Sculpture In The Age Of Doubt
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Author | : Thomas McEvilley |
Publisher | : Skyhorse Publishing Inc. |
Total Pages | : 466 |
Release | : 1999-08 |
Genre | : Art |
ISBN | : 9781581150230 |
Framed in a lucid discussion of the intellectual issues surrounding the postmodern movement, the essays in this book re-examine the course of twentieth-century art through the work of twenty-five major sculptors. McEvilley masterfully traces the evolution of modern sculpture from the readymades of Marcel Duchamp to the anti-painting statements of the 1960s to the spiritualism and conceptualism of the 1980s and 1990s. This is a groundbreaking work in the field of art criticism and a fundamental text for anyone interested in the history of current art and culture. Allworth Press, an imprint of Skyhorse Publishing, publishes a broad range of books on the visual and performing arts, with emphasis on the business of art. Our titles cover subjects such as graphic design, theater, branding, fine art, photography, interior design, writing, acting, film, how to start careers, business and legal forms, business practices, and more. While we don't aspire to publish a New York Times bestseller or a national bestseller, we are deeply committed to quality books that help creative professionals succeed and thrive. We often publish in areas overlooked by other publishers and welcome the author whose expertise can help our audience of readers.
Author | : Thomas McEvilley |
Publisher | : Documentext |
Total Pages | : 0 |
Release | : 1991 |
Genre | : Art |
ISBN | : 9780929701318 |
‹€‹In these six essays, Thomas McEvilley tackles the aesthetics of formalism and proceeds to shed new light on the roots of Modernism and the collapse of the idea of history. The world-renowned critic confronts the ideas and philosophies which for two centuries have exalted art above constructive involvement in the world, and proposes a new vision for the critical enterprise. By explaining why our Modernism was not unique and why it is being superseded, McEvilley suggests functions that art performs in a post-Modern culture and offers compelling reasons why the history of art needs to be rewritten from an altered perspective. McEvilley argues, for example, against the dominant theoretical position which removed art from contextual examination by declaring its "sublime" nature somehow elevated above ordinary life, and he goes on to effectively destroy the notion that Modernism in the larger sense is an example of the superiority of technological society. More than anything else, however, he breathes real life into the intellectual understanding of contemporary art in a way that no critic has since perhaps Herbert Read. McEvilley humanizes the undertaking; in addition his wit is evident throughout. Chapters include "Heads It's Form, Tails It's Not Content," "On the Manner of Addressing Clouds," and "The Opposite of Emptiness."
Author | : Stephanie Storey |
Publisher | : Skyhorse Publishing, Inc. |
Total Pages | : 354 |
Release | : 2016-03-01 |
Genre | : Fiction |
ISBN | : 1628726393 |
"From 1501 to 1505, Leonardo da Vinci and Michelangelo Buonarroti both lived and worked in Florence. Leonardo was a charming, handsome fifty year-old at the peak of his career. Michelangelo was a temperamental sculptor in his mid-twenties, desperate to make a name for himself. The two despise each other."--Front jacket flap.
Author | : |
Publisher | : |
Total Pages | : 300 |
Release | : 2008 |
Genre | : Monuments |
ISBN | : |
Author | : Antonia Boström |
Publisher | : Fitzroy Dearborn Publishers |
Total Pages | : 648 |
Release | : 2004 |
Genre | : Art |
ISBN | : |
This book explores the influence of Enlightenment and Romantic-era theories of the mind on the writings of Godwin and Shelley and examines the ways in which these writers use their fiction to explore such psychological phenomena as ruling passions, madness, the therapeutic value of confessions (both spoken and written), and the significance of dreams. Unlike most studies of Godwin and Shelley, it does not privilege their masterworks--for the most part, it focuses on their lesser-known writings. Brewer also considers the works of other Romantic-era writers, as well as the seventeenth- and eighteenth-century philosophical and medical theories that informed Godwin's and Shelley's presentations of mental states and types of behavior.
