Script Analysis For Actors Directors And Designers
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Author | : James Thomas |
Publisher | : Taylor & Francis |
Total Pages | : 379 |
Release | : 2004-11-05 |
Genre | : Performing Arts |
ISBN | : 1136082050 |
First Published in 2005. Routledge is an imprint of Taylor & Francis, an informa company.
Author | : James Michael Thomas |
Publisher | : Taylor & Francis |
Total Pages | : 389 |
Release | : 2009 |
Genre | : Literary Criticism |
ISBN | : 024081049X |
Script Analysis specifically for Actors, Directors, and Designers; the only book on this subject that covers the growing area of unconventional plays.
Author | : James Thomas |
Publisher | : Taylor & Francis |
Total Pages | : 249 |
Release | : 2023-11-08 |
Genre | : Performing Arts |
ISBN | : 1000985083 |
Script Analysis for Actors, Directors, and Designers, Seventh Edition, teaches the skills of script analysis using a formalist approach that examines the written part of a play to evaluate its potentials for performance and production. This new edition features new and revised content, including an analysis of two new plays, Kalidasa’s Shakuntala and Federico Garcia Lorca’s The House of Bernarda Alba; information for the theatre designer integrated in chapters throughout the book; and an expanded appendix on critical approaches to script analysis. Explorations of both classic and unconventional plays are combined with clear examples, end-of-chapter summaries, and stimulating questions that will allow actors, directors, and designers to immediately incorporate the concepts and processes into their theatre production work. An excellent resource for students of acting, script analysis, directing, playwriting, and stage design courses, this book provides the tools to effectively bring a script to life on stage.
Author | : Robert Knopf |
Publisher | : Bloomsbury Publishing |
Total Pages | : 201 |
Release | : 2017-02-09 |
Genre | : Performing Arts |
ISBN | : 1408185180 |
Script Analysis for Theatre: Tools for Interpretation, Collaboration and Production provides theatre students and emerging theatre artists with the tools, skills and a shared language to analyze play scripts, communicate about them, and collaborate with others on stage productions. Based largely on concepts derived from Stanislavski's system of acting and method acting, the book focuses on action - what characters do to each other in specific circumstances, times, and places - as the engine of every play. From this foundation, readers will learn to distinguish the big picture of a script, dissect and 'score' smaller units and moment-to-moment action, and create individualized blueprints from which to collaborate on shaping the action in production from their perspectives as actors, directors, and designers. Script Analysis for Theatre offers a practical approach to script analysis for theatre production and is grounded in case studies of a range of the most studied plays, including Sophocles' Oedipus the King, Shakespeare's Twelfth Night, Henrik Ibsen's Hedda Gabler, Georg Büchner's Woyzeck, Oscar Wilde's The Importance of Being Earnest, Tennessee Williams's A Streetcar Named Desire, and Paula Vogel's How I Learned to Drive, among others. Readers will develop the real-life skills professional theatre artists use to design, rehearse, and produce plays.
Author | : David Kahn |
Publisher | : SIU Press |
Total Pages | : 212 |
Release | : 1995 |
Genre | : Literary Criticism |
ISBN | : 9780809317592 |
Directors can use this unique guidebook for new play development from the beginning to the end of the process. Kahn and Breed explore ways of choosing new projects, talk about where to find new scripts, and explore the legal aspects of script development. They present a detailed system for theatrical analysis of the new script and show how to continue exploration and development of the script within the laboratory of the theatre. Most importantly, they delineate the parameters of the relationship between the director and the playwright, offering proven methods to help the playwright and to facilitate the healthy development of the script. Kahn and Breed offer suggestions on casting, incorporating rewrites, and script handling plus how and when to use audience response and how to decide what step to take next. They also include extended interviews with developmental directors, dramaturgs, and playwrights, who give credence to the new script development process.
Author | : David Ball |
Publisher | : SIU Press |
Total Pages | : 108 |
Release | : 1983 |
Genre | : Education |
ISBN | : 9780809311101 |
"Considered an essential text since its publication thirty-five years ago, this guide for students and practitioners of both theater and literature complements, rather than contradicts or repeats, traditional methods of literary analysis of scripts
Author | : Harold Clurman |
Publisher | : Simon and Schuster |
Total Pages | : 332 |
Release | : 1997-04-03 |
Genre | : Performing Arts |
ISBN | : 0684826224 |
Originally published: New York: Collier Books, 1972.
Author | : Damon Kiely |
Publisher | : Routledge |
Total Pages | : 217 |
Release | : 2016-03-17 |
Genre | : Performing Arts |
ISBN | : 1317283635 |
How to Read a Play outlines the cruicial work required for a play before the first rehearsal, the first group reading or even the before the cast have met. Directors and dramaturgs must know how to analyze, understand and interpret a play or performance text if they hope to bring it to life on the stage. This book provides a broad range of tools and methods that can be used when reading a text, including: Lessons from the past. What can we learn from Aristotle, Stanislavsky, Meyerhold, Vakhtangov, Brecht and Harold Clurman? This section establishes the models and methods that underpin much of a director’s work today. A survey of current practices in Western theatre. A combination of research, interviews and observation of practical work addresses the main stages in understanding a play, such as getting to know characters, sharing ideas, mapping the action and grappling with language. A workbook, setting out twenty one ways of breaking down a play, from the general to the particular. Contributions, reflections and interjections from a host of successful directors make this the ideal starting point for anyone who wants to direct a play, or even devise one of their own. This wide range of different approaches, options and techniques allows each reader to create their own brand of play analysis.
Author | : Jeromy Hopgood |
Publisher | : Taylor & Francis |
Total Pages | : 433 |
Release | : 2017-10-30 |
Genre | : Performing Arts |
ISBN | : 135171371X |
Used from Broadway to Britain's West End, QLab software is the tool of choice for many of the world's most prominent sound, projection, and integrated media designers. QLab 4: Projects in Video, Audio, and Lighting Control is a project-based book on QLab software covering sound, video, lighting, and show control. With information on audio, video, and lighting system basics and the more advanced functions of QLab such as show control, network capabilities, projection mapping, video effects, and cue cart integration, each chapter's specific projects will allow you to learn the software's capabilities at your own pace. In addition to the text, a companion website hosts project files, instructional videos, and more.
Author | : Cicely Berry |
Publisher | : Random House |
Total Pages | : 306 |
Release | : 2012-02-29 |
Genre | : Performing Arts |
ISBN | : 0753547341 |
Cicely Berry, Voice Director of the Royal Shakespeare Company, is world-famous for her voice teaching. The Actor and the Text is her classic book, distilled from years of working with actors of the highest calibre.