Screening Out the Past
Author | : Lary May |
Publisher | : |
Total Pages | : 304 |
Release | : 1983 |
Genre | : Culture in motion pictures |
ISBN | : |
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Author | : Lary May |
Publisher | : |
Total Pages | : 304 |
Release | : 1983 |
Genre | : Culture in motion pictures |
ISBN | : |
Author | : Robert Cherry |
Publisher | : Rowman & Littlefield |
Total Pages | : 255 |
Release | : 2021-04-15 |
Genre | : Social Science |
ISBN | : 1538143135 |
At the beginning of the twentieth century, Jewish immigrants upended Protestant control of vaudeville and the silent film industry. This book rejects the commonly held explanations for this shift: Jewish commercial acumen and their desire to assimilate. Instead, this book argues that the “pleasure principle”—a positive view of bodily pleasures and sexuality that Jewish immigrants held ––gave rise to the role of Jewish influence on popular culture, an influence still felt today. After discussing the pivotal ascendancy of Jews in vaudeville and silent films, Cherry explores the important role that Jewish performers and middlemen played in the evolution of popular culture throughout the century, from stage and the big screen to radio, television, and the music industry. He concludes with a broader discussion of Jewish values that helps explain the continued outsized role that Jews continue to play in American popular culture.
Author | : Pam Cook |
Publisher | : Routledge |
Total Pages | : 265 |
Release | : 2004-08-02 |
Genre | : History |
ISBN | : 1134670990 |
From Mildred Pierce and Brief Encounter to Raging Bull and In the Mood for Love, this lively and accessible collection explores film culture's obsession with the past, offering searching and provocative analyses of a wide range of titles. Screening the Past engages with current debates about the role of cinema in mediating history through memory and nostalgia, suggesting that many films use strategies of memory to produce diverse forms of knowledge which challenge established ideas of history, and the traditional role of historians. Classic essays sit side by side with new research, contextualized by introductions which bring them up to date, and provide suggestions for further reading as the work of contemporary directors such as Martin Scorsese, Kathryn Bigelow, Todd Haynes and Wong Kar-wai is used to examine the different ways they deploy creative processes of memory. Pam Cook also investigates the recent history of film studies, reviewing the developments that have culminated in the exciting, if daunting, present moment. The result is a rich and stimulating volume that will appeal to anyone with an interest in cinema, memory and identity.
Author | : John D. Fairfield |
Publisher | : Temple University Press |
Total Pages | : 369 |
Release | : 2010-03-26 |
Genre | : History |
ISBN | : 1439902127 |
In his compelling reinterpretation of American history, The Public and Its Possibilities, John Fairfieldargues that our unrealized civic aspirations provide the essential counterpoint to an excessive focus on private interests. Inspired by the revolutionary generation, nineteenth-century Americans struggled to build an economy and a culture to complement their republican institutions. But over the course of the twentieth century, a corporate economy and consumer culture undercut civic values, conflating consumer and citizen. Fairfield places the city at the center of American experience, describing how a resilient demand for an urban participatory democracy has bumped up against the fog of war, the allure of the marketplace, and persistent prejudices of race, class, and gender. In chronicling and synthesizing centuries of U.S. history—including the struggles of the antislavery, labor, women’s rights movements—Fairfield explores the ebb and flow of civic participation, activism, and democracy. He revisits what the public has done for civic activism, and the possibility of taking a greater role. In this age where there has been a move towards greater participation in America's public life from its citizens, Fairfield’s book—written in an accessible, jargon-free style and addressed to general readers—is especially topical.
Author | : Michael Flynn |
Publisher | : Columbia University Press |
Total Pages | : 327 |
Release | : 2012-09-18 |
Genre | : Social Science |
ISBN | : 0231526970 |
Before 9/11, films addressing torture outside of the horror/slasher genre depicted the practice in a variety of forms. In most cases, torture was cast as the act of a desperate and depraved individual, and the viewer was more likely to identify with the victim rather than the torturer. Since the terrorist attacks of September 11, 2001, scenes of brutality and torture in mainstream comedies, dramatic narratives, and action films appear for little other reason than to titillate and delight. In these films, torture is devoid of any redeeming qualities, represented as an exercise in brutal senselessness carried out by authoritarian regimes and institutions. This volume follows the shift in the representation of torture over the past decade, specifically in documentary, action, and political films. It traces and compares the development of this trend in films from the United States, Europe, China, Latin America, South Africa, and the Middle East. Featuring essays by sociologists, psychologists, historians, journalists, and specialists in film and cultural studies, the collection approaches the representation of torture in film and television from multiple angles and disciplines, connecting its aesthetics and practices to the dynamic of state terror and political domination.
