart |
| Publisher | : BRILL |
| Total Pages | : 190 |
| Release | : 2021-11-29 |
| Genre | : Literary Criticism |
| ISBN | : 9004486488 |
The impact of nationalism on the emergence and development of African literature is now well documented. Globalization or the postnational state it seems to herald, the emblematic phenomenon of our era, has not received much attention. Using a cultural studies approach, Beyond Empire and Nation is a fascinating account of the process of globalization in African Literature. The book starts with an analysis of nationalist rhetoric and ideology as exemplified by works such as Things Fall Apart. Thereafter, it dedicates a chapter each to B. Kojo Laing's novels and Nuruddin Farah's Trilogy (Maps, Gifts, and Secrets) as articulations of a globalized, postnational reality. At the heart o the book is an analysis of a nuanced and complex experience of global modernity as Africans reassess the constants of nationalist discourse: culture, identity, locality, and territoriality. Ngaboh-Smart does not believe that the postnational phenomenon is necessarily detrimental to the national-state and argues that it may well be capable of generating a new form of individual agency, although he is critical of those writers who ignore the new power dynamic inherent in globalization. Moving beyond the “clash of cultures” paradigm, Ngaboh-Smart's account of the renegotiation of national identity and ideology is a significant contribution to the criticism of African literature and its link to global social processes.
| Author | : Joseph Hankinson |
| Publisher | : Springer Nature |
| Total Pages | : 224 |
| Release | : 2022-12-13 |
| Genre | : Literary Criticism |
| ISBN | : 3031187768 |
This book compares the Victorian British poet Robert Browning and the twentieth-century Ghanaian poet and novelist Kojo Laing—two writers whose texts frequently foreground multi-scalar transregional cartographies, points of connection and translation, and imaginative kinships between different linguistic and cultural communities. Starting from the numerous and surprising points of connection and resemblance between both authors’ texts, this book puts pressure on critical practices that would keep writers like Laing and Browning separate, positing instead the importance of paying attention to the transnational, cross-cultural, and cross-temporal imaginative relationships texts themselves generate. By comparing two writers whose texts represent different points of view on a number of shared and congruent contexts, this book seeks an original way of understanding the relationship between texts and (post-) colonial contexts, texts and other texts. Browning’s and Laing’s shared tendency to foreground trans- and post-national cartographies of relation and difference, and their similarly translational aesthetics, both demand a probing of the disciplinary separation between ‘English Literature’ and ‘Comparative Literature’, as well as ‘literature’ and ‘comparison’, and a fresh awareness of the ways in which literature itself makes comparisons and affiliations. It also involves a version of ‘world literature’ intent on accentuating the relational worlds (linguistic, imaginative, ethical) that texts themselves generate; a criticism sensitive to the ways in which writers from different times and places can still be seen to overlap.
| Author | : Simon Ferdinand |
| Publisher | : Springer |
| Total Pages | : 311 |
| Release | : 2019-05-13 |
| Genre | : Social Science |
| ISBN | : 3030149803 |
This volume challenges dominant imaginations of globalization by highlighting alternative visions of the globe, world, earth, or planet that abound in cultural, social, and political practice. In the contemporary context of intensive globalization, ruthless geopolitics, and unabated environmental exploitation, these “other globes” offer paths for thinking anew the relations between people, polities, and the planet. Derived from disparate historical and cultural contexts, which include the Holy Roman Empire; late medieval Brabant; the (post)colonial Philippines; early twentieth-century Britain; contemporary Puerto Rico; occupied Palestine; postcolonial Africa and Chile; and present-day California, the past and peripheral globes analyzed in this volume reveal the variety of ways in which the global has been—and might be—imagined. As such, the fourteen contributions underline that there is no neutral, natural, or universal way of inhabiting the global.
