Scripts, Screens and Audiences
Author | : Canada. Parliament. House of Commons. Standing Committee on Canadian Heritage |
Publisher | : |
Total Pages | : 231 |
Release | : 2005 |
Genre | : Cultural industries |
ISBN | : |
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Author | : Canada. Parliament. House of Commons. Standing Committee on Canadian Heritage |
Publisher | : |
Total Pages | : 231 |
Release | : 2005 |
Genre | : Cultural industries |
ISBN | : |
Author | : Canada. Parliament. House of Commons. Standing Committee on Canadian Heritage |
Publisher | : Standing Committee on Canadian Heritage |
Total Pages | : 252 |
Release | : 2005 |
Genre | : Motion picture industry |
ISBN | : |
Author | : Peter Markham |
Publisher | : Routledge |
Total Pages | : 285 |
Release | : 2020-09-07 |
Genre | : Performing Arts |
ISBN | : 1000173895 |
A structured perspective on the crucial interface of director and screenplay, this book encompasses twenty-two seminal aspects of the approach to story and script that a director needs to understand before embarking on all other facets of the director’s craft. Drawing on seventeen years of teaching filmmaking at a graduate level and on his prior career as a director and in production at the BBC, Markham shows how the filmmaker can apply rigorous analysis of the elements of dramatic narrative in a screenplay to their creative vision, whether of a short or feature, TV episode or season. Combining examination of such fundamental topics as story, premise, theme, genre, world and setting, tone, structure, and key images with the introduction of less familiar concepts such as cultural, social, and moral canvas, narrative point of view, and the journey of the audience, What’s The Story? The Director Meets Their Screenplay applies the insights of each chapter to a case study—the screenplay of the short film Contrapelo, nominated for the Jury Award at Tribeca in 2014. This book is an essential resource for any aspiring director who wants to understand exactly how to approach a screenplay in order to get the very best from it, and an invaluable resource for any filmmaker who wants to understand the important creative interplay between the director and screenplay in bringing a story to life.
Author | : Charlie Moritz |
Publisher | : Routledge |
Total Pages | : 233 |
Release | : 2013-12-02 |
Genre | : Performing Arts |
ISBN | : 1317796799 |
'If I was setting out as a screenwriter, this is the book I would read first and keep by me'– Melanie Harris, Producer, Crosslab Productions 'An excellent resource for students and teachers alike'– In the Picture '...a valuable addition to every screenwriting bookshelf' – Screentalk 'This is one of the best guides to help screenwriters think visually that I have ever read' – Creative Screenwriting 'The inventive exercises in Scriptwriting for the Screen give it the potential for revitalizing the experience of even experienced scriptwriters' – ' Scope’ Online Journal of Film Studies Scriptwriting for the Screen is an accessible guide to writing for film and television. It details the first principles of screenwriting and advises on the best way to identify and formulate a story and develop ideas in order to build a vivid, animated and entertaining script. Scriptwriting for the Screen introduces the reader to essential skills needed to write effective drama. This edition has been updated to include new examples and an entirely new chapter on adaptation. There are examples of scripts from a wide range of films and television dramas such as Heroes, Brokeback Mountain, Coronation Street, The English Patient, Shooting The Past, Spaced, Our Friends In the North and American Beauty. Scriptwriting for the Screen includes: advice on how to visualise action and translate this into energetic writing how to dramatise writing, use metaphor and deepen meaning tips on how to determine the appropriate level of characterisation for different types of drama practical exercises and examples which help develop technique and style a section on how to trouble-shoot and sharpen dialogue a guide to further reading
Author | : Robert H. Aft |
Publisher | : WIPO |
Total Pages | : 434 |
Release | : |
Genre | : Performing Arts |
ISBN | : |
“From Script to Screen” provides small and medium sized independent filmmakers with practical insights and advice on how to ensure efficient distribution of their audiovisual content while making use of their intellectual property. This training material takes the user through the pitfalls of the distribution process pointing out the importance of intellectual property during its different stages.
Author | : Eugene Vale |
Publisher | : Taylor & Francis |
Total Pages | : 223 |
Release | : 1998 |
Genre | : Drehbuch |
ISBN | : 0240803558 |
First Published in 1998. Routledge is an imprint of Taylor & Francis, an informa company.
Author | : Andrew Horton |
Publisher | : Rutgers University Press |
Total Pages | : 223 |
Release | : 2014-08-23 |
Genre | : Performing Arts |
ISBN | : 0813563429 |
Screenwriters often joke that “no one ever paid a dollar at a movie theater to watch a screenplay.” Yet the screenplay is where a movie begins, determining whether a production gets the “green light” from its financial backers and wins approval from its audience. This innovative volume gives readers a comprehensive portrait of the art and business of screenwriting, while showing how the role of the screenwriter has evolved over the years. Reaching back to the early days of Hollywood, when moonlighting novelists, playwrights, and journalists were first hired to write scenarios and photoplays, Screenwriting illuminates the profound ways that screenwriters have contributed to the films we love. This book explores the social, political, and economic implications of the changing craft of American screenwriting from the silent screen through the classical Hollywood years, the rise of independent cinema, and on to the contemporary global multi-media marketplace. From The Birth of a Nation (1915), Gone With the Wind (1939), and Gentleman’s Agreement (1947) to Chinatown (1974), American Beauty (1999), and Lost in Translation (2003), each project began as writers with pen and ink, typewriters, or computers captured the hopes and dreams, the nightmares and concerns of the periods in which they were writing. As the contributors take us behind the silver screen to chronicle the history of screenwriting, they spotlight a range of key screenplays that changed the game in Hollywood and beyond. With original essays from both distinguished film scholars and accomplished screenwriters, Screenwriting is sure to fascinate anyone with an interest in Hollywood, from movie buffs to industry professionals.