Author | : Peter X. Feng |
Publisher | : Rutgers University Press |
Total Pages | : 324 |
Release | : 2002 |
Genre | : Business & Economics |
ISBN | : 9780813530253 |
A Choice Outstanding Academic Title "Cover to cover, Screening Asian Americans, a collection of 15 essays, is fabulous."--AsianWeek.com "This scholarly book uses 15 contributors to explore the various images of Asians, many of which have been negative."-Burlington County Times This innovative essay collection explores Asian American cinematic representations historically and socially, on and off screen, as they contribute to the definition of American character. The history of Asian Americans on movie screens, as outlined in Peter X Feng's introduction, provides a context for the individual readings that follow. Asian American cinema is charted in its diversity, ranging across activist, documentary, experimental, and fictional modes, and encompassing a wide range of ethnicities (Filipino, Vietnamese, Indian, Japanese, Korean, Chinese, and Taiwanese). Covered in the discussion are filmmakers--Theresa Hak Kyung Cha, Ang Lee, Trinh T. Minh-ha, and Wayne Wang--and films such as The Wedding Banquet, Surname Viet Given Name Nam, and Chan is Missing. Throughout the volume, as Feng explains, the term screening has a twofold meaning-referring to the projection of Asian Americans as cinematic bodies and the screening out of elements connected with these images. In this doubling, film representation can function to define what is American and what is foreign. Asian American filmmaking is one of the fastest growing areas of independent and studio production. This volume is key to understanding the vitality of this new cinema. A volume in the Depth of Field Series, edited by Charles Affron, Mirella Jona Affron, and Robert Lyons Peter X Feng teaches English and women's studies at the University of Delaware.
Author | : Michael McGerr |
Publisher | : Simon and Schuster |
Total Pages | : 428 |
Release | : 2010-05-11 |
Genre | : History |
ISBN | : 1439136033 |
The Progressive Era, a few brief decades around the turn of the last century, still burns in American memory for its outsized personalities: Theodore Roosevelt, whose energy glinted through his pince-nez; Carry Nation, who smashed saloons with her axe and helped stop an entire nation from drinking; women suffragists, who marched in the streets until they finally achieved the vote; Andrew Carnegie and the super-rich, who spent unheard-of sums of money and became the wealthiest class of Americans since the Revolution. Yet the full story of those decades is far more than the sum of its characters. In Michael McGerr's A Fierce Discontent America's great political upheaval is brilliantly explored as the root cause of our modern political malaise. The Progressive Era witnessed the nation's most convulsive upheaval, a time of radicalism far beyond the Revolution or anything since. In response to the birth of modern America, with its first large-scale businesses, newly dominant cities, and an explosion of wealth, one small group of middle-class Americans seized control of the nation and attempted to remake society from bottom to top. Everything was open to question -- family life, sex roles, race relations, morals, leisure pursuits, and politics. For a time, it seemed as if the middle-class utopians would cause a revolution. They accomplished an astonishing range of triumphs. From the 1890s to the 1910s, as American soldiers fought a war to make the world safe for democracy, reformers managed to outlaw alcohol, close down vice districts, win the right to vote for women, launch the income tax, take over the railroads, and raise feverish hopes of making new men and women for a new century. Yet the progressive movement collapsed even more spectacularly as the war came to an end amid race riots, strikes, high inflation, and a frenzied Red scare. It is an astonishing and moving story. McGerr argues convincingly that the expectations raised by the progressives' utopian hopes have nagged at us ever since. Our current, less-than-epic politics must inevitably disappoint a nation that once thought in epic terms. The New Deal, World War II, the Cold War, the Great Society, and now the war on terrorism have each entailed ambitious plans for America; and each has had dramatic impacts on policy and society. But the failure of the progressive movement set boundaries around the aspirations of all of these efforts. None of them was as ambitious, as openly determined to transform people and create utopia, as the progressive movement. We have been forced to think modestly ever since that age of bold reform. For all of us, right, center, and left, the age of "fierce discontent" is long over.