Author | : |
Publisher | : |
Total Pages | : 321 |
Release | : 1990 |
Genre | : |
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Author | : Sofian Audry |
Publisher | : MIT Press |
Total Pages | : 215 |
Release | : 2021-11-23 |
Genre | : Art |
ISBN | : 0262367106 |
An examination of machine learning art and its practice in new media art and music. Over the past decade, an artistic movement has emerged that draws on machine learning as both inspiration and medium. In this book, transdisciplinary artist-researcher Sofian Audry examines artistic practices at the intersection of machine learning and new media art, providing conceptual tools and historical perspectives for new media artists, musicians, composers, writers, curators, and theorists. Audry looks at works from a broad range of practices, including new media installation, robotic art, visual art, electronic music and sound, and electronic literature, connecting machine learning art to such earlier artistic practices as cybernetics art, artificial life art, and evolutionary art. Machine learning underlies computational systems that are biologically inspired, statistically driven, agent-based networked entities that program themselves. Audry explains the fundamental design of machine learning algorithmic structures in terms accessible to the nonspecialist while framing these technologies within larger historical and conceptual spaces. Audry debunks myths about machine learning art, including the ideas that machine learning can create art without artists and that machine learning will soon bring about superhuman intelligence and creativity. Audry considers learning procedures, describing how artists hijack the training process by playing with evaluative functions; discusses trainable machines and models, explaining how different types of machine learning systems enable different kinds of artistic practices; and reviews the role of data in machine learning art, showing how artists use data as a raw material to steer learning systems and arguing that machine learning allows for novel forms of algorithmic remixes.
Author | : Söke Dinkla |
Publisher | : Verlag Fur Moderne Kunst |
Total Pages | : 148 |
Release | : 2017 |
Genre | : Art |
ISBN | : |
The Galerie im Taxispalais is showing the first comprehensive retrospective in Austria of work by Czech-Canadian artist Jana Sterbak (*1955 in Prague, lives and works in Montréal). Examination of the body and identity, materiality and the processual plays a key part in Sterbak's multifaceted oeuvre. In her sculptural, performative, photographic and film works she generates both direct and indirect references to the conflicts of the human subject in the context of contemporary society, testing its extension as well as limitations, indicating its vulnerability as well as resilience, and sounding out the transition from the intimate to the public sphere. At the same time, subversive and ironic-humorous echoes resonate in Sterbak's works, helping her to uncover social conventions, constraints and role clichés.
Author | : Jonathon Keats |
Publisher | : Oxford University Press |
Total Pages | : 206 |
Release | : 2013 |
Genre | : Art |
ISBN | : 0199928355 |
According to Vasari, the young Michelangelo often borrowed drawings of past masters, which he copied, returning his imitations to the owners and keeping originals. Half a millennium later, Andy Warhol made a game of "forging" the Mona Lisa, questioning the entire concept of originality. Forged explores art forgery from ancient times to the present. In chapters combining lively biography with insightful art criticism, Jonathon Keats profiles individual art forgers and connects their stories to broader themes about the role of forgeries in society. From the Renaissance master Andrea del Sarto who faked a Raphael masterpiece at the request of his Medici patrons, to the Vermeer counterfeiter Han van Meegeren who duped the avaricious Hermann Göring, to the frustrated British artist Eric Hebborn, who began forging to expose the ignorance of experts, art forgers have challenged "legitimate" art in their own time, breaching accepted practices and upsetting the status quo. They have also provocatively confronted many of the present-day cultural anxieties that are major themes in the arts. Keats uncovers what forgeries—and our reactions to them—reveal about changing conceptions of creativity, identity, authorship, integrity, authenticity, success, and how we assign value to works of art. The book concludes by looking at how artists today have appropriated many aspects of forgery through such practices as street-art stenciling and share-and-share-alike licensing, and how these open-source "copyleft" strategies have the potential to make legitimate art meaningful again. Forgery has been much discussed—and decried—as a crime. Forged is the first book to assess great forgeries as high art in their own right.
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Publisher | : |
Total Pages | : 388 |
Release | : 1888 |
Genre | : |
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