Author | : Scott MacDonald |
Publisher | : Univ of California Press |
Total Pages | : 351 |
Release | : 2023-11-10 |
Genre | : Performing Arts |
ISBN | : 0520913116 |
"Ask audience to cut the part of the image on the screen that they don't like. Supply scissors."—Yoko Ono, Tokyo, June 1964 A dazzling range of unconventional film scripts and texts, many published for the first time, make up Scott MacDonald's newest collection. Illustrated with nearly 100 film stills, this fascinating book is at once a reference work of film history and an unparalleled sampling of experimental "language art." It contributes to the very dissipation of boundaries between cinematic, literary, and artistic expression thematized in the films themselves. Each text and script is introduced and contextualized by MacDonald; a filmography and a bibliography round out the volume. This is a readable—often quite funny—literature that investigates differences between seeing and reading. Represented are avant-garde classics such as Hollis Frampton's Poetic Justice and Zorns Lemma and Morgan Fisher's Standard Gauge, and William Greaves's recently rediscovered Symbiopsychotaxiplasm: Take One. Michael Snow turns film loose on language in So Is This; Peter Rose turns language loose on theory in Pressures of the Text. Some of the most influential feminist filmscripts of recent decades—Laura Mulvey and Peter Wollen's Riddles of the Sphinx, Su Friedrich's Gently Down the Stream, Trinh T. Minh-ha's Reassemblage, Yvonne Rainer's Privilege—confirm this book's importance for readers in gender and cultural studies as well as for filmmakers and admirers of experimental writing, independent cinema, and the visual arts in general.
Author | : Scott MacDonald |
Publisher | : |
Total Pages | : 339 |
Release | : 1995 |
Genre | : Performing Arts |
ISBN | : 9780520080249 |
"Ask audience to cut the part of the image on the screen that they don't like. Supply scissors."--Yoko Ono, Tokyo, June 1964 A dazzling range of unconventional film scripts and texts, many published for the first time, make up Scott MacDonald's newest collection. Illustrated with nearly 100 film stills, this fascinating book is at once a reference work of film history and an unparalleled sampling of experimental "language art." It contributes to the very dissipation of boundaries between cinematic, literary, and artistic expression thematized in the films themselves. Each text and script is introduced and contextualized by MacDonald; a filmography and a bibliography round out the volume. This is a readable--often quite funny--literature that investigates differences between seeing and reading. Represented are avant-garde classics such as Hollis Frampton's Poetic Justice and Zorns Lemma and Morgan Fisher's Standard Gauge, and William Greaves's recently rediscovered Symbiopsychotaxiplasm: Take One. Michael Snow turns film loose on language in So Is This; Peter Rose turns language loose on theory in Pressures of the Text. Some of the most influential feminist filmscripts of recent decades--Laura Mulvey and Peter Wollen's Riddles of the Sphinx, Su Friedrich's Gently Down the Stream, Trinh T. Minh-ha's Reassemblage, Yvonne Rainer's Privilege--confirm this book's importance for readers in gender and cultural studies as well as for filmmakers and admirers of experimental writing, independent cinema, and the visual arts in general. "Ask audience to cut the part of the image on the screen that they don't like. Supply scissors."--Yoko Ono, Tokyo, June 1964 A dazzling range of unconventional film scripts and texts, many published for the first time, make up Scott MacDonald's newest collection. Illustrated with nearly 100 film stills, this fascinating book is at once a reference work of film history and an unparalleled sampling of experimental "language art." It contributes to the very dissipation of boundaries between cinematic, literary, and artistic expression thematized in the films themselves. Each text and script is introduced and contextualized by MacDonald; a filmography and a bibliography round out the volume. This is a readable--often quite funny--literature that investigates differences between seeing and reading. Represented are avant-garde classics such as Hollis Frampton's Poetic Justice and Zorns Lemma and Morgan Fisher's Standard Gauge, and William Greaves's recently rediscovered Symbiopsychotaxiplasm: Take One. Michael Snow turns film loose on language in So Is This; Peter Rose turns language loose on theory in Pressures of the Text. Some of the most influential feminist filmscripts of recent decades--Laura Mulvey and Peter Wollen's Riddles of the Sphinx, Su Friedrich's Gently Down the Stream, Trinh T. Minh-ha's Reassemblage, Yvonne Rainer's Privilege--confirm this book's importance for readers in gender and cultural studies as well as for filmmakers and admirers of experimental writing, independent cinema, and the visual arts in general.
Author | : Lewis Herman |
Publisher | : Plume |
Total Pages | : 324 |
Release | : 1952 |
Genre | : Fiction |
ISBN | : 9780452007468 |