Author | : Linda Williams |
Publisher | : Duke University Press |
Total Pages | : 426 |
Release | : 2008-09-23 |
Genre | : Performing Arts |
ISBN | : 0822388634 |
For many years, kisses were the only sexual acts to be seen in mainstream American movies. Then, in the 1960s and 1970s, American cinema “grew up” in response to the sexual revolution, and movie audiences came to expect more knowledge about what happened between the sheets. In Screening Sex, the renowned film scholar Linda Williams investigates how sex acts have been represented on screen for more than a century and, just as important, how we have watched and experienced those representations. Whether examining the arch artistry of Last Tango in Paris, the on-screen orgasms of Jane Fonda, or the anal sex of two cowboys in Brokeback Mountain, Williams illuminates the forms of pleasure and vicarious knowledge derived from screening sex. Combining stories of her own coming of age as a moviegoer with film history, cultural history, and readings of significant films, Williams presents a fascinating history of the on-screen kiss, a look at the shift from adolescent kisses to more grown-up displays of sex, and a comparison of the “tasteful” Hollywood sexual interlude with sexuality as represented in sexploitation, Blaxploitation, and avant-garde films. She considers Last Tango in Paris and Deep Throat, two 1972 films unapologetically all about sex; In the Realm of the Senses, the only work of 1970s international cinema that combined hard-core sex with erotic art; and the sexual provocations of the mainstream movies Blue Velvet and Brokeback Mountain. She describes art films since the 1990s, in which the sex is aggressive, loveless, or alienated. Finally, Williams reflects on the experience of screening sex on small screens at home rather than on large screens in public. By understanding screening sex as both revelation and concealment, Williams has written the definitive study of sex at the movies. Linda Williams is Professor of Film Studies and Rhetoric at the University of California, Berkeley. Her books include Porn Studies, also published by Duke University Press; Playing the Race Card: Melodramas of Black and White from Uncle Tom to O. J. Simpson; Viewing Positions: Ways of Seeing Film; and Hard Core: Power, Pleasure, and the “Frenzy of the Visible.” A John Hope Franklin Center Book November 424 pages 129 illustrations 6x9 trim size ISBN 0-8223-0-8223-4285-5 paper, $24.95 ISBN 0-8223-0-8223-4263-4 library cloth edition, $89.95 ISBN 978-0-8223-4285-4 paper, $24.95 ISBN 978-0-8223-4263-2 library cloth edition, $89.95
Author | : Susan Flynn |
Publisher | : McFarland |
Total Pages | : 218 |
Release | : 2021-07-26 |
Genre | : Performing Arts |
ISBN | : 1476680744 |
This book examines American screen culture and its power to create and sustain values. Looking specifically at the ways in which nostalgia colors the visions of American life, essays explore contemporary American ideology as it is created and sustained by the screen. Nostalgia is omnipresent, selling a version of America that arguably never existed. Current socio-cultural challenges are played out onscreen and placed within the historical milieu through a nostalgic lens which is tempered by contemporary conservatism. Essays reveal not only the visual catalog of recognizable motifs but also how these are used to temper the uncertainty of contemporary crises. Media covered spans from 1939's Gone with the Wind, to Stranger Things, The Americans, Twin Peaks, the Fallout franchise and more.
Author | : Susan Currell |
Publisher | : Edinburgh University Press |
Total Pages | : 272 |
Release | : 2009-03-21 |
Genre | : Social Science |
ISBN | : 0748630856 |
Introduces the major cultural and intellectual trends of the decade by introducing and assessing the development of the primary cultural forms: namely, Fiction, Poetry and Drama, Music and Performance, Film and Radio, and Visual Art and Design. A fifth chapter focuses on the unprecedented rise in the 1920s of Leisure and Consumption.